Two friends rob a bank and hide the loot in a coffin at the funeral parlor where one of them works. A nurse's greed and a detective's questionable tactics complicate matters.Two friends rob a bank and hide the loot in a coffin at the funeral parlor where one of them works. A nurse's greed and a detective's questionable tactics complicate matters.Two friends rob a bank and hide the loot in a coffin at the funeral parlor where one of them works. A nurse's greed and a detective's questionable tactics complicate matters.
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"Loot" is a British comedy based on a Joe Orton play with a dark, funny premise. Young men manage to steal money from a bank vault, attempt to hide it in a coffin that already holds a body, remove the body, and then are stuck attempting to hide both.
Hywel Bennett plays Dennis, one of the young robbers, who lays every woman in sight; Milo O'Shea plays his father; Richard Attenborough is the Inspector on the bank case; and Lee Remick plays a sexy nurse caring for Dennis' mother and looking for a rich man. I confess it took me a while to recognize her. She looks totally different here as a sexy, bombshell blonde, and speaks with an accent.
This is a very '60s film, sort of Carry on Doctor Meets Caper Film, and some of it comes off as a little tired and frantic today. Still, the acting is good, and it is an amusing story. Made even a few years later, it might have been a darker and tighter film.
Hywel Bennett plays Dennis, one of the young robbers, who lays every woman in sight; Milo O'Shea plays his father; Richard Attenborough is the Inspector on the bank case; and Lee Remick plays a sexy nurse caring for Dennis' mother and looking for a rich man. I confess it took me a while to recognize her. She looks totally different here as a sexy, bombshell blonde, and speaks with an accent.
This is a very '60s film, sort of Carry on Doctor Meets Caper Film, and some of it comes off as a little tired and frantic today. Still, the acting is good, and it is an amusing story. Made even a few years later, it might have been a darker and tighter film.
I am rarely tempted to add my own thoughts on any film on IMDb, but when the review for the black farce that is LOOT is compared less than favourably to WEEKEND AT BERNIES in all seriousness then even I feel I have to hitch up the keyboard and redress the situation.
These are two films that are from totally different worlds.
W.A.B's is an American teen romp, the kind that keep the tit and ass count down to get as many 15 year olds in to the multiplex, whilst LOOT is the second to last play written by Joe Orton the darling of the mid sixties theatre scene in London.
Now I have never particularly liked LOOT as a play or as a film, preferring Entertaining Mr Sloane, Berly Reid's performance being worth the price of admission alone, but to compare it to W.A.B.'s is like comparing Hamlet to GHOST because of the presence of a spook in them. But it is easily a far superior film, yes it is a little creaky and the farce is shoe horned in but then that was Orton's style.
LOOT is an example of the sad fag end of the sixties as they misfired to a close.I half expect to see Withnail and I come lurching over the horizon like spectres.
Weekend At Bernies indeed.
see also "Entertaining Mr.Sloane" and the bio pic "Prick Up Your Ears".
These are two films that are from totally different worlds.
W.A.B's is an American teen romp, the kind that keep the tit and ass count down to get as many 15 year olds in to the multiplex, whilst LOOT is the second to last play written by Joe Orton the darling of the mid sixties theatre scene in London.
Now I have never particularly liked LOOT as a play or as a film, preferring Entertaining Mr Sloane, Berly Reid's performance being worth the price of admission alone, but to compare it to W.A.B.'s is like comparing Hamlet to GHOST because of the presence of a spook in them. But it is easily a far superior film, yes it is a little creaky and the farce is shoe horned in but then that was Orton's style.
LOOT is an example of the sad fag end of the sixties as they misfired to a close.I half expect to see Withnail and I come lurching over the horizon like spectres.
Weekend At Bernies indeed.
see also "Entertaining Mr.Sloane" and the bio pic "Prick Up Your Ears".
Got recommended to me by a friend who loves the cars displayed in the film (Triumph Mayflower, car used for the actual heist)... but I must say, I really enjoyed this (seemingly trashy) film: it made up with wit, sharp dialogue and humor for some wicked plot points and awkward slap-stick situations.
It may mystify those hooked on two modern types of comedy film: those which mock the people who don't conform and those which don't ever rise beyond crude vaudeville. Loot sympathises with those who defy and subvert social codes.
The visual aspect of the film got me, as well: the color coding of the set design, character blocking and image compositions are very well done. Very cramped, chaotic, blindingly colorful (enhanced by analogue film and how it filters colors) and brimmed with humor and details. Especially I liked the mansion of the dead mother with its exuberant vintage opulence and vibrant colors. Also the light design is in some scenes just upright genius.
Overall, this gem was LOADS of fun to watch, don't take everything to serious and enjoy the witty dialogues, sometimes SUPER trashy music and exaggerated humor. This is a comedy, made for those who won't take everything to seriously, not even love, death, money and society. It is so dark, it is the brightest thing I've watched in months.
It may mystify those hooked on two modern types of comedy film: those which mock the people who don't conform and those which don't ever rise beyond crude vaudeville. Loot sympathises with those who defy and subvert social codes.
The visual aspect of the film got me, as well: the color coding of the set design, character blocking and image compositions are very well done. Very cramped, chaotic, blindingly colorful (enhanced by analogue film and how it filters colors) and brimmed with humor and details. Especially I liked the mansion of the dead mother with its exuberant vintage opulence and vibrant colors. Also the light design is in some scenes just upright genius.
Overall, this gem was LOADS of fun to watch, don't take everything to serious and enjoy the witty dialogues, sometimes SUPER trashy music and exaggerated humor. This is a comedy, made for those who won't take everything to seriously, not even love, death, money and society. It is so dark, it is the brightest thing I've watched in months.
You can't go wrong when Galton and Simpson adapt an Orton play.
Very black, very funny, and gloriously captures the end of the swinging sixties with the Dennis and Hal's curious way of getting out of a parking ticket.
Roy Holder and Hywel Bennett are perfectly cast as the roguesh but likable main characters, and the supporting players help to carry the film along at a pace.
Ultimately a very enjoyable film, and I can only roll my eyes at the thought of it being compared to Weekend at Bernies - where Loot has black humour, Bernies only has slap stick.
Very black, very funny, and gloriously captures the end of the swinging sixties with the Dennis and Hal's curious way of getting out of a parking ticket.
Roy Holder and Hywel Bennett are perfectly cast as the roguesh but likable main characters, and the supporting players help to carry the film along at a pace.
Ultimately a very enjoyable film, and I can only roll my eyes at the thought of it being compared to Weekend at Bernies - where Loot has black humour, Bernies only has slap stick.
Er......that's because it is a play. A play PLAY PLAY PLAY PLAY PLAY PLAY PLAY PLAY PLAY. Did I mention it is a well known play in England? It's a rather good play.
Did you know
- TriviaThe character of the corrupt Inspector Truscott is generally regarded as playwright Joe Orton's revenge on the police force. He had once served a short prison sentence for defacing library books. The character was, as he conceded, also based to an extent on the notorious Detective Sergeant Harold Challenor, whom he never met, but who had been at the center of a great scandal in 1963. Challenor was found to have planted evidence to ensure a conviction in several cases, including those of innocent people. The fictitious Truscott even uses a catchphrase of Challenor's.
- GoofsWhen the hearse that Dennis is driving goes out of control because its brakes have failed, and the other vehicles in the funeral procession accelerate to keep up, they lurch round several corners. Skid marks from previous takes are visible on each corner.
- Quotes
Nurse Fay McMahon: The police used to be run by men of integrity!
Inspector Truscott: That is a mistake which has since been rectified.
- ConnectionsFeatured in Cruel, Usual, Necessary: The Passion of Silvio Narizzano (2024)
- SoundtracksMore More More
Written by Keith Mansfield
Performed by The Keith Mansfield Orchestra
Sung by Steve Ellis
- How long is Loot?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Die größten Gauner weit und breit
- Filming locations
- West Pier, Brighton, East Sussex, England, UK(opening scenes)
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 41m(101 min)
- Sound mix
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