Amar Prem

Amar Prem will go down in history as one of the best Indian films ever made. It is superbly directed by Shakti Shamantha (his best effort).

The film takes a look at how society views women who have been forced into the sex trade. Their sensitivities, insecurities etc., are so beautifully touched upon.

The music of the film is by R.D Buraman, a Kaka favorite. All the songs are gems. Specially the "Chingari koi badke" song.

Sharmila tagore has mentioned how Kaka had so masterfully performed in this song in the very limited space they had i.e in a small boat.

It is a lifetime role for sharmila tagore & she makes full use of it. She surely deserved the national award & it is a wonder how she missed it.

The supporting star cast of Madan Puri, Vinod Mehra & Om Prakash are adequate.

Coming to the hero of the film, the eternal superstar Rajesh khanna. He was at his zenith when this film released.

It was reported that when the film crew asked for police permission to shoot the "Chingari koi badke" song near the howrah bridge, the police denied permission stating that they would not be able to control the crowds & that the bridge may collapse. Eventually, the song was shot in a studio set. Such was the popularity Rajesh commanded.

In spite of his super stardom, as is his wont, he did not think twice about accepting this role knowing fully well that this film centers around the heroine. The beauty is he comes out unscathed. He looks handsome in his Bengali dhoti & underplays superbly. The end scenes specially show kaka at his best.

Definitely a film which comes in the top 3 of kaka's films & eternally loved by Rajesh khanna fans.

Watch it over & over again. You will never feel bored.

I have recently become more disillusioned that ever with Bollywood and its invariable churning of sugar-coated, feel good products, which lack a heart and soul. but if someone was pick up one film, as a beacon, as an example of the great emotional and spiritual waves that flow though India, it would be this one.

A poignant yet everlasting drama of love and the power of compassion and humanity. it tells the story of a woman (Pushpa), who is ostracized and eschewed by society and its establishments, to rot away on the notorious fringes of it. Yet within the brothel she resides, she builds a temple of love and care for those two people that come to see her. Nandu and Anand are members of society, yet only ostensibly, yearning for the compassion that their families fail to provide them, and in search, they come to Pushpa, whose abundance of love and human sympathy far overshadows her disreputable social standing. They alone see her inner beauty, while society maligns her, yet as the director points, cannot provide the qualities of love, happiness and tranquility for members like Nandu and Anand. Pushpa's relationship with Anand is certainly one of the most beautiful you will see. Theirs is a purely platonic relationship, which succeeds where the social union of marriage - for both - fails.

As they continue to meet, their bond grows, and beyond their own socially certified families, they create a little family of true love, depth and care. They receive from each other the love they so desire - motherly love for Nandu, a true companion for Anand, and a child and husband for Pushpa - though their relationship with each other has no social legitimacy. Samanta succeeds in creating a cynical presentation of society as one that compels people to stay within the confines of its social institution of family yet cannot provide for the very emotional, and spiritual ingredients that constitute it. Add the fact that it is society after all that created the brothel, where unquenched desires can be fulfilled, and what you have is a representation that makes Pushpa's relationship with Nandu and Anand all the more 'holy'.

This film tackled a theme that was very much taboo in Indian Cinema, and succeeds in presenting a mature, yet never over-the-top, nor didactic story that ultimately every Indian household can identify with. The music is an absolute delight and adds to the melancholic yet redemptive nature of the relationship between the three protagonists. Setting presentation is class, with nothing done to hide the vividly grotesque nature of the red light district and the people that patronise it. It has its fair share of stereotypical characters, who function very much as symbols of the unscrupulous, cunning nature of society. Yes, you get doses of the typical Hindi film melodrama, but its very much reserved to a modicum. Where it succeeds is in teaching you about human relationships and that it is love, togetherness and understanding that makes family, and not a social ceremony or some legal document. This is a film for all generations who appreciate human relationships and its power to transcend social boundaries.

I don't claim to be an expert in Bengali literature (far from it), but I have always found stories coming out of Bengal to be a class apart. The characterization, the depth of the plot, the sincerity of the human emotion in those stories are the among the finest to be found anywhere. Kabuliwala is another such great movie to be based on a Bengali story.

Sharmila Tagore is superb, Vinod Mehra plays the grown up Nandu with great sincerity. Rajesh Khanna lends a lot of credibility to Anand-babu despite having turned a major superstar during the making of this movie. Om Prakash is always a pleasure to watch although his role is very small. R.D.Burman and Kishore Kumar top it all off with the great music!

Dear IMDb,

Going through your site on the Movie "Amar Prem" I regret that the name of the Child Actor who portrayed "Nandu" as a child has been completely omitted. Kindly revise the site to include this information. I have checked other sites as well. Since I consider your site to be comprehensive, I would imagine it contain complete information. Needless to mention, this Child Actor has appeared in some other movies as well. Maybe you can suggest other ways of myself receiving this information. Thank you for your reply in advance. I regret that this request is not really a Review. It was the only way I could think of getting the information I have requested. Sorry for the inconvenience, if any. If you do not add the information I seek, to your site, I will not be offended. But I will be disappointed.

The poignant story and sarcastic representation of the life and moral values of the sub-continent's red light area is captivatingly pictured in this great movie.

The movie underlines the stark facts that depict how a poor and young woman gets entangled in the evils of prostitution. The viewers are compelled to admit the follies and bitter treatment meted out to an innocent woman who ultimately resorts to find refuge in the filthy side of the world. By, coincidence, the most respected, wealthy and influential elite of the city also finds solace in the company of this woman. But something is common in both, i.e., they have been rejected from their homes and yearn to find shelter (physical for the poor and psychological for the rich).

The song "Chingari Koi Barhke" is a classic masterpiece shrouding the excellent screenplay and cinematography coupled with heartrending acting of Rajesh Khanna who has proved that he is a SUPER STAR given his spellbinding screen presence. His brilliant and mesmerizing acting in the boat in a moonlit night speaks volumes about the subtle imagination of the director. The lyrics and music of this song can reverberate the emotions of even an extremely self centered person. Whenever, one watches this song ......one finds something latently vibrant which stirs deep inside the soul. The trio of Rajesh Khanna, Kishore Kumar and Shakti Samantha supercharged the movie with this magically hypnotic song. THIS IS THE HIGH POINT IN Indian MOVIE MAKING. Believe you me, the direction, music, acting and cinematography in this song is very unlikely to be equaled in near future, given the prevailing temporal, crazy, puerile, showy, cheap, vulgar and synthetic direction, acting and main theme of the movies.

Some of the very subtle and bitter human values and sentiments creep at the climactic end of the movie underlying the quintessential lesson for mankind to "do good and earn virtue".