Demons of the Mind

A mad baron (Robert Hardy), haunted by memories of driving his wife insane, is obsessed with the "heritage of disorder" that he thinks might afflict his two grown children (Gillian Hills and Shane Briant), whom he keeps locked up in his beautiful castle home, searching for a "cure." With the help of bald manservant Klaas (Kenneth J. Warren) and stern aunt Hilda (Yvonne Mitchell), he drains their blood to keep them weak, forbids them to see each other (there's incest involved) and ignores the expert opinions of a doctor (Patrick Magee). Meanwhile, there's a rapist/murderer on the loose terrorizing a quaint neighboring village.

This psychological horror story is a fine deviation from Hammer's cycle of monster movies, highlighted by excellent period costumes and sets (especially the castle) and Christopher Wicking's provocative, complex screenplay (which resembles V.C. Andrews' FLOWERS IN THE ATTIC, written later). Only the finale, with a mob of torch-carrying villagers hunting Hardy down a la FRANKENSTEIN, really detracts from this well above par Hammer production.

Deathly afraid that his daughter and son have gotten a touch of the crazy from their mother, a local Baron locks them up (seperatly of course, since they have a thing for each other, or more precisely the brother has a thing for the receptive sister *wink*) and keeps them drugged up. After the daughter escapes, she's subjected to having the 'bad' blood dispelled. Meanwhile, a string of murders of town women are occurring. Are these connected? You'll have to find that out for yourself. More anti-science then anti-religious. Snd while this isn't Hammer's finest hour, it's still engrossing (Over-acting and all) However, I thought that Shane Briant who plays Emil, the son was much better in the same year's "Straight on Till Morning"

DVD Extras: Commentary with Peter Sykes, Christopher Wicking, Virginia Wetherell and Journalist Jonathan Sothcott; Theatrical Trailer

Eye Candy: Fleeting glimpses of Gillian Hill's 'hills', and Virginia Wetherell full frontal.

My Grade: C+

Well I went into this with high expectations, but unfortunately Demons of the Mind failed to deliver. I'm a big fan of Hammer Horror, and since I've seen most of the big ones; this one has been at the top of my 'must see' for quite some time. It has to be said that Demons of the Mind represents one of Hammer's most ambitious projects, but that can't be seen as a compliment to the film as it just doesn't work. Demons of the mind does benefit from some good production values, and actually reminded me a lot of Ken Russell's The Devil's because of the way that it fuses good acting and cinematography with a purely B-movie plot. The plot is overly complicated, and focuses on a pair of children who are kept locked up by their father, a man who fears that the children may have been 'infected' by their insane mother. The boy keeps escaping, and coincidentally a lot of dead girls are turning up in the woods. The father keeps them separate as the boy is attracted to the girl, and the plot thickens when a doctor who stands to make a fortune if he can 'cure' the children turns up...

Demons of the Mind was directed by Peter Sykes, who also directed one of the studio's worst efforts in the form of To the Devil a Daughter two years later. Clearly, he is not Hammer's most adept director. The film features a handful of British horror stars - most notably Patrick Magee and Shane Briant, both for different reasons. Magee is one of the most underrated and unique British horror actors, and he always manages to increase the credibility of anything he stars in - even if it is something like this. Briant, on the other hand, starred in a handful of Hammer Horror flicks during the early seventies and failed to make much of an impression after the first one. Briant was noticeable in Straight on till Morning for his ridiculous haircut, but since then failed to make an impression. The film really lacks what Hammer's big guns bring to the table - Cushing and Lee are sorely missed. The plot mumbles along for most of the duration, and by the end I wasn't too bothered what happened. I can give this film plaudits for the production values and for some notable sequences - but overall, Demons of the Mind isn't one of Hammer's finest hours.

Demons In The Mind is a left turn for Hammer, taking the Gothic horror into different territories. This has a very similar look and ambiance comparable to the other horror films made by the studio. However, this is a very psychological horror film that is devoid of monsters(unless you count human ones), but still very much feels like a Hammer movie. The movie is unpredictable and sometimes gets confusing, but overall I still enjoyed it quite a bit. Patrick Magee from A Clockwork Orange appears and delivers a sound performance to this unusual film. Demons In The Mind is a little off the wall, but somehow works. The sex and violence is at around the same level as other Hammer productions at the time. While this was not well received around the time of its release Demons In The Mind is a solid piece of work and a very interesting film.

Hammer films had by 1972 clearly some problems coming up with new and fresh ideas. Their old style monster movies were beginning to show their age and the formula had been remade too many times (ie. Dracula AD 1972). So some experiments were made. "Captain Kronos" is one and this one another. The story moves very slowly in the beginning and what is happening is never really quite clear. The story about one family's inherited madness is intriguing but never fully developed. And those expecting some gory horror movie will be very disappointed, because for the most part, this is a rather slowmoving psychological study with added chilling elements. The biggest drawback here is the pace, which is non-existent for three-thirds of the movie. The final twenty minutes or so are more satisfying in that sense. Robert Hardy is also not a bonus, overacting like mad. But there are compensations. Other performances are very good, like Patrick Magee as the mock-psychiastrist and Gillian Hills as the young and maybe mad daughter of the family. And the basic plot IS interesting! A remake with a revision of the script might do wonders. Arthur Grant behind the camera does a great job too, contributing his usual skill and thereby making everything look more expensive than it really is. The art-director knows what he is doing too and the score by Harry Robinson is excellent (he really was an underrated filmcomposer).