Kristy, ex-girlfriend of a biker gang leader, and her brother Jeffrey visit a gas station where the gang recognizes her. They flee to their nearby commune, but the gang plans to retrieve Kri... Read allKristy, ex-girlfriend of a biker gang leader, and her brother Jeffrey visit a gas station where the gang recognizes her. They flee to their nearby commune, but the gang plans to retrieve Kristy, leading to a confrontation.Kristy, ex-girlfriend of a biker gang leader, and her brother Jeffrey visit a gas station where the gang recognizes her. They flee to their nearby commune, but the gang plans to retrieve Kristy, leading to a confrontation.
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WOW, is all I can say after watching this - amazingly in both a good and bad way. Expecting a simple clichéd biker movie, instead I discovered a movie that somehow manages to encapsulate every major theme from early '70s filmmaking, from the counter-cultural bikers of "Easy Rider" to Southern California commune hippiedom, blaxploitation, and even the ultra-violent vigilante-ism of Sam Peckinpah ("Straw Dogs"), "Death Wish," "Last House on the Left," "Switchblade Sisters," and "Billy Jack." So much crammed into one movie, Quentin Tarantino must have seen this at some point and been at least somewhat inspired in his own style of multi-themed filmmaking.
By no means a great film, and really not a good one either, I still found myself glued to this amazing cultural artifact. I'm really surprised that this movie has basically been forgotten, having never been released on DVD; amateur B-movie connoisseurs and midnight movie-houses would eat this one up if they got their hands on it. The director, Douglas Schwartz (this was his first feature film) would soon go on to make the excellent forgotten film "Your Three Minutes Are Up" starring Beau Bridges, and "Baywatch" many years later. The tone of these two movies ("Your Three Minutes..." was a light comedy with serious undertones) could not be more different, yet in both of them Schwartz displays a near-brilliant ability to evoke the socio-cultural milieu of Southern California in the early-'70s (even early Baywatch episodes carry some of this skill in his feel for settings.) If you are in the least bit turned off by violence, I recommend not watching this, as there is blood, mutilation, rape, and plenty of general nastiness. On the other hand, if you can laugh along with the irony of "serious-themed" pictures like this one and "Billy Jack" (released the same year) portraying "pacifism through the barrel of a gun," then you should have yourself some trashy drive-in good times.
By no means a great film, and really not a good one either, I still found myself glued to this amazing cultural artifact. I'm really surprised that this movie has basically been forgotten, having never been released on DVD; amateur B-movie connoisseurs and midnight movie-houses would eat this one up if they got their hands on it. The director, Douglas Schwartz (this was his first feature film) would soon go on to make the excellent forgotten film "Your Three Minutes Are Up" starring Beau Bridges, and "Baywatch" many years later. The tone of these two movies ("Your Three Minutes..." was a light comedy with serious undertones) could not be more different, yet in both of them Schwartz displays a near-brilliant ability to evoke the socio-cultural milieu of Southern California in the early-'70s (even early Baywatch episodes carry some of this skill in his feel for settings.) If you are in the least bit turned off by violence, I recommend not watching this, as there is blood, mutilation, rape, and plenty of general nastiness. On the other hand, if you can laugh along with the irony of "serious-themed" pictures like this one and "Billy Jack" (released the same year) portraying "pacifism through the barrel of a gun," then you should have yourself some trashy drive-in good times.
Every now and then one must set aside the horror and Kung Fu in order to watch a little sleazy Bikersploitation and, to my surprise, Comcast's Action On Demand channel 'Impact' not only offered this film but featured it in HD! It still looked crap. That's not the point though, right? What we want from a film called The Peace Killers is a violent, sleazy biker flick and that's just what we get here. Mixing equal parts Hicksploitation and Blaxploitation, "Thunder in Paradise" and "Baywatch" creator Douglas Schwartz created a nasty little steamer of a film worth checking out, if you're a fan of exploitation.
The Peace Killers isn't a great film by any means; the acting was acceptable for low budget acting, the fight sequences were poorly choreographed and the deaths were completely unconvincing. In other words, it's the type of exploitation we've all come to know and love with just the right amount of nudity, rape and hot hippie ass to keep viewer's from setting down the remote and walking away or turning the channel. While all of this may sound negative, it isn't. I found myself slightly entertained despite this film's shortcomings. I can't recommend this film to those unfamiliar with Bikersploitation, or exploitation in general, but those "in the know" will probably want to check it out. Cowboy's crazy eye commands you!
The Peace Killers isn't a great film by any means; the acting was acceptable for low budget acting, the fight sequences were poorly choreographed and the deaths were completely unconvincing. In other words, it's the type of exploitation we've all come to know and love with just the right amount of nudity, rape and hot hippie ass to keep viewer's from setting down the remote and walking away or turning the channel. While all of this may sound negative, it isn't. I found myself slightly entertained despite this film's shortcomings. I can't recommend this film to those unfamiliar with Bikersploitation, or exploitation in general, but those "in the know" will probably want to check it out. Cowboy's crazy eye commands you!
A commune of hippies run into trouble with a brutal gang of bikies, and their blissful pacifist future is in grave danger. As luck would have it, along comes another gang of bikies, who team up with the hippies, who discover a latent bloodlust, so we get to see a gory fight. The hippies even file their medallions so that they are sharp enough to slash throats. Heartwarming.
It's not Easy Rider, but it's an excellent example of a late 60s/early 70s youth culture drive-in movie experience. Terrifying and disturbing with a message of peace that makes the violence even more distressing. The conflict between a life of mindless violence and a life of intellectual peace is not wasted in a thin story. There is a thoughtful intent in the script and the film's direction. The fight scenes were a bit soft, but pacifists don't have that much butt-kicking training. The uses of original songs to convey the inner life or lack of an inner life of certain characters seems corny by today's standards, but the songs themselves are nice. For what it is, it's well done.
The film begins with an attractive young woman named "Kristen" (Jess Walton) walking into a small convenience store along the highway with her brother "Jeff" (Michael Ontkean). After buying some groceries Jeff notices a couple of bikers ride up and immediately realizes that they are from a motorcycle gang known as "Death Row" which Kristen ran away from months before. Realizing the danger she is in he advises to sneak out the side door so that he can pick her up in their van and drive off before they recognize her. Unfortunately, it doesn't work and the bikers then go to inform their leader "Rebel" (Clint Richie) that she is in the area. From that point on he makes it a priority to find her for the sole purpose of having her gang raped as a lesson to others who desert Death Row. Meanwhile, Kristen and Jeff return to their hippy commune and inform their charismatic leader "Alex" (Paul Prokop) of the danger only to be told that if the bikers show up he will resolve the situation by reasoning with them. Now rather than revealing any more I will just say that this was an okay biker film which makes up for its low-budget limitations by providing enough suspense to keep things interesting. Admittedly, some of the stereotypes were a bit exaggerated but all things considered I thought it was a solid picture for the most part and for that reason I have rated it accordingly. Average.
Did you know
- ConnectionsReferenced in Speaking Parts (1989)
- SoundtracksRebel
Composed and Sung by Ruthann Friedman
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