Cold Comfort Farm

I agree that the film version is far superior to the TV version, but when I saw Cold Comfort Farm in 1971 I loved it. Then I discovered the novel, read it, and immediately bought copies for all of my friends. I had to drive almost 100 miles to see the movie, and it was worth it. The movie is better than the old TV version, but the book is much, much better than the movie. I will always be grateful to Masterpiece Theater for introducing me to this treasure.

Stella Gibbons' 'Cold Comfort Farm' is one of the classics of parody, and this version with Alastair Sim, Rosalie Crutchley, Fay Compton, Sarah Badel, Brian Blessed, Aubrey Morris and Peter Egan does it justice. Very 1960s in its outlook it is well played and written and has just the right hint of madness. Badel in particular as Flora Poste is note perfect.

Compared with the version with Kate Beckinsale this is much better, and deserves to be seen more widely. Although a VHS did come out in the USA, maybe a DVD beckons from the BBC? It should fit well alongside other classics adapted around the same time, and as it is in colour should find a wide audience.

While there are some strong performances, the crude production values and chaotic direction make this show truly painful to watch. Zooming the lens in and out "real fast" is the sort of thing people did with Super 8 cameras 45 years ago, but it was hardly funny then and is sort of pathetic today. The later film is, by contrast, a real pleasure. Much of the 1968 production calls to mind Monty Python at their worst, which puts to question what it is trying to achieve. We could not make it past the first of the three episodes. There are some solid acting performances (Alistair Sims is terrific, and Sarah Badel does a fine job) -- which is the only reason I have not given this film an "awful" rating. It is, however, awful, and I could not wait for it to be over. What is truly unfortunate is that the later version with Kate Beckinsale is very well done, and this show may discourage viewers from watching it. Skip the '68 show; watch the film.

The only enjoyment in watching this TV version was the nostalgia it brought back for all those wonderful old TV productions of the "why don't they do the kind of dramas they used to do". One forgets just how crude they were at times. I was more interested in the sets, and whether they would remain standing than I was in the action. The production just screams TV studio set. Although Rosalie Crutchley and Brian Blessed gave their usual outstanding performances, it made me appreciate the Kate Beckinsale film all the more.

See the wonderful 1995 movie version instead! I'm a big fan of British comedy and drama, and of the early 1970's Masterpiece Theater series that ran on PBS. However this early TV version is an absolute train-wreck of a production; everything about it is really bad. Those involved seem to have been watching too many Fellini films and seen too many stage productions of Marat/Sade, and thought it would be a fun idea to try incorporating a similar approach here. The result is a bizarre and amusingly unwatchable mess.