10 Rillington Place

This is the story of serial killer John Christie, who between 1943 and 1953 murdered women and disposed of their bodies on his property at the titular 10 Rillington Place. Christie used his mild mannered demeanor to gain the confidence of women. He often falsely claimed to have medical knowledge and told them that if they came back to his flat he could take care of their migraines, bronchitis, etc. Once there, he killed them. He was never suspected because the women who disappeared had no known connection to him.

What becomes his undoing is when he becomes homicidally attracted to Beryl Evans, wife of one of his boarders, Tim Evans. Christie does a pretty good job of planning the killing, but he is rather reckless, telling his wife things that will be refuted later. Ultimately the victim's husband Tim is convicted of the murder of his wife and is executed. There were holes in the criminal investigation for sure, and Evans was illiterate and mildly intellectually handicapped as well, known for telling tall tales, so he was limited in how he could help his own defense. So when he truthfully does tell the police what happened, they do not believe him.

Richard Attenborough is very much the enigma as killer John Christie. You can easily find out why Christie probably did what he did with some quick internet research, but here no explanation is provided, and that helps add to the tension. Highly recommended.

This is a convincing account of the infamous serial killings of Christie, and the dreadful miscarriage of justice which led to the hanging of Timothy Evans, who would now be described as having a learning disability, for the murder of his wife. Richard Attenborough portrays the apparently respectable, colourless killer with insidious menace, through to his eventual disintegration and discovery. The house of horrors has now been demolished- who would want to live there? At this time serial killers were unusual in the UK, and there was little expectation of finding multiple corpses in a dreary lower middle class dwelling - Jack the Ripper had been regarded as the epitome of the worst humanity could be. The execution of Evans was and is an overwhelming condemnation of the existence of the death penalty in any society or state which has moral values or any claim to respect for justice or civilised mores.

I saw this in a theatre here in the United States in 1971, when I was eleven years old. I'd seen Richard Attenborough as the circus master in DOCTOR DOLITTLE and I wonder if I'd sold my mother on taking me to this one because I knew the name Richard Attenborough. In any case, this movie burned itself into my brain immediately and, for the next three decades I told many of my fellow American film-buffs that there was this British movie no American had ever heard about that was more blood-curdling than PSYCHO. I suspect the obviously limited release of this movie in the United States had something to do with the fact that one of its chief selling-points was that it was based on a murder not well-known to Americans. The Christie murders were famous in Britain, and, in fact, historic because of their effect on the elimination of the UK's death penalty. But the distributors in America had to market this on its qualities as a thriller. Attenborough had yet to make his name a household word here, GHANDI being about ten years in the future and the probable difficulty with accents couldn't have made people who did see it very eager to recommend it. On top of this, the movie is not a thriller but a truly disturbing exploration of evil. It makes the roughly contemporary FRENZY look like a sitcom. Movies became more realistic in the late sixties and early seventies than they have been before or since. 10 RILLINGTON PLACE may be the most realistic movie about a serial killer ever made. It may not be the scariest, but it's the most memorable. I haven't forgotten it, and I haven't seen it in more than a generation. It is a mournful movie for serious viewing.

Three years after "the Boston strangler" ,Richard Fleischer brilliantly succeeds in transferring to the screen a horrible true story.The two movies do not look like each other though."Boston strangler" was spectacular,making the best use of the split screen I've ever seen."10 RP" is an austere bleak work ,all the more disturbing than its style is bald.Richard Attenborough(an extraordinary performance,on a par with Peter Lorre's"M") portrays one of those serial killers in the first half of last century.Two good examples :Landru ,whose character Charlie Chaplin used in "Monsieur Verdoux " and Claude Chabrol in his eponymous movie,or "Doctor Petiot" who was doing on a small scale (killing Jews to despoil them) what the Nazis were doing on a large one. Christie ,Landru and Petiot are close relatives.They seem harmless,mediocre little men .Not the serial killer we meet in today's thrillers.And Christie is given the adequate treatment by his director:the poor house,the crummy flats ,the pubs ,the no-future of an uneducated generation (Fleischer lays stress on the fact that Tim cannot read and write ).This illiteracy is partly responsible for Tim's unfair revolting fate.

Fleischer's style is plain;the trial scenes,when any director would have his actors overact is a lesson a lot of the current artists should pay attention to.The hanging could not be spookier.One cannot help but think that the last lines about Tim on the screen are a bit ironical.

Matching Attenborough's awesome portrayal,is John Hurt's remarkable Tim:definitely not Gregory Peck as his wife thinks,macho but pitiful,a not very handsome whining lad who cannot hold a candle to his maleficent owner.

You should see "the Boston strangler" and "10 Rillington place" one after the other

It's almost fifty years since this film was made, and it hasn't lost any of its potency. I saw this as a youngster, and it terrified me, watching today, I had exactly the same feeling, terror.

The film is wonderfully atmospheric, it's bleak, it's chilling, and Richard Attenborough's performance is spine chilling, he makes Reg an absolutely terrifying figure, despite being so softly spoken.

There is a harshness to this film that truly does work in its favour, there is no lighter side, it's just very bleak.

Based on real life events, it's a fascinating, but tragic story, you can only wonder at the lives that Christie ruined.

Several documentaries are available, and The BBC produced a three part series many years later, but this film version is hard to beat.

Chilling, but outstanding, 10/10.