Acquasanta Joe

Released in 1971, "Holy Water Joe" (aka "Acquasanta Joe") is an Italio Western about a gang of outlaws who steal a Union cannon and use it to rob a bank that contains the savings of bounty hunter Holy Water Joe (Lincoln Tate). Of course, he aims to set things aright. Ty Hardin plays the leader of the outlaws while Silvia Monelli appears as the lone female member of the gang, a half-breed. Richard Harrison is also on hand.

This combines the tone of "The Good, the Bad and the Ugly" (1966) with (sort of) the plot of Elvis' "Charro!" (1969). The cast is good and I like the score with its pieces of anachronistic early 70's rock, which goes to show that "Young Guns" (1988) wasn't the first Western to do this, not by a long shot. Unfortunately, the tone incongruently mixes gravity with goofiness and it prevents the viewer from taking the story serious. The comedy's simply not amusing. Worse, the story is dull, particularly the first half. Thankfully, I started to catch a grip by the second half and somewhat enjoyed the pic. But this is Exhibit A in why Spaghetti Westerns have a bad rep.

The film runs 88 minutes and was presumably shot in Spain. DIRECTORS: Mario Gariazzo & (uncredited) Richard Harrison. WRITERS: Gariazzo & Ferdinando Poggi.

GRADE: C-

Like SARTANA IN THE VALLEY OF DEATH (1970), I watched this via C'Est La Vie's R2 DVD and, in hindsight, both film and disc are of similar quality. The lead is Lincoln Tate in the title role of the bounty hunter pursuing Ty Hardin's band of Renegade Union soldiers; Richard Harrison appears as one of the latter's associates who later double-crosses him.

Having watched so many Spaghetti Westerns this past week, the films' plots get intertwined in my mind – and, frankly, I can't recall much of what this one was about!; I do know that Hardin's gang carries with it a cannon to aid in their bank robberies and that his leadership is challenged at one point by a bald-headed associate whom Tate eventually dispatches with a horde of arrows in the style of Akira Kurosawa's THRONE OF BLOOD (1957). Hardin eventually joins forces with Tate to retrieve a stash of money hidden in a cave, and also involved is Hardin's half-breed (and gun-toting) woman – who has her eyes on Tate as well.

The director biography, included among the extras, makes some claim for him being a versatile film-maker but, personally, it's the first I've ever heard of him: his career spanned all sorts of genres from Spaghetti Westerns to crime thrillers, horror, sci-fi and even erotica (as it turns out, he also made the sentimental drama THE BALLOON VENDOR aka THE LAST CIRCUS SHOW [1974] – starring James Whitmore and Lee J. Cobb – which, when released in Malta back in the day, proved a huge box-office success)!

It was around this time during the spaghetti western craze that many spaghetti westerns started to add some comic elements, some being outright comedies. "Holy Water Joe" (a.k.a. "Acquasanta Joe") plays it straight for the most part, but there are several scenes that are clearly there to generate laughs. When this comic side of the movie is placed against the serious side, it is sometimes jarring, because the movie has several sequences where people are viciously gunned down or threatened with hanging or being blasted by a cannon. Apart from that flaw, I didn't find the movie as terrible as some of the other IMDb users did. I'm not saying it's a great or even good western, but I found it lively enough to pass the time (though not much more.) If you are a fan of the spaghetti western genre, it's probably safe enough to give it a try.

I'm actually not that big a fan of pasta-westerns, but I like director Mario Gariazzo and decided it might be worth a look for that reason. Everything Gariazzo ever directed was low budget trash, but his movies are packed with wackiness and fun ideas making them perfect viewing for the eurotrash aficionado. There's the sleazy giallo "Play Motel", the "based-on-a-true-story" cannibal-exploitation flick "Amazonia", the crime film "Bloody Hands of the Law" (in which Klaus Kinski uses a blowtorch on some poor guys crotch), the lovely but insanely stupid sci-fi sex comedy "Very Close Encounters of the 4th Kind" and my personal favorite, the very stiff alien-conspiracy flick "Eyes Behind the Stars" which predates the X-files series with about 15 years.

"Acquasanta Joe" is a pretty goofy comic western which stars Ty Hardin, Lincoln Tate and "show-me-the-money-and-i'll-act-in-anything" actor Richard Harrison. The film starts out pretty interesting but once the bank robbers Vs. bounty hunter premise has been established the film pretty much loses its paste and becomes kind of dull. In a long period in the middle the film is really going any place. "Acquasanta Joe" has some interesting points though, which makes it an acceptable time waster for more jaded viewers. First of all, I really liked the progressive rock soundtrack by composer Marcello Giombini (who made some really zany electronic stuff later in his career). Cowboys and gunfights to Hawkwind-like music, works for me... Also the movie is packed with some pretty odd moments, culminating in a canon versus bow and arrow duel at the end. That, I can honestly say i've never seen before...

See it if you're into spaghetti westerns or borrow it from a friend.

Seen on an old Swedish semi-letterboxed VHS tape from the Wahlters label.

To me you have to really be a fan of this genre to enjoy this Spaghetti western. The biggest problem to me is the script. There are way too many plot holes that are just never explained, and questions as to why they are doing this or that. There are some good action scenes and moments. I loved the last 15 or 20 minutes of the movie just for the action alone. I will say another problem with the movie at times was the music score, which seemed way too lighthearted or comical at times for what was happening on screen turning moments that should have been played for more dramatic effect into comedy. My last problem with the movie was with the English dubbing -- at least on the version I watched. The voices seemed too alike at times as if a person not very talented was doing both parts at the same time, and didn't know how to disguise their voice well. In conclusion, I say if you are a fan of the genre, don't pass this one up. It is worth it for the action at times alone.