Roy Colt & Winchester Jack

This is the only western that I know of that was directed by the great Italian horror director Mario Bava. He directed quite a few non-horror movies, but his true talent is mainly exhibited within the categories of horror and giallo. His other films usually aren't meant to be taken very seriously, and this one is no exception. That having been said, this film is still lots of fun to watch, especially if you are a spaghetti western fan.

The music score is great. The trumpet, guitar and organ music set the proper tone for a spaghetti western.

The acting seems about average for a Eurowestern. Marilu Tolo is beautiful as Manila, and she steals the show by doing the best acting out of the entire cast, as well as being so nice to look at. The character called "the reverend" is very annoying, and suffers from some very corny translation in the subtitles. I probably would have given this movie a higher rating if it had been dubbed in English, since I prefer watching westerns that way. They could have at least done a better job with the subtitles! This movie is a bawdy, humorous spaghetti western, not the dark and vengeful kind one might expect from a director of horror movies. The humor misses in a couple of parts, but works pretty well in general if you recognize this as a light-hearted film. The story is one of those in which everyone double crosses one another in the search for gold. It is typical, but engaging and fun. There is a twist at the end, but I saw it coming about 10 minutes into the film.

This one's not bad, and all connoisseurs of the spaghetti western should see it at least once.

A rollicking spoof of the Spaghetti Western genre, "Roy Colt & Winchester Jack" offers some fun for fans of the genre, although ultimately it's awfully silly stuff. American actors Brett Halsey and Charles Southwood star as the title characters, members of the same outlaw gang. Roy goes his own way, hoping that he'll be able to successfully go straight. But Roy, Jack, and others all end up on the trail of some hidden gold, with other people such as flamboyant villain "The Reverend" (Teodoro Corra) and self-serving, materialistic Indian prostitute Manila (Marilu Tolo) also playing key roles in the proceedings.

Although a far cry from the best work of Italian maestro Mario Bava, it's still a definite curiosity that his admirers will want to check out. It's a real change of pace for the filmmaker; rarely did he embrace comedy this thoroughly. While not always terribly funny - it does wear a little thin - it can't be denied that it's a very lively film that delivers some reasonably rousing action scenes. The performances are suited to the material. Halsey and Southwood have good chemistry; both are handsome, charismatic stars. Corra is way over the top as the effeminate bad guy who absolutely hates the feeling of being cold. But it's the gorgeous Tolo who often steals the show; her character really is something. In one hysterical sequence, she insists that Jack take a bath - in cold water - before she'll agree to make love to him.

Bavas' creation of visuals and camera work are typically stylish, helping to keep this modest diversion watchable for a decently paced 86 minutes. It definitely ends on a real high note.

Six out of 10.

Roy Colt and Winchester Jack (1970)

* 1/2 (out of 4)

Spaghetti western directed by Mario Bava about two outlaws (Brett Halsey, Charles Southwood) trying to find a treasure. Outside some nice cinematography this film is pretty much a wasted effort for everyone involved, especially the director. I'm a fairly big fan of Bava but this here certainly ranks down at the bottom of his filmography. The film goes for way too many laughs, which is okay if any of them were actually funny. In the end the film is basically a rip of The Good, The Bad and the Ugly as well as Butch Cassidy and the Sundance Kid. There are a few good moments but not enough to make it worth watching.

While this comic Spaghetti Western was nowhere near as bad as its low reputation amidst the director’s canon would seem to suggest, it can’t possibly hold a candle to Sergio Leone’s classic THE GOOD, THE BAD AND THE UGLY (1966) – and it would be puerile for anyone to attempt comparisons of this sort!

It’s the last of Bava’s three such genre efforts but, actually, the first I’ve watched; I used to think that he was constrained within the number of relatively low-brow peplums he made, but even those showed greater commitment – and vigor during the action sequences. Here we get plenty of brawling and shooting, to be sure, but the handling throughout is decidedly sloppy…as if Bava, rather than be inspired by these traditionally ‘big’ moments, wanted to get such genre requirements out of the way!

That said, despite utilizing a wide variety of locations in its plot about two rival outlaw gangs’ quest for gold, these don’t seem to have stimulated the director’s trademark compositional skills; even worse, the comedy element comes across as heavy-handed most of the time, resulting in a flat and drawn-out film (even if it runs for a mere 85 minutes)!

Brett Halsey (from Bava’s FOUR TIMES THAT NIGHT [1969]) and Charles Southwood don’t exactly generate fireworks in the title roles and, in fact, the best in the cast are Marilu' Tolo as Winchester’s spirited (and shrewd) Indian girl and Teodoro Corra' as The Reverend, the atypically buffoonish baddie – a Russian émigré who still can’t get over the cold of his native land. Isa Miranda (who would work again with Bava when he treaded more familiar ground in BAY OF BLOOD [1971]) appears as the brothel Madame in what is perhaps the most slapsticky and forced set-piece in the entire film.

Hardly memorable in itself, there are still a few mild highlights in this reasonably agreeable, innocuous yet patchy genre offering: the spastic gunman at the beginning, the obviously fake snake which menaces Winchester (reminiscent of the one in Fritz Lang’s THE Indian TOMB [1959]), the exploding villain, and the final shot with the heroes’ feet up in the air as they engage in yet another fisticuff. Piero Umiliani’s lively score certainly contributes to the film’s characteristically light touch.

If this film is judged only on its own merits, without reference to other entirely unrelated entries in the Mario Bava lexicon, it holds its own as light-hearted entertainment. Unlike most Italian comic westerns, this one holds the interest largely due to its three central players' well rendered characters and exploits. The cinematography is also far better than many others in the genre.

Charles Southwood is perfect as the scruffy, irrepressible Jack, in contrast to the stolid, lachrymose-faced Roy (Halsey)and both of them can be relied upon to out-cheat the other when they aren't busy beating the tar out of each other to show their mutual affection. Southwood is really quite outstanding and should have been in a lot more films.

Marilu Tolo is very effective here (much more than she is in most of her roles) as the feisty and very resourceful Indian prostitute who is determined to coerce someone into marrying her, preferably Jack or Roy. Don't miss the sequence when she hooks up with Southwood and forces him at gunpoint to take a bath before becoming a "client." Under protest, Southwood descends to the cellar and has to break the ice on the water before stripping off his smelly long-johns to take the plunge. By the shrunken state of his retracted genitals, the water is cold indeed. The shotgun pointed at him by the comely Tolo probably helped, too. Now there's a touch you would never have seen in an American-made western.