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The Old Man Who Cried Wolf

  • TV Movie
  • 1970
  • 1h 13m
IMDb RATING
6.8/10
316
YOUR RATING
The Old Man Who Cried Wolf (1970)
Thriller

Emile Pulska is visiting his old friend Abe Stillman. During the visit they are attacked and Emile is struck senseless. When he wakes up he is told that Abe is dead, dead by natural causes, ... Read allEmile Pulska is visiting his old friend Abe Stillman. During the visit they are attacked and Emile is struck senseless. When he wakes up he is told that Abe is dead, dead by natural causes, the doctors tell him. When Emile insists that they were attacked, his relatives try to giv... Read allEmile Pulska is visiting his old friend Abe Stillman. During the visit they are attacked and Emile is struck senseless. When he wakes up he is told that Abe is dead, dead by natural causes, the doctors tell him. When Emile insists that they were attacked, his relatives try to give him psychiatric help. Emile decides to try to find the killers himself, but someone is w... Read all

  • Director
    • Walter Grauman
  • Writers
    • Luther Davis
    • Arnold Horwitt
  • Stars
    • Edward G. Robinson
    • Martin Balsam
    • Diane Baker
  • See production info at IMDbPro
  • IMDb RATING
    6.8/10
    316
    YOUR RATING
    • Director
      • Walter Grauman
    • Writers
      • Luther Davis
      • Arnold Horwitt
    • Stars
      • Edward G. Robinson
      • Martin Balsam
      • Diane Baker
    • 17User reviews
    • 5Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Awards
      • 2 nominations total

    Photos9

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    Top cast25

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    Edward G. Robinson
    Edward G. Robinson
    • Emil Pulska
    Martin Balsam
    Martin Balsam
    • Stanley Pulska
    Diane Baker
    Diane Baker
    • Peggy Pulska
    Ruth Roman
    Ruth Roman
    • Lois
    Percy Rodrigues
    Percy Rodrigues
    • Frank Jones
    Sam Jaffe
    Sam Jaffe
    • Abe Stillman
    Edward Asner
    Edward Asner
    • Dr. Morheim
    Martin E. Brooks
    Martin E. Brooks
    • Hudson F. Ewing
    Paul Picerni
    Paul Picerni
    • Det. Green
    Robert Yuro
    Robert Yuro
    • Det. Seroly
    William Elliott
    William Elliott
    • Carl
    • (as Bill Elliott)
    James A. Watson Jr.
    James A. Watson Jr.
    • Leon
    Naomi Stevens
    Naomi Stevens
    • Mrs. Raspili
    Virginia Christine
    Virginia Christine
    • Miss Cummings
    Jay C. Flippen
    Jay C. Flippen
    • Pawnbroker
    • (as J.C. Flippen)
    Jason Wingreen
    Jason Wingreen
    • Arthur
    Pepe Brown
    Pepe Brown
    • Louie
    • (uncredited)
    Jack Gordon
    • Derelict
    • (uncredited)
    • Director
      • Walter Grauman
    • Writers
      • Luther Davis
      • Arnold Horwitt
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews17

    6.8316
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    Featured reviews

    9clanciai

    Lost in a world ruled by criminality

    This is a heart-rending story that would have been almost unbearable if it were not for the exceptionally poignant performance of Edward G. Robinson as an old man getting caught in a web of urban corruption. Sam Jaffe's brief but equally upsetting performance is on the same level, and it's like a nightmare of helplessness of old age. At the same time, a character like this wouldn't fit anyone but Robinson - he made many such characters before, but they all mount up to this one, lost in a world that because of his old age refuses to take him seriously or even believe him, since he alone knows the truth but can't understand it or make it credible, since it is too evil for human understanding. Even his son (Martin Balsam) ultimately fails him, while the end comes as a surprise, since it should have turned another way. It's a great story, all the characters are excellent, and the events and circumstances of this asphalt jungle of a hostile city environment are quite typical of 1970 - that's how the world was in those days, with psychiatry as the infallible authority of human life. Although it is very late, this is still a noir and one of the very darkest as such. When you try to settle after the film you feel very old and lost, like the too convincing old honest Robinson.
    6AAdaSC

    See what I mean

    Edward G. (Emile) is an old codger going about friendly business as he drops by to say "Hi" to fellow old codger Sam Jaffe (Abe). Well, someone doesn't like Jaffe too much, turns up and puts an end to Jaffe and his life journey. Eddie G. is a witness so takes a blow as well but he survives. When he awakes, his pal is dead and there is a network of witnesses who remember things differently. We, as the audience, know that he is telling the truth surrounding the demise of his friend. Can he get his message across?

    This is the 70's so, thankfully, the restrictive film legislative codes have been lifted and evil can now triumph. The soundtrack is cool in a nostalgic way and the film ends memorably. I have to admit to being disappointed but it is definitely not the note expected. That's what makes it memorable and that's the dilemma..

    The film leads us through the movements of an old guy being chased which gets annoying because guess what…… he falls over….Eeeurgh!.... Corny…..!! But this might just save the old guy. There isn't much more to understand or follow up in terms of character study. There are good guys and there are bad guys. We just go with the Eddie G flow.
    7elo-equipamentos

    In an auspicious storyline came a DECOY from the Producers!!!

    It's a hard to find TV movie, with a promising and auspicious plot about an old man played by the iconic-veteran actor Edward G. Robinson when he visits his old mate Sam Jaffe at your candy shop that asking him to send one thousand dollars to your sister on Poland, meanwhile a menacing black man enters at your shop and hits hardly Sam Jaffe with a rubber tubbing including on him, aftermaths Robinson awakes surround by cops and neighbors corroborating themselves that his friend had a heart attack and anyone saw any money there, in a nutshell nobody believes in your story.

    Afterwards his son Martin Balsan starts figures out that your father is really insane and enforces him to a couple days at hospital as they call itself as controlled environment aiming for withdraw over his behavior further elements to prove some derangement, turns out after sneaking away and looking around the tallest black man that killed his friend, later thorough an old pros.titute that sadly frame him at your apartment.

    The filmmakers impose a narrative not just upon Robinson's character, they insert a off-talking of policemen, the killer Percy Rodriguez, the old who.re Ruth Roman and so for, thus the laconic and mind-blogging outcome no make sense or even clarify nothing whatsoever.

    Thanks for reading.

    Resume:

    First watch: 2024 / How many: 1 / Source: Youtube / Rating: 7.5.
    3planktonrules

    The folks in this film seem way too quick to dismiss him as an old crackpot!

    The fundamental theme in this film is so flawed that it is not a particularly good movie...and it's a shame as I love Edward G. Robinson and really wanted to love "The Old Man Who Cried Wolf".

    When the story begins, Emile (Robinson) goes to visit an old friend he hasn't seen in many years, Abe (Sam Jaffe). However, a man comes into Abe's shop and beats him with a rubber hose and steals the $1000 he'd been saving to send to family back in Poland. Now here's the part that just didn't ring true. Emile is beaten as well and when he awakens the police immediately assume that Abe died of natural causes and there was no attacker. At the same time, a really annoying neighbor woman vehemently denies anyone else had been there and says that Abe never had $1000 in cash. How would she know this since she wasn't there?! Yet, inexplicably the entire case is chalked up to an old man losing his faculties...even though he never had a history of mental impairment. Plus, the intensity at which the nasty neighbor insisted nothing happened is very suspicious in and of itself. Yet, oddly, folks assume Emile is confabulating this story. It just defies common sense and essentially ruined the film. Why should he have to prove he ISN'T demented and why does everyone ignore him?!

    So is there anything about this film worth seeing? Well, Robinson's performance is quite good as he was the consummate professional. But it's also so very sad that he wasn't given a better written story. Provide REAL reasons for folks to not believe Emile or at least build up to this better. Instead, it seems as if part of the story is missing...like they forgot to explain why people didn't believe Emile. Fortunately, this was not his final film as it would have been sad if this was his final film considering his terrific battery of work.
    10yavormarkov

    TV Classic

    I have watched this movie a long time ago, but i have a vivid memory of it. It was often mentioned as an example for how a thriller should be made. This is TV at his best - it will not get any better. Everything is perfect - plot, direction, and what a performance by Robinson, Balsam and the rest! Robinson shows that he was capable of much more than playing mob bosses. Balsam is one of the most underrated character actors of his time. I can hardly count all the movies he was in, and in every single one he delivered a solid performance. I earlier days "The old man who cried wolf" was considered a classic and aired often. Sadly i never saw it on VHS or DVD. I also did not hear that it was aired lately on any major TV Station.

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    Related interests

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    Thriller

    Storyline

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    Did you know

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    • Trivia
      This was the final days of the Beacon block of downtown San Pedro, which had gone to the wayside in its final years as seen on film. The area was well known to sailors from 1900 - 1970's. Some years after filming, the neighborhood was raised to redevelopment and housing. The iconic Shanghai Red's bar on 433 S. Beacon Street can be seen briefly in the film.
    • Goofs
      The wound on Edward G. Robinson's head caused by the thrown can moves from the right to the left side when he returns home from his visit to the schoolyard. Later in the same scene, it moves back to the right side again.
    • Quotes

      [last lines]

      Emile Pulska: See?

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    Details

    Edit
    • Release date
      • October 13, 1970 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Tod eines Bürgers
    • Filming locations
      • Southern California, California, USA(Location)
    • Production company
      • Aaron Spelling Productions
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 13m(73 min)
    • Color
      • Color
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.33 : 1

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