An insane Hollywood makeup man kidnaps a woman, keeps her prisoner in his warehouse full of props.An insane Hollywood makeup man kidnaps a woman, keeps her prisoner in his warehouse full of props.An insane Hollywood makeup man kidnaps a woman, keeps her prisoner in his warehouse full of props.
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WOW a blast from the past - and a pleasant surprise. I got this gem in the Drive-in 50-pack collection. I remember this one from quite a few years ago. I am glad to have this one in the 50-pack. It's definitely one of the better films in the Drive-in 50-pack.
This is a very bizarre film where Mickey Rooney plays B.J. Lang a psycho that is holding Carlotta hostage in his basement. He is creating a movie in his mind and forces Carlotta to participate. Mr. Lang gives us quite a show while "teaching" Carlotta all about the theater. To add to the weirdness, we have Old Charlie in the basement who is dead.
It's not the greatest horror film but it is one of the better one's from the 1970s and in the Drive-in collection.
6/10
This is a very bizarre film where Mickey Rooney plays B.J. Lang a psycho that is holding Carlotta hostage in his basement. He is creating a movie in his mind and forces Carlotta to participate. Mr. Lang gives us quite a show while "teaching" Carlotta all about the theater. To add to the weirdness, we have Old Charlie in the basement who is dead.
It's not the greatest horror film but it is one of the better one's from the 1970s and in the Drive-in collection.
6/10
Everyone who has commented on this film to date has been right. It is a terrible, nearly unwatchable movie, directed by someone who has seen too many avant-garde short films by Stan Brakhage and Maya Derren and who mistakenly believed that a 90-minute commercial movie could be made using their techniques.
But it is also a filmed actors exercise, an extended acting class in which someone said to Mickey Rooney, "Let's test your chops, and explore the limits of your acting range." Viewing the movie that way, it is a triumph for Rooney. His acting talent is incredible, and in two- or three-minute bites his performance can be mesmerizing. He takes a mess of a script, an insane and unsympathetic character, and crazy lines, and comes off not just as believable but as affecting. You really don't want to see this movie, but if someone showed you a few short clips from it you would gain a new appreciation for Rooney's abilities.
Luana Anders holds her own as Rooney's captive, but it is Rooney's show.
But it is also a filmed actors exercise, an extended acting class in which someone said to Mickey Rooney, "Let's test your chops, and explore the limits of your acting range." Viewing the movie that way, it is a triumph for Rooney. His acting talent is incredible, and in two- or three-minute bites his performance can be mesmerizing. He takes a mess of a script, an insane and unsympathetic character, and crazy lines, and comes off not just as believable but as affecting. You really don't want to see this movie, but if someone showed you a few short clips from it you would gain a new appreciation for Rooney's abilities.
Luana Anders holds her own as Rooney's captive, but it is Rooney's show.
Mickey Rooney lets loose in a strange little film. Rooney plays a deranged makeup man who kidnaps a young woman and then holds her in an old warehouse full of props, forcing her to act in his movie while he drifts in and out of reality.
To say that this two person film is strange is an understatement. Its clear why Rooney agreed to do the film since it lets him do things that he never got to do with Judy Garland or as Andy Hardy. Whats not so clear is why we'd want to watch it since its 90 minutes trapped with a psycho. This isn't to knock Rooney's performance, rather its to praise it since this clearly isn't a guy we want to have over for dinner.
I'm on the fence about this film. I can't really recommend it for any reason other than being able to see Mickey Rooney let go. However if you want to see what else Rooney could do beyond the typical see this movie. Everyone else stay away.
To say that this two person film is strange is an understatement. Its clear why Rooney agreed to do the film since it lets him do things that he never got to do with Judy Garland or as Andy Hardy. Whats not so clear is why we'd want to watch it since its 90 minutes trapped with a psycho. This isn't to knock Rooney's performance, rather its to praise it since this clearly isn't a guy we want to have over for dinner.
I'm on the fence about this film. I can't really recommend it for any reason other than being able to see Mickey Rooney let go. However if you want to see what else Rooney could do beyond the typical see this movie. Everyone else stay away.
Cinematic travesty is right! This film is rancid and putrid and boring and so God awful! Mickey Rooney plays some mental case that thinks he is making movies back in 1947 in an old props room where he instructs his "actress" Luana Anders in Cyrano De Bergerac. All 90 minutes basically takes place in this "loft" that really looks like nothing more than the backstage of a small theater. Watching this film was excrutiating torture as we get to see Mickey Rooney give the worst performance of his career, as well as Luana Anders! Rooney is barking out orders to stagehands that aren't there one moment, then he is dancing around and singing "Pardon Me Boys, Is That the Chattanooga Choochoo." He is painful to watch as in one scene he wears make-up and looks like a cheap hooker on the Vegas Strip(based on his looks...one real CHEAP hooker to boot!). Most of the time he looks like some maniacal gnome. Some of the scenes even have speeded scenes so we can see him dance about in fast motion no less. Anders is just as bad(at least looks good) as we never really can tell what her motivation is or what she really feels. This is just one real reel bad film. Director Yabo Yablinsky deserves most of the blame as he forfeits plot structure, characterization, pacing, motivation, and all those things that are a part of a good film for nonsense, halluciatory dream sequences that mean absolutely nothing, and odd, repetitive camera angles. Whew! What a stinker! Yabo is one yahoo!!!
"The Manipulator" is truly one of its kind.Supremely bizarre,surreal and acid inspired horror film set in an abandoned warehouse filled with plastic mannequins,cobwebs and dusty movie props.Mickey Rooney plays bearded B.J Lang,a madman who keeps a young woman played by Luana Anders captive in his building and keeps referring to her as Carlotta,his acting star.She is tied to a wheelchair and begs for food.Rooney torments Carlotta and forces her to act out scenes for his theatre piece."The Manipulator" may come across as obnoxious and boring,but I found it somewhat fascinating in its uncompromising portrayal of insanity.Mickey Rooney is certainly unforgettable as a completely deranged B.J Lang.The shots of mannequins are creepy and there are some brilliant scenes of dementia.6 out of 10 for manipulating of my consciousness.
Did you know
- TriviaAccording to a 2015 blog post from writer Richard Selinkoff, who claims to have worked, uncredited, as an art director's assistant on this film, "I borrowed the old-fashioned wheelchair that Mickey kept Luana tied to in the movie from Frank Zappa, who had used it after being thrown from a stage in Europe by a deranged fan, and who usually kept it in the basement studio of his house". Slight problem: Zappa's injury occurred on Dec. 10, 1971, and the film's release date was only five days later, according to a contemporaneous issue of The New York Times.
- GoofsCharlie dies with his hands to his sides and this is how he's always shown, except in one shot where his fingers are interlocked across his chest.
- Crazy creditsAfter the closing credits Mickey Rooney is shown in fast forward acting around on stage.
- ConnectionsFeatured in Cheap Thrills Theatre: The Manipulator (2017)
Details
- Runtime
- 1h 25m(85 min)
- Sound mix
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