A business commuter is pursued and terrorized by the malevolent driver of a massive tractor-trailer.A business commuter is pursued and terrorized by the malevolent driver of a massive tractor-trailer.A business commuter is pursued and terrorized by the malevolent driver of a massive tractor-trailer.
- Won 1 Primetime Emmy
- 3 wins & 5 nominations total
Carey Loftin
- The Truck Driver
- (as Cary Loftin)
Dale Van Sickel
- Car Driver
- (as Dale VanSickle)
Lance Cormier
- Slow Man in Cafe
- (uncredited)
Chick Sheridan
- Old Man
- (uncredited)
Shawn Steinman
- Girl on school bus
- (uncredited)
Featured reviews
While traveling through the desert for an appointment with a client, the businessman David Mann (Dennis Weaver) from California passes a slow and old tanker truck. The psychotic truck driver feels offended and chases David along the empty highway trying to kill him.
In the 70's, in Rio de Janeiro, most of the teenagers like me watched the impressive movie of a new and promising director called Steven Spielberg. On the beach, in school, in bars, everybody in Rio commented the story of a crazy truck driver that chases a common man in his car along the lonely roads through the desert. Thirty-six years later, I have just watched "Duel" on DVD with my son and it is fantastic to see how this movie has not aged. The tense and suspenseful story consists basically of a storyline, without development of characters, one actor, two stunts, lots of action and a magnificent work of direction and edition. One amazing detail is that all the afflictive and credible situation happens on the day light, i.e., Spielberg does not need to use the usual fear of the night to create a stunning tale of horror and fear, showing his talent of genius in his worldwide debut. My vote is eight.
Title (Brazil): "Encurralado" ("Trapped")
In the 70's, in Rio de Janeiro, most of the teenagers like me watched the impressive movie of a new and promising director called Steven Spielberg. On the beach, in school, in bars, everybody in Rio commented the story of a crazy truck driver that chases a common man in his car along the lonely roads through the desert. Thirty-six years later, I have just watched "Duel" on DVD with my son and it is fantastic to see how this movie has not aged. The tense and suspenseful story consists basically of a storyline, without development of characters, one actor, two stunts, lots of action and a magnificent work of direction and edition. One amazing detail is that all the afflictive and credible situation happens on the day light, i.e., Spielberg does not need to use the usual fear of the night to create a stunning tale of horror and fear, showing his talent of genius in his worldwide debut. My vote is eight.
Title (Brazil): "Encurralado" ("Trapped")
The idea of a motorist getting terrorized on the highway feels like it's been done to death in the last four decades, but I'll be damned if "Duel" doesn't feel fresh. You get the idea how this will all play out - 18-wheeler stalks Dennis Weaver, puts the guy through psychological torment, vanishes only to reappear - but Spielberg keeps up that unrelenting dread beautifully with creative use of sound and camera panes around the tanker that really give it size. What's impressive here is that a big rig has such evil personality. Even more impressive is that such a taut thriller was made for TV.
This is obscenely enjoyable stuff.
8/10
This is obscenely enjoyable stuff.
8/10
A brilliant study in minimalist suspense and terror
This film is the perfect example that you don't need a gigantic budget, sound names, great publicity or a little push from someone famous to create a cult classic. All it takes is talent and Spielberg has repeatedly shown us that he has plenty of it. It was filmed in a modest budget, the characters hardly talk and the plot is quite simple: it is the story of a man being chased in a highway by an truck. However it was filmed in such a way that it literally sticks you to the screen, never being boring for one second. The truck (not the driver) is the main protagonist of the story, a menacing character who chases a man to death for no particular reason. It plays marveously with our most intimate fear: the unknown. An absolute must see, a cult classic. this is a unique film.
This film is the perfect example that you don't need a gigantic budget, sound names, great publicity or a little push from someone famous to create a cult classic. All it takes is talent and Spielberg has repeatedly shown us that he has plenty of it. It was filmed in a modest budget, the characters hardly talk and the plot is quite simple: it is the story of a man being chased in a highway by an truck. However it was filmed in such a way that it literally sticks you to the screen, never being boring for one second. The truck (not the driver) is the main protagonist of the story, a menacing character who chases a man to death for no particular reason. It plays marveously with our most intimate fear: the unknown. An absolute must see, a cult classic. this is a unique film.
Although Dennis Weaver is probably best known for his two small screen TV series McCloud and Gunsmoke, there are those that hold out for his career role being the frightened and harassed driver in Duel.
Some years ago I was with two friends and a passenger in a car going on the Thruway in Upstate New York. Some idiot truckdriver thought we had offended him some how and chased us through several miles. We eluded him by going into a service station and driving around until he could not maneuver that big rig. I know exactly what Dennis Weaver was going through.
Weaver plays Mr. Average man on his way home from a business trip when some how he offends a faceless truckdriver whom we never see, but whose power behind that tanker truck we definitely feel right along with Weaver. Unless you're driving a bus you are no position to play turnpike tag with a big rig.
In the end Weaver decides he's so mad he stops being frightened and looks to take him down any way he can.
Weaver's performance is a one man tour de force. As much as Spencer Tracy in The Old Man And The Sea. One not to be missed.
Some years ago I was with two friends and a passenger in a car going on the Thruway in Upstate New York. Some idiot truckdriver thought we had offended him some how and chased us through several miles. We eluded him by going into a service station and driving around until he could not maneuver that big rig. I know exactly what Dennis Weaver was going through.
Weaver plays Mr. Average man on his way home from a business trip when some how he offends a faceless truckdriver whom we never see, but whose power behind that tanker truck we definitely feel right along with Weaver. Unless you're driving a bus you are no position to play turnpike tag with a big rig.
In the end Weaver decides he's so mad he stops being frightened and looks to take him down any way he can.
Weaver's performance is a one man tour de force. As much as Spencer Tracy in The Old Man And The Sea. One not to be missed.
I can recall vividly watching this movie as an ABC movie of the week at the tender age of six.Very few movies at that time in my life had the ability to captivate me.Duel was one of the fortunate few.We have a mild mannered businessman,excellently played by Dennis Weaver,on his way to a very important appointment.Suddenly,there is trouble ahead in the form of a ruthless tanker truck driver.For unexplained reasons,the truck driver singles out David Mann(Weaver)as the recipient of whatever rage and torment possesses him.Along the way,we have an apparently unsympathetic diner crowd,among whom this mad truck driver may have mixed in with while David was freshening up in the diner's restroom.Which one of them is it?Did he ever come in at all?Did he just linger outside,adding to David's torment?Then,there is the lady at the Snakerama,whose reptile displays are leveled when the truck driver realizes that David is trying to notify police in her phone booth.David ends up searching for strength he's not sure he possesses in order to combat this unseen menace.I love the idea of the driver never being seen,as the unseen is often more frightening than what is thrown in our face.This film may have been made for television,but it played like something you would see in a movie theater.I understand that it was in fact,released in theaters in England later on after Spielberg added some more footage.I am envious that they got to see this Hitchcock like thriller on the big screen.I consider it a grand edition to my DVD library.Great stuff.
2/28/2006 R.I.P. Dennis Weaver (1924-2006)
2/28/2006 R.I.P. Dennis Weaver (1924-2006)
Did you know
- TriviaAccording to Richard Matheson, he was inspired to write the original short story "Duel" after an encounter with a tailgating truck driver on November 22, 1963, the day that John F. Kennedy was assassinated.
- GoofsWhen Mann approaches the phone booth at the "Snakerama" he says "Odd place for a telephone booth," and gets inside, closing the door behind him. The camera pans to the right slightly, revealing the reflection of Steven Spielberg in the lower right-hand side of the glass panel, wearing what appears to be a blue Hawaiian shirt, glancing up and down at the script in his hands. Behind him, the truck's reflection can also be seen.
- Quotes
David Mann: You can't beat me on the grade. You can't beat me on the grade!
- Crazy creditsA scene plays out over the credits where David Mann sits on the edge of the cliff throwing stones.
- Alternate versionsFor the German DVD release, the film was entirely redubbed.
- ConnectionsEdited into The Incredible Hulk: Never Give a Trucker an Even Break (1978)
- SoundtracksBrush Those Tears from Your Eyes
(uncredited)
Written by Al Trace (as Clem Watts), Oakley Haldeman and James Lee
Published by MCA Music (ASCAP)
Details
Box office
- Budget
- $450,000 (estimated)
- Gross worldwide
- $2,544
- Runtime
- 1h 30m(90 min)
- Color
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