User reviews

'Lust for a vampire' is the second film in the Karnstein Trilogy based on the novels by Sheridan le Fanu. The sequel to 'Vampire lovers' starring Ingrid Pitt, and prequel to 'Twins of Evil' starring playboy playmate twins Mary & Madeline smith, 'Lust for a vampire' was hindered in its production from the off set. Legendary Hammer director Terrence Fisher was forced to pull out and Peter Cushing was replaced by Ralph Bates in the lead role. Yutte Stensgaard plays the truly beautiful Mircalla, a lesbian vampire who is torn between her love for her teacher and her lust for blood. This film has a very cosy atmosphere very traditional of hammers work around the late sixties early seventies. The sets are reasonable and although highly criticised for her performance, Yutte does her job well.

I could go on for pages but as an overview I would HIGHLY recommend this film even if it does dabble in as much romance as horror.

The absolutely stunning Danish actress Yutte Stensgaard stars as the vampire seductress Mircalla in Hammer films part two of the "Carmilla Karnstein" trilogy. Not a great film but a worthy one for all Hammer/British horror film fans. Originally to be directed by the ace of gothic horror, Terence Fisher, he was injured in a car accident just days before filming started. A good/decent film from Jimmy Sangster, but one thinks of what it could have been in Fisher's hands. MUST viewing for all Yutte fans and fans to be.

Just when the Hammer Christopher Lee Dracula franchise began to run out of steam in the late sixties, the company revved up its product by turning to Sheridan Le Fanu's Carmilla (written before Bram Stoker penned Dracula, by the way, and a big influence on that better known book) and filming several versions of the novel. The other most interesting one is Vampire Lovers, which keeps far closer to the plot of the book and has a more sustained sense of mood and atmosphere, but ultimately is undone by an actress who is far too old to be believable as the Lolita with fangs that Le Fanu imagined long before anyone had ever heard of Vladimir Nabokov. Lust is admittedly shaky in terms of script, and the ambiance is on again off again (but wow is it terrific when it's on). What makes this click with so many horror buffs, in particularly those who love lesbian vampire films, is the one-time star Yvette Stensgard, a gorgeous Scandanavian child-woman who looks absolutely innocent (particularly when her eyes fetchingly cross), even the moment before she rips open the neck of her next victim. Lots of nudity, with nothing but blood covering her nubile body. Carmilla Karnstein is bisexual, seducing both her lovely young roommates at the all girl's academy and her teacher, a Byronic British romantic who combines elements of Shelley, Byron, and Le Fanu. A genuine cult following has formed around this film because of Stensgard's devastating charisma, which would never be properly employed again, by Hammer or any other company. (Hammer discarded its female star creations as quickly as it stuck with its male stars, Christopher Lee and Peter Cushing.) Many jerks complain about a dumb song called "Strange Love" that's indifferently imposed on one sequence. Morons: turn down the volume and enjoy the two gorgeous nymphettes as they swim in the moonlight, adoringly cuddle one another, and then . . . the kiss of death.

Arriving in a small countryside village, a novelist fascinated by the local legends begins working at the nearby boarding school finds the other students mysteriously disappearing after a new student arrives and ties it to the local legends forcing him to put an end to their plans.

There's a couple of good moments in here, and some really troublesome parts as well. One of the big reasons is that the decision to retain the period Gothic setting is admirable for a late-period Hammer title. The eerie opening, when an abducted village woman is abducted and taken to the castle, has two vampires slice her throat and the blood drips all over a white shroud the covers a corpse in a coffin, not only gives this an impressionable opening but also provides the kind of occult Gothic ritual within the huge elaborate castle which is exceptionally enjoyable. Due to the main vampire running loose in the school under the guise of the students provides this one with some fine sequences that explore this fuller, from the troop going through the ruins of the castle to the scenes of them going off into the night meeting with the vampire unexpectedly biting them. That also means it doesn't miss one possible shot of nudity, especially in the first half hour of the film. The nudity is very tastefully done and isn't at all gratuitous, from the skinny-dipping sequence to the seduction of the other women and the immeasurable amount of topless groping between the girls that occurs here. These measures are done in conjunction with the Gothic flavor, as it adds leaps and bounds to the sensuality of the film featuring both the classy tone as well as the fine nudity. The other big factor for this one is the stellar Gothic ending, which is the grand siege at the castle towards the end has a lot of action with the grandstanding nature of the villagers and the battles with the servants and villagers leading into a series of fire-filled traps alongside the traditional burning-down-the-castle action and some stellar gore thrown in. These make it a pretty decent effort of the genre, but there are some really off moments here as well. The pace here is really the biggest factor since there are a lot of scenes that go on and just stretch out the film without really doing anything. The middle section of the film dealing with the staff and faculty of the school are just long, pointless talk scenes that don't really go nowhere as are the pointless interludes showing him teaching the students which aren't needed due to already knowing the secret identity. It constantly keeps going through those sequences where it feels like something's going to happen only for the conversation parts to continue and that makes it very aggravating. That also limits the action in the film, and other than the beginning and the end as there isn't much of that in the film. Beyond those two elements, the biggest factor against this is the utter cluelessness towards the identity as this one has her have to kill off several individuals who know her secret which obviously doesn't mean it's as well-hidden as it could be if it keeps getting out like it does. These are the main problems with the film.

Today's Rating/R: Nudity, several sex scenes and Violence.