Heartwarming is a word which would best describe Shakti Samanta's Amar Prem. The film is about love, humanity, compassion, and how all these terms are condemned by the cruel society of those times. This is the story of Pushpa, a young woman who runs away from her husband's house after the latter marries again and starts abusing her. She is later brought to a brothel in Calcutta by her village-uncle. There she starts singing while all the passers-by walk and get enchanted by her voice. That's her new job, and there she meets Mr Anand, a young bitter and unhappily married man whose wife does not even care about. Another man from the same village she comes from named Sharma resides close to Pushpa's house. There she meets the little boy Nandu, Sharma's son from his first deceased wife, who is maltreated by his stepmother while his father is at work. A great relationship grows between Pushapa and Anand, and even a greater mother-son relationship grows between Pushapa and Nandu. But the cruel society won't leave it at that.
Amar Prem is a melodramatic movie, but it is a beautiful and sincere melodrama, not a clichéd one. The relationships in this movie are superbly portrayed, my favourite relationship being the one between Pushapa and Nandu. Samanta uses symbolism to illustrate the story. The film is good in writing, dialogues, music and acting. RD Burman's music never disappoints. Where acting goes, this is Sharmila Tagore's movie and she kind of reprises her role in Aradhana, that of a selfless and caring woman, who epitomises Indian feminine beauty. She is indeed beautiful and convincing throughout the movie. Rajesh Khanna is excellent as Anand and does particularly well in the film's final sequences. The child actor who plays Nandu is wonderful. Vinod Mehra does very well as the older Nandu. Amar Prem is a worthy film. It is both moving and enjoyable, and should be a real cinematic treat for lovers of classic Hindi cinema.
