The Executioner

I watched this film last night on YouTube and although there was a lot to like...the film also seemed choppy...especially at the beginning. As a result, the context for what was happening felt missing for some time as things were not clearly spelled out by the script.

George Peppard is VERY oddly cast as a British secret service agent. The film says he was British but was raised in America in order to explain his lack of a British accent...which he never even approximated. I don't know why they did this...perhaps they were thinking adding an American would make the film more marketable...but also confusing.

The story begins with the communists capturing a bunch of British agents. Obviously someone was a traitor but when John Shay (Peppard) wants to investigate this, his superiors are strangely antagonistic towards him. So, he decides on his own to investigate...and this ends up meaning killing the man he suspects of being the turncoat. What else? See the movie.

Peppard's character is easy to like or hate. On the negative side, he's extremely terse and you learn very little about him. But, on the positive, you might assume an agent would be exactly that way...in order to prevent them from saying the wrong thing.

So is it any good? Well, I liked the story but just felt that Peppard was a bit too flat. Not a terrible film by any stretch...but I couldn't help but think it could have been better.

Deep in plot factors and to some perhaps slow in development (but layered spy films need to "develop" to set the story in play). But steeped in cold war motivations and sensibilities of the time. Peppard is driven to do his job well, with concern for protecting those things and people he values. Twists and turns confront him, but he resolves the factors. But then there is that final and jaw-dropping question which is the final line of the film!

His former controller offers him a position of command within the British espionage structure from which George Peppard has left. Disgusted with the way in which the prior situation was handled (set up by his overseers) Peppard might be presumed to say NO, but my presumption is that the answer would have been YES.

Watch the film and screw your head on tight, no exits to bathroom without pause button pushed, this is not a trivial action film.

THE EXECUTIONER is one of those dark and dour ultra-realistic spy films that came out in the wake of THE SPY WHO CAME IN FROM THE COLD, directed by Sam Wanamaker and starring THE A-TEAM's George Peppard. The story sees Peppard being tasked with finding a double agent by his superiors Nigel Patrick and Charles Gray, but most of the running time consists of him lurking around with his vibrant assistant Judy Geeson and later meeting Joan Collins. It's a dismal piece, devoid of warmth and humanity, punctuated by the occasional shocking moment, and one that ends with something of an anticlimax. Where's the spark?

Severe and merciless penalties should be given to people who dare to write a screenplay that is titled "The Executioner" and then subsequently deliver a film that is indescribably boring and almost doesn't contain any action whatsoever; let alone executions! I read in a few reviews that this is the more intelligent espionage thriller… You know, the type of film that gives realistic insights in the true world of secret agents rather than the contemporary James Bond movies that were all about stunts, flamboyance and gadgetry. Well, it may or may not be true that "The Executioner" is realistic but it's certainly NOT entertaining and certainly NOT the least bit memorable, unlike the vast majority of James Bond episodes. To make things even worse: the movie starts out extremely promising, with Peppard strolling around in the garden of a luxurious villa where just a bloody massacre took place. There are bloodied corpses left, right and at the bottom of the pool. Unfortunately, the boring 100 minutes that follow are a giant flashback clarifying the building up towards this massacre. American actor George Peppard depicts British secret agent John Shay. He explains at least a dozen times that his Yankee accent comes from the fact that he was raised in America. Shay suspects that his colleague Adam Booth is a double- agent who betrays the Queen by passing secret information to the Russians. Shay's superiors don't believe him, or perhaps they are protecting Booth, and he even gets suspended. Shay remains certain that he's right and seeks for further evidence in Greece, although it may also just be that he's jealous, because Booth is married to the beautiful Sarah with whom Shay once had an affair. "The Executioner" is a long – seemingly endless, in fact – and dreadfully tedious series of pointless dialogues and newly introduced characters of which you don't know who they are and why they are relevant to the plot. There isn't any suspense or mystery, and you don't feel the least bit connected with any of the lead characters, especially John Shay because he behaves like an arrogant and stubborn little boy. I was never a big fan of George Peppard, apart from his roles in the movies "Damnation Alley" and "Race for the Yankee Zephyr". His performance here is one of the most monotonous and indifferent I've ever seen. I can't write anything positive about "The Executioner", except that Judy Geeson is cute and that it's always a pleasure to watch Charles Gray (although his role is immensely dull as well)

I recently watched The Executioner (1970) on YouTube after spotting the movie poster at Alamo Drafthouse. The film follows a British secret service agent assigned to determine whether one of his colleagues is a double agent. Despite being warned not to investigate, he becomes personally invested when he discovers that a former lover is now the suspected agent's wife.

Directed by Sam Wanamaker (Sinbad and the Eye of the Tiger), the film stars George Peppard (Breakfast at Tiffany's), Joan Collins (Dynasty), Judy Geeson (The Lords of Salem), and Charles Gray (Diamonds Are Forever).

This is one of those films that follows the Bond formula-espionage, beautiful women, and larger-than-life obstacles for the hero to overcome, all while maintaining a suave and sophisticated demeanor. The cast fits their roles well and is entertaining, though they don't quite command the screen like in a Bond movie. The villain also could have been a bit more imposing. That said, the film's aesthetics-attire, cars, planes, backdrops, and props-fully immerse you in its world. The storyline is fairly straightforward but engaging, and the action sequences are well executed.

Overall, The Executioner is a solid espionage thriller that fans of the genre should check out. I'd give it a 7/10.