The world is divided into factions, on opposite sides of issues; each side is, of course, right. And so the gap between the people grows, until someone challenges the absolutist view of what... Read allThe world is divided into factions, on opposite sides of issues; each side is, of course, right. And so the gap between the people grows, until someone challenges the absolutist view of what's "right."The world is divided into factions, on opposite sides of issues; each side is, of course, right. And so the gap between the people grows, until someone challenges the absolutist view of what's "right."
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I used this film with high schoolers in the middle 70s. I believe it's a good time to remind students again of the tremendous gap we sometimes experience when so many of us feel we have the only right answers. This film depicts various groups and the great divide among them so vividly, that I still recall the images and Wells' booming narrative, even though it's been almost 30 years since I've seen a copy. It's a great open-ended examination of truth, and how different points of view affect us all. The issues may have changed since the 70s, but attitudes have not, and those issues still divide our nation. The Hawks and Doves, the Old and Young, etc. battle it out, believing Right is Might. The message of tolerance is clearly conveyed. I would love to find a copy to share with today's teenagers.
Lee Mishkin's Oscar-winning "Is It Always Right to Be Right?" looks partly at the generation gap of the 1960s but more generally at polarization in general: both sides are so convinced of their rectitude that society suffers stagnation. Sound familiar? Narrated by Orson Welles, the cartoon makes the point that both sides have legitimate arguments. The setting never gets identified but it's clearly the US, with the adults emphasizing the high quality of life and the young people emphasizing the prominence of racism and militarism. All very important points.
This cartoon reminds us that not only do cartoons not have to be "cute" (animation is simply another type of filmmaking), but it's one of the best ways to draw attention to society's problems. I definitely recommend it.
This cartoon reminds us that not only do cartoons not have to be "cute" (animation is simply another type of filmmaking), but it's one of the best ways to draw attention to society's problems. I definitely recommend it.
It's a brief and penetrating parable about a land in which people thought they must be "right" and to admit otherwise was a sign of weakness. Nobody said, "You might be right." Nobody said, "I could be wrong." The population was divided on many issues and the gulf between them grew.
This won an Academy Award in 1970 and the groups described now look a little dusty with age -- doves and hawks, young and old. But the moral remains the same, though the self-righteous groups are now different.
The message is that we have to overcome our sense of certainty and build bridges across those gulfs to find common ground. It's easier said than done because building a bridge between two antagonistic groups requires at least two heroes, one on each side of the chasm. The heroes must not only appeal to the group across the gulf, who are likely to throw rotten fruit at them because they are "enemies." The heroes must also brave the insults of the group they BELONG to, because they'll be scorned as traitors to the cause or the race.
The issue is tied to the concept of manliness. If an armed man approached Clint Eastwood and ordered him to get out of town, would Clint Eastwood reply, "Can't we sit down and talk this over before one of us gets hurt?" No. No, he wouldn't. Neither would John Wayne. That concept of masculinity is a little limited. Japanese kamikaze pilots left little dolls and haiku behind for their loved ones. On the night before a battle, Greek generals would discuss philosophy and write poems. Any warrior doing that today would have one foot in fairydom.
Those gulfs look wider today that they did forty-five years ago and not much seems to have changed. During his campaign, one man said, "I'm not going to change my mind because it's made up, and I'm not the kind of guy who changes his mind once it's made up." We liked that so much we elected him president.
It's a conundrum and possibly there is no solution. Of course I may be wrong.
This won an Academy Award in 1970 and the groups described now look a little dusty with age -- doves and hawks, young and old. But the moral remains the same, though the self-righteous groups are now different.
The message is that we have to overcome our sense of certainty and build bridges across those gulfs to find common ground. It's easier said than done because building a bridge between two antagonistic groups requires at least two heroes, one on each side of the chasm. The heroes must not only appeal to the group across the gulf, who are likely to throw rotten fruit at them because they are "enemies." The heroes must also brave the insults of the group they BELONG to, because they'll be scorned as traitors to the cause or the race.
The issue is tied to the concept of manliness. If an armed man approached Clint Eastwood and ordered him to get out of town, would Clint Eastwood reply, "Can't we sit down and talk this over before one of us gets hurt?" No. No, he wouldn't. Neither would John Wayne. That concept of masculinity is a little limited. Japanese kamikaze pilots left little dolls and haiku behind for their loved ones. On the night before a battle, Greek generals would discuss philosophy and write poems. Any warrior doing that today would have one foot in fairydom.
Those gulfs look wider today that they did forty-five years ago and not much seems to have changed. During his campaign, one man said, "I'm not going to change my mind because it's made up, and I'm not the kind of guy who changes his mind once it's made up." We liked that so much we elected him president.
It's a conundrum and possibly there is no solution. Of course I may be wrong.
With Orson Welles' stentorian voice, he lays out what mankind needs. There is little to argue with unless your ox is being gored. All the bromides we have heard for decades are laid out, and they sound good. The problem lies in the the larger humanity, who want to be one of the factions. Simplistic and trite.
In 1972 I started teaching Race Relations in the Air Force. Many say that the Armed Services are conservative or bigoted, but this is an example of the forward thinking of the Air Force as this was one of the first films purchased for our program. It is probably one of the most powerful short films about bigotry and closed mindedness I have ever seen. Men and women of all ranks thought that the message was clear and meaningful. I wish it were available today, I am still in Social Work and while I primarily do therapy, the message is applicable to marriage counseling, domestic violence, anger control and even substance abuse group therapy. If any one has a copy I would appreciate contacting me at facts1@swbell.net
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