IMDb RATING
6.1/10
7.5K
YOUR RATING
A toxic, ever-evolving alien life-form from the Dark Gaseous Nebula arrives to consume rampant pollution, and neither humanity nor Godzilla may be able to stop it.A toxic, ever-evolving alien life-form from the Dark Gaseous Nebula arrives to consume rampant pollution, and neither humanity nor Godzilla may be able to stop it.A toxic, ever-evolving alien life-form from the Dark Gaseous Nebula arrives to consume rampant pollution, and neither humanity nor Godzilla may be able to stop it.
- Directors
- Writers
- Stars
Akira Yamanouchi
- Dr. Toru Yano
- (as Akira Yamauchi)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
6.17.4K
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Featured reviews
Psychedelic
This psychedelic Goji entry features a very formidable opponent in Hedorah and some very memorable trippy imagery.
It has an environmental message and is truly unlike any Goji film.
Hedorah has a certain special aura about it, very memorable moments and a great soundtrack that makes this one of the Showa era's finest.
8 Smog Clouds out of 10!
Hedorah has a certain special aura about it, very memorable moments and a great soundtrack that makes this one of the Showa era's finest.
8 Smog Clouds out of 10!
Craziest movie ever!
Something spooky is happening on the Japanese coast; pollution is killing the fish in the ocean, but it also gives life to a monstrous mutated fish-monster. A professor and his genius kid watch it's destructions on TV, and the kid remarks: "- Oh, that was a tadpole-monster." Japan and the entire world is soon threatened by the unearthly Creature, who's named Hedorah by the Professors kid.
At the same time a funky teenage assistant of the professor gets drunk at an absurdly psychadellic disco and has visions of all the party-people being mutated fish. Hedorah inhales polluted smoke from factory- chimneys and seem to get high, the kid is psychic and has visions of Godzilla coming to save the world, and the Professor is attacked by the Hedorah underwater and his face gets malformed. Godzilla and the "Smog Monster" (as it is sometimes referred to as) start fighting only 25 minutes into the movie. The Hedorah mutates from ocean- dweller, to reptile to flying creature, and experts conclude that "He" is probably from a distant Nebula in outer space. Scenes of havoc and the Professor's family is intercut with cartoon- style sequences with strong enviromental messages.
One scene has the Hedorah flying over a group of people working out, and they turn blue-faced and ultimately into gushy skeletons. A man at a construction site screams out (extremely) loud, and then falls to his death. Hedorah has the ability to corrode metal, and people on TV quarrel intensely on the fate of the planet. The Professors assistant knows the end is near, and has a hippie-styled party on top of a mountain; "- Let's have fun as we die!!" The party is interrupted by the space/pollution freak, and most of the kids are melted by its poisonous vomit/droppings when they try to set it on fire.
The Professor's kid has found the solution to defeat the grotesque beast: "- Dry it - it's only sludge!", and with the aid of the friendly Godzilla it finally works. Some scenes, as well as the sounds the Hedorah makes are beyond description; like the scene were it's covering Godzilla with its tons of toxic puke, and at the same time "laughing" diabolically. There are weird crosscutting throughout, the kid yells "Papa" alot and the groovy rock score helps to its remarkably insane mood. The PG- rating should be reconsidered. This one is too dark and demented in so many ways, I don't think a ten year- old should watch it. It's mad nightmarish, art-cinematic style could cause damage.
A TV- reporter calls the Hedorah "a freak organizm" - much like this movie itself.
At the same time a funky teenage assistant of the professor gets drunk at an absurdly psychadellic disco and has visions of all the party-people being mutated fish. Hedorah inhales polluted smoke from factory- chimneys and seem to get high, the kid is psychic and has visions of Godzilla coming to save the world, and the Professor is attacked by the Hedorah underwater and his face gets malformed. Godzilla and the "Smog Monster" (as it is sometimes referred to as) start fighting only 25 minutes into the movie. The Hedorah mutates from ocean- dweller, to reptile to flying creature, and experts conclude that "He" is probably from a distant Nebula in outer space. Scenes of havoc and the Professor's family is intercut with cartoon- style sequences with strong enviromental messages.
One scene has the Hedorah flying over a group of people working out, and they turn blue-faced and ultimately into gushy skeletons. A man at a construction site screams out (extremely) loud, and then falls to his death. Hedorah has the ability to corrode metal, and people on TV quarrel intensely on the fate of the planet. The Professors assistant knows the end is near, and has a hippie-styled party on top of a mountain; "- Let's have fun as we die!!" The party is interrupted by the space/pollution freak, and most of the kids are melted by its poisonous vomit/droppings when they try to set it on fire.
The Professor's kid has found the solution to defeat the grotesque beast: "- Dry it - it's only sludge!", and with the aid of the friendly Godzilla it finally works. Some scenes, as well as the sounds the Hedorah makes are beyond description; like the scene were it's covering Godzilla with its tons of toxic puke, and at the same time "laughing" diabolically. There are weird crosscutting throughout, the kid yells "Papa" alot and the groovy rock score helps to its remarkably insane mood. The PG- rating should be reconsidered. This one is too dark and demented in so many ways, I don't think a ten year- old should watch it. It's mad nightmarish, art-cinematic style could cause damage.
A TV- reporter calls the Hedorah "a freak organizm" - much like this movie itself.
Godzilla vs. Hedorah tries to course correct and bring the series back to its allegorical roots in a bold and experimental fashion even if it's not entirely successful
When Dr. Yano (Akira Yamanouchi) investigates a strange tadpole like creature found near the coast, he and his son are soon attacked by a larger version of it that comes to be known as Hedorah. Hedorah is an alien monster who has fed off the various pollutants of the air and sea and is growing at an exponential rate with Godzilla soon appearing to fight against the creature.
Godzilla vs. Hedorah (aka Godzilla vs. The Smog Monster) is a 1971 kaiju film and the eleventh installment in the Godzilla franchise. Inspired by growing concerns of Japan's issues with pollution at the time, the film marked the feature debut of Yoshimitsu Banno who opted to make the film with an environmental bent. Working with Treuyoshi Nakano on the special effects, the two attempted to make a film as ambitious as the reduced budget and tight filming schedule would allow as Godzilla movies continually saw themselves moving to lower tiers among Toho's production schedule. While Banno sought to make a children's film with environmental messaging, Nakano sought to make something with the impact of the 1954 Godzilla with the two often compromising where needed. Critical reception at the time was very mixed with some offering praise to the film for adding some weight back to the series after All Monsters Attack/Godzilla's Revenge, while others responded negatively with some claiming it one of the worst films in the series and even series producer Tomoyuki Tanaka would accuse Banno of having killed the series. At its core Godzilla vs. Hedorah is very experimental in its approach to the Godzilla formula and like any experiment there's some success and there's some failure.
Despite the movie prominently featuring a child character, in this case Ken Yano played by Hiroyuki Kawase, the movie mostly avoids the pitfalls that befall this character type such as those seen in the Gamera movies. The characters aren't given the greatest amount of depth but for what their place in the story is, they do it well enough. Conceptually speaking Hedorah has a good design being a shapeshifting mound of sludge who feeds on pollution and excretes poison and the movie offers some pretty horrific imagery (at least by the standards of this kind of movie) that even if you don't like this movie you at least have to give it credit for "going there". This is however where the problems arise because it feels like the movie's going in two directions trying to be a serious cautionary tale about the effects of environmental pollution but also trying to cater to that lighthearted sense of "fun" from entries like Destroy All Monsters. The Kaiju battles feel a lot slower this time around and often play towards emphasizing the collateral damage of Hedorah's sludge than the impact or choreography of the monsters, and the Kaiju battles often go on way longer than you want them to with numerous false stops only for the battle to keep going. The movie also takes a very "arm's length" approach to pollution with the primary focus being on the evil of the pollution itself rather than discussing the sources or human indifference that lead to it being there in the first place so it feels like it's only addressing half the issue.
Godzilla vs. Hedorah is the kind of movie I wish I liked more than I actually did. Despite working with the ever decreasing budgets that dogged this era of the franchise you can tell there was some desire for ambition and experimentation with the film even if it doesn't quite pay off. Definitely worth a viewing if only for curiosity's sake in some bold moves for this entry, but no guarantee they'll work for you.
Godzilla vs. Hedorah (aka Godzilla vs. The Smog Monster) is a 1971 kaiju film and the eleventh installment in the Godzilla franchise. Inspired by growing concerns of Japan's issues with pollution at the time, the film marked the feature debut of Yoshimitsu Banno who opted to make the film with an environmental bent. Working with Treuyoshi Nakano on the special effects, the two attempted to make a film as ambitious as the reduced budget and tight filming schedule would allow as Godzilla movies continually saw themselves moving to lower tiers among Toho's production schedule. While Banno sought to make a children's film with environmental messaging, Nakano sought to make something with the impact of the 1954 Godzilla with the two often compromising where needed. Critical reception at the time was very mixed with some offering praise to the film for adding some weight back to the series after All Monsters Attack/Godzilla's Revenge, while others responded negatively with some claiming it one of the worst films in the series and even series producer Tomoyuki Tanaka would accuse Banno of having killed the series. At its core Godzilla vs. Hedorah is very experimental in its approach to the Godzilla formula and like any experiment there's some success and there's some failure.
Despite the movie prominently featuring a child character, in this case Ken Yano played by Hiroyuki Kawase, the movie mostly avoids the pitfalls that befall this character type such as those seen in the Gamera movies. The characters aren't given the greatest amount of depth but for what their place in the story is, they do it well enough. Conceptually speaking Hedorah has a good design being a shapeshifting mound of sludge who feeds on pollution and excretes poison and the movie offers some pretty horrific imagery (at least by the standards of this kind of movie) that even if you don't like this movie you at least have to give it credit for "going there". This is however where the problems arise because it feels like the movie's going in two directions trying to be a serious cautionary tale about the effects of environmental pollution but also trying to cater to that lighthearted sense of "fun" from entries like Destroy All Monsters. The Kaiju battles feel a lot slower this time around and often play towards emphasizing the collateral damage of Hedorah's sludge than the impact or choreography of the monsters, and the Kaiju battles often go on way longer than you want them to with numerous false stops only for the battle to keep going. The movie also takes a very "arm's length" approach to pollution with the primary focus being on the evil of the pollution itself rather than discussing the sources or human indifference that lead to it being there in the first place so it feels like it's only addressing half the issue.
Godzilla vs. Hedorah is the kind of movie I wish I liked more than I actually did. Despite working with the ever decreasing budgets that dogged this era of the franchise you can tell there was some desire for ambition and experimentation with the film even if it doesn't quite pay off. Definitely worth a viewing if only for curiosity's sake in some bold moves for this entry, but no guarantee they'll work for you.
The most "eh" Godzilla movie of them all!!
Okay, so.... Godzilla vs Hedorah! It's been said that this is a Godzilla movie you either love or hate, so it's either a 10 or a 0. For me personally, this movie is a 5; right smack dab in the middle! It's not a shining gem or a smouldering turd, it's just kinda "eh" *gesture where you shake your hand with all the fingers flat out*
So, the premise; rampant water and air pollution has spawned Hedorah, a sentient monster made of pollution that is like a mix of the Blob and a garbage dump! Hedorah is able to melt people to bones! The only hope for humanity, as always, is GODZILLAAAAA~!!!!
Hedorah is a notable monster as he is the last monster of the Showa era that is acting on his own will, he isn't obeying anyone or under mind control, unlike Ghidorah, Gigan, Megalon, Mechagodzilla, and Titanosaurus of the succeeding Showa films.
This movie is different; there's bizarre animation, trippy montages, and drug innuendos a-plenty!!! Now, the animation shown isn't anime, it's just some bizarre animation straight out of Uncanny Valley. Hedorah is shown sucking on a smokestack from a factory and exhaling the smoke before showing his bloodshot eyes, a blatant reference to taking a bong hit.
As someone who has taken a few bong hits before, I found this to be a clever little thing. The drug innuendos can be excused because this movie was made in 1971; weed culture was still in it's very huge first run!
There are two or three POV shots from Hedorah's perspective.
Also, no review of Godzilla vs Hedorah would be complete without mentioning the bizarre scene where Godzilla FLIES. This was a total WTF moment.
All in all, if you watch this movie with a sober mind like I did, you'll either hate it or it'll just be "eh". If you watch it after smoking some weed or ingesting an edible, it'll be the best damn Godzilla movie you've ever seen!
So, the premise; rampant water and air pollution has spawned Hedorah, a sentient monster made of pollution that is like a mix of the Blob and a garbage dump! Hedorah is able to melt people to bones! The only hope for humanity, as always, is GODZILLAAAAA~!!!!
Hedorah is a notable monster as he is the last monster of the Showa era that is acting on his own will, he isn't obeying anyone or under mind control, unlike Ghidorah, Gigan, Megalon, Mechagodzilla, and Titanosaurus of the succeeding Showa films.
This movie is different; there's bizarre animation, trippy montages, and drug innuendos a-plenty!!! Now, the animation shown isn't anime, it's just some bizarre animation straight out of Uncanny Valley. Hedorah is shown sucking on a smokestack from a factory and exhaling the smoke before showing his bloodshot eyes, a blatant reference to taking a bong hit.
As someone who has taken a few bong hits before, I found this to be a clever little thing. The drug innuendos can be excused because this movie was made in 1971; weed culture was still in it's very huge first run!
There are two or three POV shots from Hedorah's perspective.
Also, no review of Godzilla vs Hedorah would be complete without mentioning the bizarre scene where Godzilla FLIES. This was a total WTF moment.
All in all, if you watch this movie with a sober mind like I did, you'll either hate it or it'll just be "eh". If you watch it after smoking some weed or ingesting an edible, it'll be the best damn Godzilla movie you've ever seen!
Godzilla vs Hedorah (1971)
This is a surreal experience and the strangest Godzilla film I've seen... I laughed so hard at this film out of pure enjoyment rather than mockery.
It serves as a warning to children (and, of course, everyone who watches it) of the dangers of long-term pollution. There are amazing scenes highlighting environmental problems that are served in a variety of creative ways.
Godzilla is hilarious in this film.
Do not make the same mistake I did and watch the film with the brightness on half, I actually watched it the first time thinking you weren't supposed to see anything in the night time scenes... turned the brightness up and realised!
It serves as a warning to children (and, of course, everyone who watches it) of the dangers of long-term pollution. There are amazing scenes highlighting environmental problems that are served in a variety of creative ways.
Godzilla is hilarious in this film.
Do not make the same mistake I did and watch the film with the brightness on half, I actually watched it the first time thinking you weren't supposed to see anything in the night time scenes... turned the brightness up and realised!
Did you know
- TriviaDirector Yoshimitsu Banno has mentioned that Hedorah's eyes in the film were deliberately made to resemble female genitalia, with Banno joking that the vaginally inspired look made it more unsettling. During Godzilla's battle with Hedorah, strange white orbs are ripped out of Hedorah's dried-out body. According to Banno, they are meant to be Hedorah's eyes, which he considered the most important part of a person's body. The film has a running theme of eyes being injured with several of its characters. However, the reason they do not resemble Hedorah's actual eyes is due to rushed production and a smaller budget. Banno mentioned that not only had Toho given him less than half of the budget of the prior Godzilla films, but he was also only given 35 days to shoot the entire film (both the drama scenes and the special effects scenes). Making matters even more challenging for Banno was the fact that he had to make do with a single film crew.
- GoofsWhen Hedorah throws sludge at Godzilla during the Mt. Fuji fight scene, the sludge hits Godzilla's right eye, however, after Hedorah mocks Godzilla by laughing, it's the left eye that's damaged.
- Quotes
Yukio Keuchi: There's no place else to go and pretty soon we'll all be dead, so forget it! Enjoy yourself! Let's sing and dance while we can! Come on, blow your mind!
- Crazy creditsIn the AIP version of this film, its entire cast is mysteriously uncredited.
- Alternate versionsThere are two distinct versions of the American International Pictures version of this film, which is titled "Godzilla vs. the Smog Monster." The first version, presumably the original 35mm theatrical version, features an English language cartoon sequence (reworked from a similar Japanese language one in the Japanese version). A similar insert replaces a shot of a newsreader with an English language map of Fuji City. In addition, AIP removed all of the Japanese text from the scenes of various "science lessons" given by Dr. Yano. This is the version that was released on VHS and LaserDisc by Orion Home Video in 1989. The second version, however, has none of these unique shots. The Hedorah cartoon and newsreader scene are unchanged from the Japanese version and Dr. Yano's science lessons feature onscreen Japanese text. This version seems to have been the standard 16mm release for television distribution and can be seen mostly in unlicensed home video releases of the film, such as the 1990 Simitar VHS release from the U.S. and the Digital Disc DVD release from Canada.
- ConnectionsEdited into Godzilla vs. Gigan (1972)
- SoundtracksKaese! Taiyô wo
("Return! The Sun")
Main Title Theme
Music by Riichirô Manabe
Lyrics by Yoshimitsu Banno
Sung by Keiko Mari, the Honey Knights and the Moon Drops
Details
- Release date
- Countries of origin
- Language
- Also known as
- Godzilla contra monstruos del smog
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $250,000 (estimated)
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