Guru, the Mad Monk

GURU, THE MAD MONK is another dismally delightful offering from Director Andy Milligan. The basic story is about Father Guru (Neil Flanagan), who needs cadavers for his experiments. Luckily, he knows someone at the local prison, where there are plenty of executions to keep him supplied with subjects.

All of the requisite, Milligan trademarks are here: Non-actors "acting" in a style akin to mannequins on wires; painful, unrehearsed, just-wing-it dialogue; petrified pacing; thrift store costumes; a nonsensical "plot"; and sub-home movie filming techniques. The torture / death scenes are particularly rib-tickling!

Guru himself is a living absurdity, with his garage sale wig and paper pope suit. His conversation with himself in the mirror is a marvel of idiot cinema! Thankfully, this movie isn't quite as brain-smashingly dull as most Milligan output. It profits greatly from its ineptitude, making it a laugh-out-loud classic!

Guru's hunchback sidekick, Igor, is the best imbecile since MANOS' Torgo. The way he bobbles along is almost musical! There's also the cranky old vampire woman, Olga, who runs around in some otherworldly headdress, apparently made from curtains and pot holders!

Nothing can possibly prepare you for the dunderheaded, bellringing finale!

Mr. Milligan, we salute you!...

I recently watched Guru, The Mad Monk (1970) on Tubi. The storyline follows a 1400s European priest who runs a church and prison. He has several assistants, including a hunchback, a vampire, and a groundskeeper. When a young woman is tricked into being held in his prison, the odds seem impossible for her to overcome and escape. Is there any hope of her accomplishing her goal of escaping to freedom?

This film is written and directed by Andy Milligan (The Naked Witch) and stars Neil Flanagan (Fleshpot on 42nd Street) Jaqueline Webb, Judith Israel, Jack Spencer (Wildlife Icons) and Paul Lieber (What Just Happened).

This is an extremely low-budget production, with sets, attire, dialogue, and acting that feel more like an amateur theater play than a movie. It features one of the wildest Igors I've ever seen. The acting is overdone and feels inconsistently authentic. The horror elements are just okay, with some fun cult sequences. The storyline has a few twists and turns, and the ending reveal was more fun than good.

In conclusion, Guru, The Mad Monk is a film that can't get past its low-budget feel to make the content worthwhile. I would score this a 3/10 and recommend skipping it.

Let's see... We have Hunchback of Notre Dame, shades of Burke and Hare, a little Lady Carmilla... Just everything that Milligan could cram in, he did. (Motor scooters in the 17th century be damned!) Sometimes the actors rise above the dreck, but not this time. Our lead "hero" sleepwalks his way through the movie making him look less intelligent than the poor hunchback.

The lead actress is quite beautiful IMO, but her fake eyelashes and pixie cut hair do are just a LITTLE out of place. (But so is the aforementioned scooter and a light switch or two) I've become so enamored with Milligan's films.

I just went on Google Video to watch this, one of a double feature presented on Torgo's Drive-In (the other feature being I Drink Your Blood which I have yet to see). At 56 minutes, I found this Andy Milligan-directed horror movie fascinating with the constant pounding score and Dragnet-like stilted dialogue abounding throughout. Having said that, I actually found the story pretty entertaining and I found myself partially caring for the sympathetic characters. Many of the gore scenes, while very amateurish, were also fun to watch in a can-you-believe-their-doing-this way. And having a hunchback that sometimes speaks clearly was also a hoot! So on that note, I'm recommending Guru, the Mad Monk to bad movie buffs everywhere. P.S. On Torgo's Drive-In, this movie was preceded by some ads for the concession stand and previews of Carnival of Blood, The Thing with Two Heads, and Teenage Mother. Oh, and the print I saw had the synchronization off by several seconds.

I know this movie is bad. I know I shouldn't like it. But there's something about it that holds my attention when it plays. Something in its crude simplicity compels me forward to the end. It happens every time I watch it. I don't know what it is.

Guru (odd name for an orthodox priest) is a bit hammy but not overly so. Carl delivers his lines in one of the oddest intonations I've heard. He later appeared as Detective Eric Dorsey, a minor character on the Barney Miller show. Olga, who apparently is a vampire (?), can't seem to speak her lines fast enough. Pay attention or you'll miss 'em! Igor is fun to watch, as is the cute girl (Nadja) in the attic who befriends him.

Watch for the modern claw hammer, the modern scissors, the steel bars on the windows, and the prisoner wearing corduroy pants!