Cut-Throats Nine

Dunno what the last reviewer was on, but this bleak movie was rather good, although very grim and quite gory in places. A neat ending which suited the tone of the rest of the film. Emma Cohen was good in the sole female role, and convincing enough to be scared and unsure of the all male cast. The snowy settings were a good addition, although I agree that the music was too repetitive, and the dubbing unconvincing. But as a macho western, this flick sure kicks arse!....quite disturbing in places. A sort of 'And Then There Were None' for grown ups! The type of movie that would not get made today, and a great addition to any exploitation collectors collection.

Conedandos a vivir (1972) was and is marketed purely as a violent exploitation film. Viewers approach it that way and either find it terribly vacant and crude or enjoy those aspects of the movie that are hyped up by hucksters. As the euro-western was widely marketed as violent and cynical, this advertising tactic that often blinds viewers to what is actually occurring on-screen. This is unfortunate as this movie is actually a well thought out and decently executed western that provides the nihilistic capstone to an interesting series of Spanish westerns made in the mid-to-late 1960s and early 1970s. Viewed in that tradition, as the terminal point in a genre narrative that began much earlier in films like Joaquin Marchent's own El Sabor de la venganza (1963), it is a moving and fascinating movie.

Contrary to the reputation of the "Mediterranean westerns" made in Italy and Spain in the 1960s and 70s, these movies are not simply absurd and extreme distortions of the original American genre somewhat like Red River (1948) or Rio Bravo (1959) projected into a hall of mirrors. Instead of warped conventions without significance, these movies contained their own views of society and morality. Many of the westerns written or directed by Spaniards have a very interesting perspective of the nature of violence that is central to plot and character. Violence is a contagion that consumes everything and everyone in it's vicinity. In movies like El Hombre que mató a Billy el Niño (1967), El Sabor de la venganza (1963), or Garringo (1969) victims are transformed into victimizers through the alchemy of good intentions in a corrupt society. There is always a character who has a close personal relationship with the victim-turned-victimizer who both opposes the political corruption and also it's products, including their friend or brother/son. Outlaws are portrayed in bestial terms, a pack dominated by the most brutal one. These movies always end with an ambiguous sacrifice to necessity.

With Condenados a vivir, this formula reaches it's fullest development. Isolated in the wilderness, there is nothing to stall the corrosive assault of brutality. Every member of the group is degraded and virtually every on-screen character is dead by the final credits. Sarah Brown (Emma Cohen) is the only character who opposes this effect in any way, though her response is ambiguous as it involves a hopeless and absolute nihilism. In this series of movies, the typical genre ending of a shoot-out in the street or synonymous act becomes endlessly complicated. The exorcism of violence by violence must, according to the logic of these narratives, only perpetuate the contagion – an inescapable circularity.

This movie has a sort of resurrection of the dead hero in the manner of the Italian brand of western, but here it occurs in the delusions of an insane fugitive. However, whereas in the Italian movies this return-from-the-grave is followed by a sort of liberation of a community, in this movie this is only a guilt-ridden and confused hallucination.

As in most of these Spanish movies, the technical execution lags far behind the narrative sophistication. The "gore-effects" will strike you as laughable if you are in the right mood. However, all-in-all, this movie is a successful and sincere b-movie, and as such I recommend it. With El Sabor de la venganza, this is Joaquin Marchent's best western.

Top spaghetti western list http://imdb.com/mymovies/list?l=21849907

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For fanatics only (bottom of the barrel) http://imdb.com/mymovies/list?l=21849890

Brutal, bleak and gory, this is an effective Spanish spaghetti western with no good guys at all. There is a hint at the start when we see the seven chain gang prisoners being led by the seeming good guy and his daughter, because counting up the procession, it is clear that the nine of the title includes them too. An engaging film, however desolate, but this is always going down all the way. There are one or two moments of respite but there are too many killings, a rape and hints of cannibalism, for this to be likely to have any happy ending. A rather good plot line, some excellent music, good photography in what looks like very difficult conditions in the mountains and yes, some really nasty killings.

Intriguing, grim and gritty Spanish Western has a very harsh, uncompromising tone. Sgt. Brown (Claudio Undari), a cavalry officer, is escorting a sextet of lowlife criminals, all of them chained together, across rugged terrain to prison. As it turns out, he has more than one reason for being deeply committed to this task. Accompanying him is his daughter Sarah (beautiful Emma Cohen). However, a gang of bandits intervenes, and they end up having to make their journey on foot.

As the viewer may expect, the forceful personalities of these cretins ensure many angry confrontations along the way. A flop upon its original release, an enterprising distributor came up with the idea, upon re-releasing it, to punch it up by adding a lot of gory business, all of it quite effectively nasty, and providing theatre goers with cardboard masks that they could wear if they couldn't stomach this material. This really didn't help the movie either, but it did acquire a cult following nevertheless.

Making no clear distinctions between "good" and "bad" in terms of its characters, it comes up with a fairly surprising and sadistic twist at about the half way point, and is very compelling for its portrayal of human beings at the mercy of the elements. With exteriors filmed in the Aragonese Pyreneo region of Spain, the scenery is breathtaking and the winter atmosphere genuinely chilling in more ways than one. The characters are interesting and entertaining in their own sordid way, with the actors delivering convincing performances. The music by Carmelo A. Bernaola is good if repetitive, and the frequent use of flashbacks is arresting, with much use of freeze frames. The ending is effectively downbeat, too. The pacing is rather unhurried, yet there are always fine moments, especially around the 67 minute mark as one of the convicts is stumbling through the wilderness on his own.

Western fans looking for something dark, violent, and morally ambiguous might want to check this one out.

Seven out of 10.

Good Gazpacho Western well realized by the best Paella Western director , Joaquin Romero Marchent , under pseudonym Paul Marchenti . Typical S. W. with itinerary's structure in which step by step are dying various cutthroats . Since a gold mine until Fort Green , a wagon load of convicts formed by an assortment of seven sadistic , murderous prisoners (Manuel Tejada , Antonio Iranzo, Ricardo Diaz , Alberto Dalbes , Rafael Hernandez , Jose Manuel Martin and Carlos Romero Marchent , director's brother) condemned to death row on their way to jail is being escorted through the mountains by a cavalry sergeant (Robert Hundar) and troopers . But it results to be a trick to deceive some bandits who attempt to rob the wagon . They then are attacked by a nefarious gang led by Woody (Xan Das Bolas) along with his hoodlums (Dan Van Husen) , and only survive 7 convicts and the sergeant , his beautiful young daughter named Kathy (Emma Cohen) whose wife (Mabel Karr) and mother has been killed by one of them . The survivors are left without horses or a wagon and the chained gang flees throughout snowy and dangerous landscapes . The sergeant must find a way to get his prisoners to their destination while protecting his daughter , watching out for the still chasing outlaws and attempting to determine which one of the cutthroats was the man who raped and killed his spouse.

This exciting picture contains thrills , chills , good dramatic pace , slick direction , graphic violence , action-filled with fierce fights and loads of gore and guts . Director Marchent achieved in "Nine cutthroats" possibly his best work of a modest career , with some memorable scenes , shockingly violent ,and good camera movement , as he creates a strange Western that manages to be both scary , tragic and skilfully made . This in a 1972 Spanish Western whose brutality and gore quotient led it to be marketed as a horror film during its original U. S. release with "terror masks" given out to ticket buyers . It turns out to be a rare spaghetti Western , as you can bone up on the bloodier side of that genre ; including rape , bloody killing , cannibalism , nightmares with zombie-alike and many other things . It relies heavily on a complex narrative , modern narration full of flashbacks , stop-frames and an uneven screenplay written by both , Santiago Moncada and the same director Joaqin Romero Marchent . The creepy images of wide range from the genuinely horrifying to the bizarre along with eerie and amazing frames . It packs a high body-count , it is sometimes slow moving and claustrophobic , in spite of setting on outdoors . It's a thrilling western with spectacular scenarios and breathtaking confrontation among protagonists . This interesting but depressing film contains nasty characters , ambition , human drama , passion , tragical events , complemented with a colorful cinematography and moving musical score . These elements provide the setting for this piece of dramatic deeds , giving it its own special quality and ambient ; making a strong description about a drama of survival and greedy . The musician Carmelo Bernaola composes a nice soundtrack , well conducted , this turns out to be one of the most memorable parts of the movie; as it's full of thrilling sounds and haunting musical background . Nice cinematography , though being necessary a right remastering , photography in Panoramic and Eastmancolor filmed by excellent cameraman Luis Cuadrado on locations in Spanish Pyrenees from Huesca , including gorgeous snowy outdoors ; good sets by Cubero and Jose Luis Galicia who carried out most production design on Western shot in Spain.

The motion picture was compellingly directed and in personal style by Joaquin Luis Romero Marchent at his best . He began directing two films for producer Ignacio F. Iquino such as ¨Juzgado Permanente¨ and ¨Sor Anqelica¨ . Marchent replaced Mexican director Fernando Soler filming ¨El Coyote¨ and the sequel titled ¨Revenge of Coyote¨ , both of them shot in Mexico . These successes along with ¨The shadow of Zorro¨ and ¨Revenge of Zorro¨ became a notorious writer and director of good Western . He went go directing Paella Western as ¨ Riding to death ¨ , ¨Adventures in the West¨ , ¨Three good men¨, ¨Sabor Venganza ¨ , ¨Fedra West¨ and of course ¨Condenados a Vivir¨ . Plus , he wrote for his brother Rafael Romero Marchent the followings Western : ¨Manos Torpes¨, ¨Ocaso Un Pistolero¨ and ¨Garringo¨ . Although he also made Neo-realist comedy such as ¨Fulano Y Mengano¨ , Hombre Viajaba Despacito , and ¨Hombre De Paraguas Blanco¨. ¨9 Cutthroats¨ rating : Better than average , this is his most popular and violent Western . Worthwhile watching .