IMDb RATING
4.9/10
1.3K
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Soldiers in a rural English town are being brutally murdered by an unknown creature. Two sisters living nearby realize they might understand what's happening.Soldiers in a rural English town are being brutally murdered by an unknown creature. Two sisters living nearby realize they might understand what's happening.Soldiers in a rural English town are being brutally murdered by an unknown creature. Two sisters living nearby realize they might understand what's happening.
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Featured reviews
Interesting Beast
Sometimes a film just captivates your imagination. I first saw The Beast In The Cellar when I recorded it off late-night British TV, in 1992. I've since watched it in it's Odeon DVD incarnation, and it still resonates.
It may not be shocking, surprising or horrific, but I just 'enjoy' this film. The interplay between Beryl Reid, who was only 51 at the time but playing much older, and Flora Robson, represents the ending era of traditional British actresses in traditional British films.
This film has spectacular photography. The credits shot of a crepuscular sunset is unsurpassed, combined with the evocatively non-lyrical theme. It is the best shot of a sunset over British countryside that I have ever seen.
The story is admittedly weak once we find out that the sisters know what they know. However, their resolve to try and keep up their 'secret' is humanistic and done well.
The 'inserts' of gore are very brief and very effectively vivid. I think for once it doesn't harm a film.
The finale of 'the monster' coming up the stairs for the sisters, largely done in 'Nosferatu' style until a last shot, is very creepy.
In short, this isn't a great film, and impatient 'Netflix' viewers will find there's a lot of talk and little 'action'. However, the drama confined to the house between the two sisters is fascinating in itself; uncovering the mystery of the dynamics between them almost becomes the thing to 'solve' rather than the 'Beast' issue.
A film I could watch again and again, albeit leave a few years between each viewing.
It may not be shocking, surprising or horrific, but I just 'enjoy' this film. The interplay between Beryl Reid, who was only 51 at the time but playing much older, and Flora Robson, represents the ending era of traditional British actresses in traditional British films.
This film has spectacular photography. The credits shot of a crepuscular sunset is unsurpassed, combined with the evocatively non-lyrical theme. It is the best shot of a sunset over British countryside that I have ever seen.
The story is admittedly weak once we find out that the sisters know what they know. However, their resolve to try and keep up their 'secret' is humanistic and done well.
The 'inserts' of gore are very brief and very effectively vivid. I think for once it doesn't harm a film.
The finale of 'the monster' coming up the stairs for the sisters, largely done in 'Nosferatu' style until a last shot, is very creepy.
In short, this isn't a great film, and impatient 'Netflix' viewers will find there's a lot of talk and little 'action'. However, the drama confined to the house between the two sisters is fascinating in itself; uncovering the mystery of the dynamics between them almost becomes the thing to 'solve' rather than the 'Beast' issue.
A film I could watch again and again, albeit leave a few years between each viewing.
no horror please, we're british
Kitchen sink snooz-a-thon which seems more focused on cups of tea and nattering than being a horror. Flora Robson and Beryl Reid are the odd couple of sisters, who spend every moment having agitated little quarrels about nothing, while a vicious beast is loose on the moors, and... Oh please excuse me...would you like a cup of tea?
In the pantheon of eccentric 70s brit horrors (that were not by Hammer or Amicus), this doesn't measure up to the groovy Tower Of Evil, or the deranged Killer's Moon, or Norman J Warren's campfest 'Terror'. I recommend choosing those over this one... Now, fondant fancy? Help yourself.
In the pantheon of eccentric 70s brit horrors (that were not by Hammer or Amicus), this doesn't measure up to the groovy Tower Of Evil, or the deranged Killer's Moon, or Norman J Warren's campfest 'Terror'. I recommend choosing those over this one... Now, fondant fancy? Help yourself.
Contrived, but interesting horror flick
A soldier walks alone in the ever darkening sunset. Suddenly he is attacked by a creature. You know this because the camera is shaken around, there is disjointed screaming, and the same photo of a bloody slash mark is subliminally flashed. This was obviously to avoid too much editing by the censor, but I immediately thought, "Great, a 1970's crap horror movie. Worth watching" Then the laid back, easy-listening trumpet title tune put the icing on the cake - more cocktail lounge than horror film it is immediately at odds with the theme of the film. After the intro, the usual chapter with the detectives investigating the incident scene. You don't actually see the body, but the contrived commentary by the detectives gives you a good idea of its condition. "Hmmmm, deep lacerations to the face and body made by talons, I'd say." You get the picture. This thorough off the cuff autopsy by the detectives gets them off on the wrong foot by making the assumption that it's a Panther.
Apart perhaps from the two leading actresses and T P McKenna, there is little evidence of any real acting. The soldier that keeps an eye on the two old dears was probably a real soldier - he appeared to be reading from idiot boards such was his woodeness. However, the story does get a bit more involved and at times seems well written, so you shouldn't judge this film by the first amusing half hour.
Apart perhaps from the two leading actresses and T P McKenna, there is little evidence of any real acting. The soldier that keeps an eye on the two old dears was probably a real soldier - he appeared to be reading from idiot boards such was his woodeness. However, the story does get a bit more involved and at times seems well written, so you shouldn't judge this film by the first amusing half hour.
Better than its reputation suggests!
This latter day Tigon film used to be on the telly all the time when I was young. Me and my sister thought it was great! It doesn't seem to have all that good of a reputation though but having saw it for the first time since way back when, I can safely say that I still like it! It centres on a couple of elderly sisters who live together (Beryl Reid and Flora Robson) who keep their deranged brother in the cellar; he gets out and starts killing soldiers from the local training base. The two central pensioners are pretty good value and it has a sense of place and atmosphere to boot.
Not terrible but still lacking....
I remember viewing this movie when I was a kid. I recall it terrified me immensely and it stayed with me all these years. I spent a couple of years trying to find it online...didn't remember the title, only the storyline. After searching and searching, I came across a VHS that was being sold on E-Bay. I was excited and when it finally arrived, I jammed it into the VCR and couldn't help but feel a bit nostalgic. Needless to say, I was slightly disappointed. This wasn't the movie I remember watching as a kid. It was boring at times and I found Beryl Reid's incessant whinning extremely annoying. Both performances by Reid and Flora Robson were good overall but the movie wasn't scary. I think any movie is worth viewing to form you're own opinion but sometimes, well......
Did you know
- TriviaDame Flora Robson and Beryl Reid were annoyed at the heavy cuts made in post-production, which they thought damaged this movie.
- GoofsAlthough the flashback is set around World War One, the people at the Fun Fair are wearing '70s clothing.
- Alternate versionsThe original UK cinema version was cut by the BBFC to edit shots of a couple disrobing and blood splashes during a murder scene in a barn. The 2004 Anchor Bay DVD is uncut.
- ConnectionsFeatured in Elvira's Movie Macabre: The Beast in the Cellar (1984)
- SoundtracksShe Works in a Woman's Way
Written by Tony Macaulay & Barry Mason
Sung by Tony Burrows with The Edison Lighthouse
- How long is The Beast in the Cellar?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Der Keller
- Filming locations
- Horsted Keynes Railway Station, Station Approach, Horsted Keynes, Haywards Heath, West Sussex, England, UK(train station exterior/roadway)
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 28m(88 min)
- Sound mix
- Aspect ratio
- 1.66 : 1(original ratio)
- 1.85 : 1
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