Land of Silence and Darkness

Story of Fini Straubinger who is "trapped" in her own body being both deaf and blind. Since the condition came on later in life she is able to speak and tells us what its like. We also watch as she goes around helping those like her. Communication is done via touching or writing on the hands. It becomes clear that the people in the film with this condition are trying to live full lives. An amazing film that shows us what its like not to be able to hear or see. Hopeful and yet unnerving-its not a state one really wants to contemplate having-its an important film since we see the world with a different set of eyes. Taking the matter even further Herzog and his crew also show us what its like for people born deaf and blind and how hard it is for them to even learn the basic things we take for granted. Moving. Haunting. Worth a look since it will make you reflect on how we get along.

'If there were another World War, I wouldn't even notice it.'

The above quote closes the documentary Land of Silence and Darkness and in many ways sums it up perfectly. Film-maker Werner Herzog has over the years made many films – fiction and fact alike – that focus on outsiders on the extreme fringes of society. With this film, I think it could be argued that his subjects are the most remote and in some ways unknowable of all. The people in this film are all deaf-blind. The loss of these two most key senses puts them in a strange mysterious world where they are cut off from our reality. The principal character is a late middle-aged woman called Fini Straubinger who suffered a fall when she was nine, that went unreported and untreated. As a consequence of this, she gradually lost her sight and hearing so that by her teens she was deaf and blind. She subsequently spent thirty years in bed but later re-emerged and went on to focus on helping others in a similar situation. This involved teaching them to communicate and organising field visits.

Like is mostly the way with documentaries focusing on people with severe disabilities, at first the participants seem quite alien to us but as we observe them for a time they emerge as identifiably human. Fini is in a more unique position than her more famous counterpart Helen Keller, in that she lost her senses at an age old enough to remember more about them and the world around her. This has allowed her to learn to communicate via an extraordinary touch-based system. It still seems incredible for us to imagine what it must be like to be in a void without sound or vision only to intermittently feel this physical communication and moreover, to be able to actually function under these circumstances. Fini is frankly an extraordinary person and her achievements are quite astonishing. The documentary introduces us to several other deaf-blind who are in even more difficult and frankly heart-breaking situations. One middle-aged woman lives in an asylum after the only person who communicated with her, her mother, died. We also encounter some who have borne this affliction from birth. This makes it especially difficult teaching them anything, some concepts becoming completely impossible. One of the most memorable of these scenes involves a 22 year old man who has never been taught how to walk, chew or communicate. We first see him sitting on the floor buzzing strangely while violently throwing a ball about. He seems to all intents and purposes like an infant. Incredibly, once Fini interacts with him she immediately makes a communication breakthrough. There are many unbelievable scenes such as this sprinkled through this documentary and it is a film that makes you pause and not only remember how lucky you are but also to ponder what being human is actually all about.

What a beautiful film this is.

I saw it many years ago and it holds up on a re-watch. What makes this different from other documentarians making a film on this subject is that Werner does not pity and patronize these people. Instead he is fascinated by them, he reveres and admires them and the unique perspective they have on life.

Their experience of consciousness itself is completely different from ours and in this wonderful humane film the great man shows the utmost respect for his subjects.

My only complaint is that Herzog doesn't narrate the film himself.

Only the great Werner Herzog could've made this film.

LAND OF SILENCE AND DARKNESS is an early documentary in the career of German film-maker Werner Herzog, a story laced with sadness and alienation that bears some stylistic similarity to Herzog's dramatic film THE ENIGMA OF KASPAR HAUSER. This one's all real though, a documentary that proves to be depressing and uplifting in equal measure.

It's a documentary that explores the world of deafblind people living in Germany, controlled by a campaigning woman, Fini Straubinger, who makes it her business to travel the country and help those in need. What transpires is a travelogue fraught with unforgettable moments; moments that I don't mind admitting had me in tears on more than one occasion. The sequence with a 22 year old man who's never had any education or even contact with the outside world - he can't even walk - is the film's moving highlight.

Herzog lets his story speak for himself, although he makes some strong choices as director. Visits to a cactus house and a zoo are utterly engrossing and the addition of some classic music to the soundtrack really helps to tug at the heartstrings. Not an easy film to watch then, but one which is nevertheless thoroughly compelling.

'Land of Silence and the Darkness', written and directed by Werner Herzog, is an extraordinary documentary -- remember that word, please -- about Fini Straubinger. As a child in Germany, she suffered a terrible fall which caused a popping sensation in her neck. She was afraid to tell her parents (I can well believe this), so the injury was never treated. As a teen, she progressively lost her hearing and her sight, becoming totally deaf and blind. When Herzog made this film, Straubinger was well past middle age, and had spent most of her life in silence and darkness.

Americans who see this film will be reminded of Helen Keller. But Keller lost her sight and hearing (to scarlet fever) in very early childhood, and retained only very slight memory of her stolen senses. (Touchingly, Keller did recall seeing the rainbows formed by sunlight refracted through the crystal prisms of her mother's chandelier.) Because Straubinger retained a full memory and understanding of vision and sound, she became useful as an ambassador to the kingdoms of the blind and deaf. Fini Straubinger has dedicated her life to working with people who are deaf and blind, most of whom have borne those double handicaps either from birth or (like Keller) from infancy.

Herzog follows Straubinger on a trip through Germany, financed by an organisation for the deaf-blind. We see her communicating with other deaf-blind people through a sort of tapping code. Activities which the rest of us take for granted are truly alien experiences for these unfortunate souls. For instance, the simple act of taking a shower: for someone who has never experienced this before, and cannot have it adequately explained, the sudden onslaught of pressurised water is deeply terrifying. In the final sequence, we see a deaf-blind man hugging a tree: attempting to experience this alien life-form through his senses of touch, taste and smell.

One sequence, showing Straubinger interacting with a chimpanzee, I found unpleasant and unnecessary. I get the impression that this scene was staged by Herzog in an ill-thought attempt to inject some light 'comedy relief' into a subject that audiences might find deeply depressing.

I made a point of identifying this film as a documentary, meaning it's non-fiction. Indeed, Fini Straubinger is a real person: her blindness, her deafness, and (more importantly) her work with the deaf-blind are all real, all true. At one point in this film, Straubinger tells us that her most vivid sensory memory -- before the darkness and silence closed in -- is an image of the rapturous faces of ski jumpers as they leap into the sky. After this film was released, Herzog admitted in an interview that Straubinger had never seen a ski jumper: Herzog wrote those lines for her, because he felt that ski jumpers provided the visual symbol (I refuse to misuse the word 'metaphor') which would simultaneously represent sensory rapture and Straubinger's own isolation.

I reluctantly concede that this sort of fictionalisation is a valid device in documentary films. Those of us who are fortunate to see and hear cannot truly experience the dark silent world of Fini Straubinger and her colleagues. (Unless we too are conscripted into that realm, by accidents or illness.) Since this film can never truly put us into the mind of a deaf-blind person -- especially one who has been both deaf and blind since birth, like most of the people encountered here -- some degree of invention is necessary. I recall an anecdote told by Albert Einstein (too long to repeat here; send me an email if you want the details) concerning his attempt to explain milk to a blind man: this incident never actually occurred, but Einstein told the story to prove a point about his theory of relativity.

'Land of Silence and the Darkness' is a fascinating film about a fascinating human being. My rating: 8 out of 10.