The Losers

The biker film was a staple of American exploitation cinema in the late 1960's, culminating in the "generation defining" studio funded classic, Easy Rider (1969). What we have here is somewhat of a genre mash up, placing a bunch of Californian bikers in the midst of an "exotic" war zone. Five gang members, led by Link (William Smith), are employed by the CIA, sent into the heart of darkness in Vietnam, to rescue a captured agent, Chet Davis (played here by director Jack Starrett - who most will recognise as the vicious police officer, Galt, from First Blood (1982)).

The first hour of the film is spent with the gang as they integrate into a small village, basically brawling, f*****g, drinking and fomenting relationships with the all-too-easy ladies. It is a completely ludicrous premise; OK so perhaps this gang of low-life's were more expendable than the troops being sent out daily, but it is hard to believe. That being said, this is exploitation cinema at its most ridiculous.

The action accelerates in the last reel, as the bikers infiltrate a camp, their bikes armed to the teeth, but the action is repetitive, and with little merit: Bikes jump, huts blow up. Besides this though, some of the characters are likable enough, with their dialogue of clichéd, counter-cultural hyperbole, but it doesn't really save a pretty tedious affair - perhaps the trailer was exciting, so maybe you should just see that. Like all exploitation films of the time that were set in exotic climates, this was of course filmed in the Philippines (where filming is cheap!).

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Fun genre-splicer where biker gang is enlisted by US army to rescue a VIP American captive behind enemy lines, with all the action and phony red paint stage blood they used to use in the 70's to go with it, Some pretty lousy acting to some pretty lousy dialogue, but not all. Big plus for me was the American's interaction with the Vietnamese locals as they try to go about conducting the business of daily life in a war zone, especially the lovely ladies, many of whom dancing in bra and panties in a "nightclub" (brothel). Cheesy love theme reprised over final massacre is the perfect unhappy ending.

In order to rescue a Presidential Advisor (in a Francis Ford Coppola costume) from a group of Chinese Communists in Cambodia, the government enlists a subdivision of Hell's Angels led by William Smith to break in there and get him out. The back of the box said this film has more action than 'The Dirty Dozen' and 'The Wild Bunch' combined. To call that a vast overstatement would be a vast understatement. In reality, the film is a bunch of bikers having sex, getting drunk, getting wasted, getting into lame fistfights, falling in love, waxing poetic and building stupid-looking motorcycles sandwiched between two decent action scenes with 2nd rate Enzo G. Castellari slow-motion (which would make it 4th rate Peckinpah). All in all, it's actually not bad, but the climax should have been better considering the time we have to wait in order to get to it. Have ear plugs ready when the title song comes up. It's a soft medley probably sung and written by some drugged out hippie chick that doesn't fit with the movie at all.

When I first saw this movie, I turned off after a while, really finding it a bore. 14 years later, I gave it another day in court. I watched it to the end. This is an unremarkable movie, about a group of expendable bikies, you feel sorry for, as they are so pathetic. They're sent in to Asia to rescue a thankless CIA guy, who shouts abuse at them, after most of these poor sods are already dead. where leader, Smith is really the last man standing. This really chafed only for a moment, cause this movie really lacks any kind of interest. We do explosions and gun fire but again I just found it pointless. One bikie, having some R and R with some nude hotties, not following procedure, explains himself to one of the guys in charge of this operation, which I found funny. He brags on how he used to own this cat house, and had to pick up some money that was owing to him. At the mentioning of his bike being flogged, by a kid ,he's out of there in a flash. The scenes in this cat house were the only ones I liked in this forgettable movie, part of the Roadshow Vibrant Video collection.

Man,I hate to read how some people hate the good classics.When there's all this commercialized,politically correct & sensitive "stuff" that some Hollywood loving"whoose"would call good entertainment.A little note for the people that are un-aware about "Hollywood movies"and how they claim to make the best movies in the world.They spend more on advertisements for the movie than they would on the budget for the production of the film.They are always afraid to take chances on new ideas and very talented writers and directors that think for themselves and don't worry about the box office "mumbo-jumbo"or the "bratty"youth demographic.The Losers is a real great movie,that is the real thing when it comes to "real" stunts and "real" action."Real" being the key word when talking about this movie.I as a viewer appreciate stuntmen going to risk their careers and lives for the sake of art,entertainment or just a pay check.GOOD PEOPLE!!The only thing I hate about this movie is that"love song"..Man,that's a weird song to put in that movie!!The movie holds up for many reasons.One,there was a horrible remake of The Losers last year.Two,The Expendables is practically the same movie!Except,for the 5 million dollor cast!Which should've only been worth $200,000 for the whole "over-rated"cast and probably the whole computerized crew.Three,The Losers is better movie than all that I've seen from this era.How can you hate a movie that has real fights in the movie and behind the scenes?