Teddy, working at an advertising agency, has to come up with a campaign for frozen porridge.Teddy, working at an advertising agency, has to come up with a campaign for frozen porridge.Teddy, working at an advertising agency, has to come up with a campaign for frozen porridge.
Frances de la Tour
- Maud Crape
- (as Frances De la Tour)
5.0566
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Featured reviews
A mess.
Marty Feldman was a likable and gifted comedian, but that doesn't mean he couldn't star in some lousy films. Take this terrible comedy for example: the bizarre, sometimes cute fantasy sequences are its only saving grace. This only goes to prove that if you want to turn chaos into comedy, you have to be really good at it (like the Marx Brothers were); otherwise, you'll end up being merely chaotic. (*1/2 )
Meh
Very 70's and very English. The Brits love their vicars. And the 70s loved the exploration of sex. Catchy theme song.
There's lots of Monty Python-esque tomfoolery as well. It's a weird films. Especially the sound. It has a dubbed quality to it, almost like it was made in Japan and dubbed in English. Only it's not.
Makes for weird viewing.
Not a lot of nudity despite the cover art and film concept.
The bottom line is this -- I really wanted to like this film. I'm a fan of English humor and Marty Feldman. But in the end, it's not really a good film. It will not deliver any belly laughs.
There's lots of Monty Python-esque tomfoolery as well. It's a weird films. Especially the sound. It has a dubbed quality to it, almost like it was made in Japan and dubbed in English. Only it's not.
Makes for weird viewing.
Not a lot of nudity despite the cover art and film concept.
The bottom line is this -- I really wanted to like this film. I'm a fan of English humor and Marty Feldman. But in the end, it's not really a good film. It will not deliver any belly laughs.
swirling graphics and sublimely surreal moments
This is far better a film than I expected. I knew Marty Feldman would be good but I rather expected the usual British sex comedy ingredients of unfunny sequences with men (too old) falling over as they scramble towards very average looking girls (all the while squealing). Big surprise then, for this is an intelligent, inspired and inventive exercise, being very much of its time and all the better for it. The spoof TV adverts at the start threaten to overwhelm but thanks to Richard Williams' inspired animation all turns out very well and the picture is very representative of the time, with swirling graphics and sublimely surreal moments (tube of toothpaste car with dwarfs inside!). Good script with political and social satire and some funny lines. Julie Ege far, far better than one might have imagined and indeed there are more good looking girls in this than in all the rest of similar films of the period put together. There is a slightly over extended sequence towards the end in the TV props department but even here there is inventiveness and overall a very good effort that must surely have been as much fun to make as to watch.
Some good sequences in a misfire
Marty was one of the great talents of his generation.I was a fan particularly of his writing on Round The Horne. However he didn't seem to have great success when it came to films in the UK.There are some funny sequences in this film,but as a whole it is wanting.He didn't try again here for 7 years.Incidentally it is curious that this film has a low rating but 14 out of 20 reviewers have rated this 7 or above.
A truly funny film!
This still remains in my memory as one of the funniest films ever. In that respect, it was very much ahead of it's time, certainly for 1970. A number of current and future stars were cast very cleverly (who could imagine Penelope Keith, for example, as a German lesbian, and a former mud-wrestler to boot??!!). This film poked fun at almost every aspect of the Establishment, and that is not a bad thing - but very brave at the time, I would suggest. An absolute classic, in my view.
Did you know
- TriviaVeteran actress Patience Collier plays a "Mrs. Levin" in the film, and is outrageously made up to resemble a transvestite version of the eminent journalist and broadcaster Bernard Levin, a friend of producer Ned Sherrin and one of the stars of Sherrin's most famous TV series, "That Was the Week That Was (1962)" (1962).
- Quotes
Inga Giltenburg: [Subtitles in Swedish dream sequence] This was your first time? What did you think of it?
Teddy Brown: It's better than open sandwiches.
- Crazy creditsDuring the opening credits, all the "by"s are replaced with "buy"s.
- ConnectionsFeatured in Funny Turns: Penelope Keith: Lady of the Manor (2000)
- SoundtracksEvery Home Should Have One
(uncredited)
Music by John Cameron (uncredited)
Title Lyric BUY Caryl Brahms & Ned Sherrin
Sung BUY Millicent Martin
- How long is Every Home Should Have One?Powered by Alexa
Details
- Runtime
- 1h 34m(94 min)
- Sound mix
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