Count Yorga, Vampire

In this alternate take on the Dracula story, the titular count (from Bulgaria) holds a seance to contact the mother of young Donna. Donna's mom died of some kind of anemia, which of course fits in with the movie's theme. The seance doesn't go as planned, but Yorga is able to implant some post-hypnotic control on poor Donna, and soon enough bodies are piling up as Donna and her friends try to figure out what's what. There's even a henchman who's (apparently) a werewolf! But aside from the present-day (well, 1970) atmosphere and setting, this is a movie useful only as a cult hit. Tired of the same old vampires? Try Count Yorga, sort of a Diet Dracula. As with many genre pics of the period, the acting and direction are pretty nondescript, and the whole thing looks like it was filmed through a screen door.

When we think of great vampire portrayals, normally the names of Lugosi and Christopher Lee immediately pop into our heads. Robert Quarry, however, is as convincing a vampire as both of those great actors. His performance and demeanor as a Bulgarian Count in this film is truly outstanding. He lives in a large house somewhere in California and terrorizes young women and their boyfriends. What makes this picture a better than average vampire film is that it has a very tense and atmospheric plot structure. We basically know what fate will befall our innocent(just) protagonists, but we become riveted to their actions and those of the Count. Quarry plays the Count with a charm that is both amiable and yet caustic. He makes one of the wittiest vampires in film. The rest of the cast is adequate, and I think Roger Perry does a wonderful job as a blood specialist who goads Count Yorga one evening into talking about the supernatural. A must see for the classic horror fan.

Some friends gather at the mansion of Robert Quarry (Count Yorga) so that they can hold a séance and Donna Anders (Donna) can contact her recently deceased mother Marsha Jordan. Marsha and Quarry had been lovers. What follows is a vampire film with the women predictably the victims/aggressors and the men predictably running around trying to solve things. In the meantime, Quarry is the bad guy with a clichéd side-kick who resembles a monster and has super strength. Good versus evil – can you guess which side wins…..?

The film is OK but I find films in this genre quite limited in emotional connection for me. There are a couple of rare exceptions but on the whole, you know what you're going to get. The film does have one memorably scary part that is well done - check out the stuck-in-the-van sequence. We know what is coming, but it's still scary and gets you. This happens on another occasion as well as at the end. This predictability, unfortunately, lets the film down - as well as the comically bad narration, especially at the end. Aside from that, the film is a little dull and just plods along. The bloody images start to appear at the end of the film and there is a pretty grotesque moment with a kitten. Personally, I don't approve of gratuitous gore so these things lose points for me. I want to like these vampire films but they are ultimately boring and predictable. This one scores on the OK-ometer.

At the time this film was made, vampires were almost always slow and hypnotic. This was really the first vampire film that treated them as swift and animalistic. That made this film surprisingly effective. It was even more surprising since it was originally supposed to be a pornographic vampire film called THE LOVES OF COUNT IORGA. It is flawed, but I still think it is the most effective vampire film I have ever seen. And I have seen quite a few.

I saw this one on a movie channel and loved it. I haven't seen it for 30+ years. Robert Quarry is magnificent as a "matinee idol" vampire, in the best Lugosi tradition. Someone should post a short biography of this often-overlooked actor. A little heavy-handed in parts, but it's sure sexy and scary. The supporting actors are very good, especially a young Michael Murphy. You might also want to view Dr. Phibes Rises Again with Quarry and Vincent Price going toe-to-toe. See this one if you like seventies style or good low-budget horror.

Rated PG-13 (kitty munching; lewd activities in Volkswagen Bus and cleavage isn't quite the word).