The Owl and the Pussycat

"The Owl and the Pussycat" is an uneven but generally enjoyable mix of comedy and romance, with a few dramatic undertones. There are some genuine laughs and some touching moments, but the movie's loudness occasionally goes over-the-line. Streisand is alternately appealing and annoying, sometimes both in the same scene. Segal is very enjoyable in his "everyman" role, and he makes the picture worth watching, although it does run out of steam in the second half.

Comedy/drama taking place in NYC about meek, mild Felix (George Segal) ending up stuck with loud, obnoxious prostitute Doris (Barbra Streisand). Naturally they hate each other and naturally fall in love.

This movie is VERY loud (basically because Streisand yells nonstop), the humor is pretty caustic (Streisand thinks Segal is gay and throws quite a few homophobic jokes at him) and is pretty risqué--it was edited from an R rating but there's still plenty of swearing and sexual sequences. Still it is fun. Segal and Streisand work well together--the script is full of one liners that they throw at each other full tilt. And it might seem strange that Streisand could convincingly play a prostitute--but she actually looks very attractive here and pulls it off (she played another one in "Nuts" in 1987).

This isn't perfect however. It seems a little bit too long and some of their arguing gets repetitive. Also there is annoying edit when Streisand says the word "f***". I'm guessing it was cut to get a PG rating but it renders one scene incomprehensible and I DID hear it in the video version released in the 1980s. What's the story? Also there's a very ugly scene at the end where Segal humiliates Streisand in Central Park. Segal also shot some nude scenes which never made it into the final print.

Still this is worth catching. I wouldn't let the kids see it though. This is pretty strong for a PG film.

Character comedy. I wanted more plot but for almost the whole movie we have only the sparring of the two stars. Unfortunately we learn very little about their lives that makes them more interesting as opposites. For fans of the two stars only but it's not their best work.

Adaptation of the Broadway play casts George Segal as an uptight New York City book-clerk who hopes to be a writer but can't get anything published; after calling the landlord one night on prostitute-neighbor Barbra Streisand, he finds her on his doorstep. She tells him she's a model and an actress--her third time on TV is in front of the elevator security camera! The two lovable losers banter back and forth before falling into uncertain love, and you could say the film is either nicely devoid of major plot devices or is an exceptionally thin romantic comedy. Streisand, her Brooklynese so thick she sometimes lapses into Cockney, wears tacky, hilarious hooker-outfits, but her shrillness isn't modulated (at least not in the first act) and she can sometimes be grating. The sex-talk is dated now, and the picture tends to look like a relic from a bygone era, yet it's an often funny film about opposites. Although too soft in its final scenes, director Herbert Ross changes speeds enough to keep things bubbling, even though his rhythm may put some viewers off. *** from ****

I also read the play. Streisand and Segal have great on-screen chemistry. This film will keep you laughing non-stop. Barbara Streisand's performance of the character being "neurotic" is excellent. George Segal's character is equally good in his response to her behavior. If you like this, it is one you may want to watch over and over again.