On a Clear Day You Can See Forever

On A Clear day You can See Forever is truly a wonderful, feel good movie. Barbra Streisand's portrayl of Daisy Gamble is absolutely endearing. The character of Daisy is so sweet and child-like, and at the same time cooky and hysterically clumsy. In the very same movie she also portrays a sophisticated seductress of Brittish decent from the 19th century. Completely the opposite of her Daisy Gamble character. Daisy goes to see a doctor to help her quit smoking and while under hypnosis reveals the personality of Melinda, the Brittish seductress. Her doctor falls for Melinda, but is not in any way interested in Daisy in a romantic way. However, Daisy thinks the doctor is falling in love with her, and she certainly is falling in love with him. It is this plot, combined with the movies vivid color and great songs, as well as Barbra's wonderful dimmensions of acting in this film, and a terrific supporting cast, that make it such a treat to watch. By the end of the movie, you TRULY, REALLY "FEEL" Daisy's sense of feeling better about herself and loving herself for who she is. Although I have enjoyed Barbra's other musicals,(some more than others),this one is the only one that, I feel, truly leaves you with a sense of wonderment. On A Clear day You Can See Forever is an EXCELLENT, WONDERFUL movie. A visual and audial treat. Enjoy it.

On A Clear Day came at the end of the Movie Musical Cycle that started strong from MY FAIR LADY. Once the market became supersaturated with musicals (Half A Sixpence, Dr. Doolittle), the beauty of the movie musical wore off.

On A Clear Day started life as the next go-round for Richard Rodgers. After he retired working with Oscar Hammerstein, he partnered with Alan Lerner and they started to write this musical. Rodgers backed out of the project but the show made it to Broadway with Barbara Harris in the lead. It was respectfully received but never did blockbuster business. In fact, if it weren't for the song "What Did I Have?" it would almost be forgotten.

Enter Vincente Minelli and Ms. Streisand. Together, they took the idea and ran with it until it became a big, bright, lovely movie. The old songs (the title song and "What Did I Have") are rendered priceless by Barbra who sings them as emotional tour-de-forces. The new songs (a cute duet "Go To Sleep" and "Love With All The Trimmings") are wonderful. In fact, the latter was filmed a la Tom Jones. In short, everything about the film worked.

Originally it was three hours long and intended as a road show production (tickets ordered in advance; two shows a day). Paramount went for the fast buck and they trimmed it to under two hours. Yes, what is left is priceless and wonderful but I wish they would release the Director's Cut of this musical. If what we see today is still excellent, I can't help but wonder about what they took out.

Okay, granted you have to like Barbra Streisand to love this movie. But for those of you who don't, it's worth a catch just to see Bob Newhart and Jack Nicholson as "young" men. Jack is especially funny in his short scenes with Barbra and her fiancée...

But the main reason to see this flick is the acting and musical talent of Barbra. She has to STRETCH to play a mousy crowd follower, and then switch it up to play a haughty wealthy socialite in a past time period. The costumes are out of this world, and the film should have won an academy award for costume design, although Barbra's figure did her costumes justice. The periods in history represented by the film are stunningly presented. All in all, this is my favorite movie of all time. There is laughter, sorrow, drama, singing, dancing, lots of Barbra skin showing, sexuality, scorn, mocking, a panorama of events and celebrations and Barbra's eventual awakening as her own person. I salute Vicente Minnelli, post mortem.

On A Clear Day improves and is more enjoyable for each viewing. The first time I saw it was such a huge elephant of a movie, a baffling entertaining jumble. So many ideas propped into one movie to make it popular and a box office hit in a time of change and when the big movie companies were desperately seeking hits to save themselves from ruin.

So this movie is crammed when ingredients that had proven successful in earlier movies in the 60´s : Barbra Streisand and a musical score (Funny Girl), gigantic sets and costumes in 19th century style (My Fair Lady), 60´s mod clothing, a big European star for the overseas market (Montand), new young stars (Nicholson) for counterculture hippy flavor, student riots (very 'now' then), reincarnation and telepathy (sci-fi), british accents both snobby and cockney (swinging London)…

Barbra is one of the biggest talents of the 20th century and was born a little too late. Those huge musicals she stars so well in where dated then and she would have been better off in the 40s or 50s. She is very beautiful, womanly and sexy when she is in period costume. In the modern scenes she is fascinating and a little annoying when she´s trying to be a kooky 60´s chick à la Twiggy.

Yves Montand is miscast even though he has earthy European charm. He is unbelievable because he cannot pronounce the dialouge!!!!! His diction is a disaster and didn´t do the film any favors. Was there really no other singer for the male lead?

The songs are very good and underrated. Why does one never hear them as other musical classics? The direction from Vincente Minelli works since the film is very lush and enthralling. The period costumes by Cecil Beaton are beautiful without being too much and look great on Babs. The snazzy Scaasi mod clothes are a hoot!

It is very ambitious combinig so many elements and hope it works. Despite it all the film does have charm and one is drawn into 2 hours of pure Hollywood entertainment and at the same time it is fascinating to see one of the very last old time Hollywood productions. (It was already outdated when it was released 1970. Bad timing; the movie must have seemed as ancient as a dinosaur. It was apparently longer. There was supposedly a scene with Babs, Jack and 'Warren' at a disco but it got cut…I would LOVE to see the original version!!!!! This is good fun to watch on rainy day…forever

Based on the marginally successful 1965 Broadway musical with book and lyrics by Alan Jay Learner and a solid score by Burton Lane, the 1970 ON A CLEAR DAY YOU CAN SEE FOREVER was no box office disaster--but it was a disappointment, failing to draw a broad audience and performing much more poorly than any one had imagined. This is a pity, for although it cannot be classed among the truly great musical musicals it is nonetheless a very good one, imaginatively filmed and beautifully performed.

The story concerns a scatter-brained young woman named Daisy Gamble (Barbra Streisand) who is desperate to quit smoking and who lays siege to a noted hypnotist Dr. Charbot (Yves Montand.) But it happens that Daisy, for all her goofiness, is unexpectedly gifted: she can find lost items, she knows when the telephone will ring--and once under hypnosis she stuns Charbot by transforming into Melinda, a woman who lived, loved, and died more than a century before.

The cast is superior. Streisand is memorably fresh in the role of Daisy and performs her numbers with remarkable youthful zeal and a flawless artistry; she is a tremendous amount of fun to watch and an endless pleasure to hear. Although it seems many Americans fail to see the appeal of the great French singer and actor Yves Montand, he handles his songs with the same world-weary style that first brought him to the attention of the legendary Edith Piaf--and it proves a remarkably effective foil for Streisand, setting off her expansive performance to perfection. The remaining cast, which includes a very young Jack Nicholson and Bob Newhart, is equally fine.

This was the last musical for Vincent Minnelli, perhaps the greatest director of golden age musicals and creator of such films as MEET ME IN ST. LOUIS, and he endows the film with his very elegant eye; the "past life" sequences, in which designer Cecil Beaton had a hand, are particularly beautiful. Add in such beautifully orchestrated and performed songs as "It's Lovely Up Here," "Come Back To Me," and the title piece--and when all is said and done ON A CLEAR DAY is a very enjoyable film indeed.

The film was originally intended to be released in a three hour version--but in the wake of several box office disasters for large scale musicals both Minnelli and the studio thought better of it and cut the film significantly. It would seem these scenes are gone forever, and more's the pity. Still, this no-frills DVD release offers a best-possible print in terms of both sound and picture, and both long-time fans and newcomers will adore it. Recommended.

Gary F. Taylor, aka GFT, Amazon Reviewer