The Crook

Thanks to other reviewers on IMDb. I picked up this pleasant surprise. The opening musical had me worried a little. But soon the clever plot revealed itself. This movie is witty and funny, several steps above a lot of Hollywood movies in the same genre today. It still looks incredibly fresh today.

The flashback is so seamlessly inserted that I watched the movie again just to find out exactly where it begins. There are moments that make you smile or laugh out loud: the movie-in-movie poking fun at the genre, the mentioning of LeLouch's another film – "un home et une femme", the kidnapping plot, the little details about the characters,etc. LeLouch's direction is fluid and stylish. The naturalistic acting is great and spot-on from the top down. I didn't know that Trintignant could be funny!!! In this movie, he is charismatic, charming, and ruthless all at once and never once goes over the top or shows any movie star self-awareness we usually see today.

This is a fantastic movie that can be watched again and again.

A man escapes from prison and seeks the loot he had stashed away five years earlier. The middling narrative moves in fits and starts, with scenes unfolding at a leisurely pace. In particular, there's an elaborate kidnapping scene that plays out in such minute detail that it loses all momentum. The presentation is rather confusing. In fact, the flashback to the events of five years earlier is so clumsily handled that it takes a while for it to become clear that earlier events are being recounted. It opens with an extended prologue, a movie within the movie, that overstays its welcome. The same could be said of the film, which runs out of steam long before the end.

I do not go much for Lelouch's stuff ,which is to the French cinema what Mac Donald is to gastronomy.But,and this is crucial,there are exceptions."La Vie,L'Amour ,La Mort" which was a semi-flop ,was a sincere plea against death penalty;and there are two delicious comedies:one of them is "La Belle Année" (1974) ,and the other is this film .

It's about a child's abduction but things are not what they seem,and at a time when unexpected twists have become de rigueur ,I think one could remake "le voyou".The film takes also at a slap at the commercials and the "Thank you,Simca ( cars)" scene is worth the price of admission.Also features Sacha Distel at the Olympia ,the famous Paris music hall: he sings "Toute La PLuie Tombe Sur Moi" ;a French cover of "raindrops keep fallin' on my head".Good cast with a dynamic Jean-Louis Trintignant,who starred in Lelouch's Cannes Palme d'Or 1966 "Un Homme et Une Femme" ,and Charles Denner.

Anachronisms: the kidnapping was supposed to happen in 1965;but "raindrops keep fallin' on my head " was a 1970 song,so Distel could not sing a cover in 1965.Ditto for the "Un homme et Une Femme" (1966) private joke!

This is a film that I remember fondly from the 70s. A great caper movie with several twists and turns. Betrayal and counter betrayal and a conclusion that makes you laugh out loud! Usually a serious actor in political or psychological films - Jean Louis T. tries some lighter than air 'hey-presto' and proves that he can do comedy as well. I wish more people would know this film so that the satirical line "Merci, Simca" would be a household word - to diffuse Regis' line "Is that your final answer".

Of the several themes the film explores, none is more relevant than the theme of the popularization of greed. A 'kidnapage' is effectively carried out during a televised game show, whilst the parents are instructed to repeat the sponsors name, hence they repeat "Merci, Simca", the name of the car they hope to win.

Lelouche and Trintignant combine for a deft, lighter touch than their normal weighty collaborations. Full of wry touches, there is never a pause in the mind's contribution and nothing conventional to help you catch your breath. This is the kind of movie that you wish Hollywood could make but it never does, full of layers of complexity and wit, this mini-masterpiece improves with each repeated viewing.