Murder by the Book

Interesting that the very first Columbo episode with Jack Cassidy as the murderer was one of the less successful dramatically in my humble opinion. Because of that it convinces me more than ever that the series and the character were sold brilliantly to the television audience by Peter Falk.

Cassidy plays half of the mystery writing team of Cassidy and Martin Milner and does this guy have one hell of a racket. Milner is the creative one and Cassidy gets half the royalties by just doing the public relations with the newspapers, the TV and Radio talk shows, all that stuff with all the fringe benefits coming with it.

Well the gravy train has now come to an end because Milner wants to go out on his own. You would think that Cassidy would want the last thing to be Milner's demise because he would still hope for reconciliation. What he does do though is take out a hefty insurance policy on Milner and proceed with an elaborate murder plot.

If anything this Columbo episode proved Milner really was the creative one because he is the obvious suspect. The insurance policy and his deliberate deception with phone calls placed are traced easily enough and don't ring true. And above all he gets himself blackmailed by the owner of a general store played by Barbara Colby and has to do another and less planned murder. For a guy so arrogant as Cassidy was and he set a pattern for Columbo villains he really botched this one.

The late Barbara Colby whose career and life came so tragically to an end only a few years later, she plays an interesting if spaced out character. Her scenes with Cassidy are the best part of this episode.

Still though Columbo would face far more deceptive villains in the future.

"Murder by the Book" from 1971 is the first episode of Columbo with guest stars Jack Cassidy, Martin Milner, Barbara Colby, and Rosemary Forsyth.

When this episode debuted, the next day, everyone was talking about the IBM Selectric with the type ball. Yes, I saw it when it was first on television.

Jack Cassidy and Martin Milner play Ken Franklin and Jim Ferris, a writing team responsible for the Mrs. Merivale mystery series. Milner plays the partner who actually writes the books, and Cassidy does the publicity, including talk shows, interviews, etc.

When Jim decides to break up the team and go off on his own, Ken has a fit -- that happens before the episode begins. Here, he is trying to apologize and lures Jim to his cabin in San Diego, where he kills him.

He's very clever with the arrangements, but then he meets Columbo. Columbo always notices the little things that add up to one word: murder.

Jack Cassidy always made a great sleaze, and here he plays an arrogant monster well. Milner, the victim, has a smaller role.

This was an excellent episode, though sad to realize that Falk, Cassidy, Milner, and Colby are all dead now, Colby at the age of 36. She does a wonderful job here as a flirtatious woman who owns a store near Ken's cabin.

Columbo is my favorite series of all time, and I was so privileged to interview Peter Falk in the late '90s. He was an incredible man. I love what he did with this role.

For those who may not know this, Columbo: Prescription Murder (the first pilot) was based on a play starring Thomas Mitchell as Columbo. It was playing out of town prior to coming into New York when Mitchell suddenly died.

Directed by Steven Spielberg,"Murder by the Book" holds up beautifully today.

For me, there have been better Columbo episodes, but there have been worse as well. Murder By the Book is a very good episode and apart from losing steam a bit after the second murder, with Columbo and Franklin's scenes together being disappointingly sidelined and the final solution while well acted felt I agree delayed and Franklin's change in character at being found out felt uncharacteristic, it is well worth watching.

The episode once again looks good with the photography quite striking especially, and the music is haunting. The episode is very well directed by Steven Spielberg, it has some top notch writing and the premise like How to Dial a Murder is ingenious and given justice by a well written plot with many scenes to savour especially with Franklin.

The acting is very good, with Peter Falk exceptional and Jack Cassidy wonderfully smug. The two men work really well together too.

Overall, without being one of the best, it is an interesting one and is very good. 8/10 Bethany Cox

Ken Franklin (Jack Cassidy), the non-writing half of a mystery novel writing team, murders the writing half of the team, Jim Ferris (Martin Milner). Franklin was the smooth one that handled the publicity and TV appearances. Ferris was planning on leaving the team after his next novel to work on an expose of organized crime. Franklin plans everything well, making it look like Ferris was murdered in Los Angeles for his ongoing investigation into the mafia, while Franklin was away at his vacation cabin, thus having an alibi. But two things trip him up. One, of course, is the fact that Columbo is on the case. The other is that a rather toothy middle aged widow who runs the country store where Franklin's cabin is actually saw Ferris with Franklin on the day of the murder. And she has blackmail on her mind.

A note to would be blackmailers. Don't think that you can blackmail somebody, even for a nominal sum, and that they'll be your friend, or in the widow's case, return your romantic interest. By definition, they see you as an enemy because that is what you are.

In this episode, Columbo does something he normally does not do onscreen. He talks to the widow of the murder victim and tells her exactly who he thinks the killer is and what he thinks about him and enlists her help in trying to catch him. Normally, although you may suspect what Columbo thinks, he saves how he came to his deductions until the final scene. Also, the motive is not revealed until the end. Franklin is a cool customer, so it was probably not anger that made him carry out such a premeditated crime, and with Ferris planning on breaking up their partnership, murder is not going to change that, so I was anxious to know what possible motive there could be. To that I'd say, watch and find out.

A terrific start to the series, and I'm not just saying this because of its director: he'd have done a great job on this even if his name was Joe Nobody. Spielberg's cool, clipped way of creating an air of menace, through constant anticipations (not for nothing does the opening panning shot include a skull on Ferris' table) in the opening sequences should be required viewing at film schools. He still permits the classic character conflict to evolve in the later, less firmly paced stages: even inserting a signature (reflected in E.T. and CLOSE ENCOUNTERS) of officials loudly creating fuss and sidelining the vulnerable, in the scene at the Ferris home just before Columbo appears. Jack Cassidy, unfairly only really remembered today as the father of teen idol David, is on splendid, autocratically smarmy form here, as a mystery writer who can't write, but knows how to play the media. His staring eyes and coldly composed face as he points the gun at the camera, for the second time, are unforgettable. As ever, Falk charms in his down-to-earth manner, complaining of the cold - "there's no lining on this coat" - and helping out the distressed Mrs. Ferris in the kitchen. (A shame that Rosemary Forsyth is saddled with a line like, "I know Ken, he's not a murderer", though.) The music, more than slightly reminiscent of Bernard Herrmann's score for PSYCHO, is another eerie advantage. All in all, a shame that Falk's plan to get Spielberg to direct COLUMBO's return to TV, in 1989, came to nothing........