The Bravos

George Peppard stars in The Bravos a cavalry western where Peppard is a captain in charge of a badly located fort some weather beaten troops and a wagon train that has taken refuge in his post out of necessity. It seems as though they have a martinet of a wagon-master in Pernell Roberts who went and shot a Kiowa chief's son and now he wants protection. The Kiowas want Roberts and to insure they get him they take Vincent Van Patten playing Peppard's son who is visiting.

The Bravos is a routine cavalry western to be sure. Some of the themes however could have used a more poetical director. Coming to mind immediately is Rio Grande where John Ford gets the most out of scenes involving Claude Jarman, Jr. with his parents John Wayne and Maureen O'Hara. Would that Ford been directing Peppard and Van Patten.

Pernell Roberts between his television series Bonanza and Trapper John, MD. played a lot of villains. His arrogant wagon-master is someone you love to hate and is the highlight of the film.

This one is OK for western fans.

Slow and lacks capturing plot. Very little action and lackluster acting.

It's movies like this that give westerns a bad name. Yes, it was made for TV, but that's no reason to bore the viewers. But at least the Kiowas were played by Native Americans and not not a bunch of white guys with feathers in their rugs.

Not a bad film: an interesting-looking fort, good scenery, L Q Jones gets some decent screen-time and there's no contrived love interest (just a bit of on-off-on romance between two youngsters in the wagon train). But Peppard's persona is a bit too genial for a disciplinarian CO of an undermanned garrison; it was a bit of a shock when, after it has been surprised by the Indians, he puts enlisted men on 18 hours of duty a day and officers on 24 (for three days); not a good idea when there's meant to be 2,000 hostiles threatening 70 just soldiers. We don't get to see many of the 2,000, and the rescue bid (which, thankfully, doesn't descend into the A-team heroics that Peppard came to be identified with) seems to involve taking on just four or five of them. Funny title: I understand "bravos" to be hired ruffians or killers, and none of the protagonists fill this description. Even the fugitive from justice isn't really a bad guy.

I like Westerns and was hopeful for this one, which I had never seen before. Didn't like it. It seems like a failed pilot for a Western series on TV. And it happens to be a TV movie. It's long, filled with a lot of characters and plot (young lovers' quarrel, convict on the run, insubordinate officers, etc.), and is -- boring, still... .... On second viewing, it seems better. Well acted, interesting, moves a long.

***lots of spoilers****

The movie is unique to its detriment. There is no love interest for the star, Peppard. And Peppard is the commanding office of this little military post 500 miles from civilization. It would have been more interesting if he had a middle rank and bucked the system to achieve final success. Those are clichés but would have made for a more interesting movie.

I didn't like the soap opera little disputes among the characters. I didn't like the way Peppard's trusty scout L.Q. Jones was constantly going out alone into barren hostile Indian territory finding all sorts of things and information and returning quickly and safely, as though he had strolled through his own backyard.

One example of the flatness of the movie is that the little wagon train that gets to the fort for safety, at the end of the movie decides to return to St Louis for safety. The other main plot of the movie is this trite and incredible happening: the fort is attacked by Indians, and Peppard's young antagonistic son, who was just kicked out of boarding school in the East, is kidnapped by one of the Indians! So Peppard and L.Q. Jones go off alone into the wilds to rescue him.