The Peace Killers

It's not Easy Rider, but it's an excellent example of a late 60s/early 70s youth culture drive-in movie experience. Terrifying and disturbing with a message of peace that makes the violence even more distressing. The conflict between a life of mindless violence and a life of intellectual peace is not wasted in a thin story. There is a thoughtful intent in the script and the film's direction. The fight scenes were a bit soft, but pacifists don't have that much butt-kicking training. The uses of original songs to convey the inner life or lack of an inner life of certain characters seems corny by today's standards, but the songs themselves are nice. For what it is, it's well done.

The film begins with an attractive young woman named "Kristen" (Jess Walton) walking into a small convenience store along the highway with her brother "Jeff" (Michael Ontkean). After buying some groceries Jeff notices a couple of bikers ride up and immediately realizes that they are from a motorcycle gang known as "Death Row" which Kristen ran away from months before. Realizing the danger she is in he advises to sneak out the side door so that he can pick her up in their van and drive off before they recognize her. Unfortunately, it doesn't work and the bikers then go to inform their leader "Rebel" (Clint Richie) that she is in the area. From that point on he makes it a priority to find her for the sole purpose of having her gang raped as a lesson to others who desert Death Row. Meanwhile, Kristen and Jeff return to their hippy commune and inform their charismatic leader "Alex" (Paul Prokop) of the danger only to be told that if the bikers show up he will resolve the situation by reasoning with them. Now rather than revealing any more I will just say that this was an okay biker film which makes up for its low-budget limitations by providing enough suspense to keep things interesting. Admittedly, some of the stereotypes were a bit exaggerated but all things considered I thought it was a solid picture for the most part and for that reason I have rated it accordingly. Average.

A young woman (Jess Walton), who is the former "old lady" of the vicious leader of a motorcycle gang, is living in a rural hippie commune with her brother (Michael Ontkean) when she is spotted by several members of her former gang. The bike gang ("Death Row") shows up at the commune, "crucifies" the pacifist leader of the group on a peace symbol (some heavy symbolish here), and takes off with the girl, planning to "teach her a lesson" by gang-raping her. She escapes again with the help of a bizarre interracial rival biker gang, which is led by a black woman(!). They return her to the commune with the "Death Row" gang hot on their trail, and the brother tries to convince the pacifist leader to fight back this time.

This biker vs. hippie movie is no masterpiece, but it's surprisingly entertaining. Whatever message it is making about violence and pacifism seems a little confused, but I still find movies like this vastly preferable to the mindless, simplistic movies that have dominated the action/revenge genre since the era of Reagan and "Rambo". In real life, of course, the bikers actually got on pretty well with the hippies, despite their diametrically opposed politics and attitudes towards women, mostly due to their mutual interest in drugs (which said a lot about the priorities of the hippie movement). It's also a little hard to believe anyone still regarded hippies as naive, gentle pacifists after the Manson Family murders.

The lead actress Jess Walton is absolutely beautiful (and has nude scenes). She kind of reminds me of British actress/singer Jane Birkin. This is her only major movie, but she would go on to a long television career. The director Douglas Scwartz would also go to a long television, uh, career (he later created "Baywatch"--oh, the horror, the horror!). Michael Ontkean though is the most recognizable talent having appeared in both famous movies ("Slapshot") and TV series ("Twin Peaks"). This is definitely worth a look.

Siblings Kristy and Jeffrey are buying supplies at a remote desert gas station when some members of a biker gang come cruising in. The bikers recognize Kristy, who used to be the main squeeze of the gang's leader before she ran away.

What is the deal with hippies versus bikers? I presume this trend was inspired by "Easy Rider", but it seems like there is a large (but still obscure) subgenre of films about hippies who get attacked by bikers. Some from Roger Corman, and some from even lower budget producers.

In this film, the hippies are so obsessed with love, with their leader being a perverted sort of Christ figure. I could not decide if I was supposed to sympathize with them or not. While the siblings are obviously the protagonists, the "new age" factor was just a bit too much for me.

WOW, is all I can say after watching this - amazingly in both a good and bad way. Expecting a simple clichéd biker movie, instead I discovered a movie that somehow manages to encapsulate every major theme from early '70s filmmaking, from the counter-cultural bikers of "Easy Rider" to Southern California commune hippiedom, blaxploitation, and even the ultra-violent vigilante-ism of Sam Peckinpah ("Straw Dogs"), "Death Wish," "Last House on the Left," "Switchblade Sisters," and "Billy Jack." So much crammed into one movie, Quentin Tarantino must have seen this at some point and been at least somewhat inspired in his own style of multi-themed filmmaking.

By no means a great film, and really not a good one either, I still found myself glued to this amazing cultural artifact. I'm really surprised that this movie has basically been forgotten, having never been released on DVD; amateur B-movie connoisseurs and midnight movie-houses would eat this one up if they got their hands on it. The director, Douglas Schwartz (this was his first feature film) would soon go on to make the excellent forgotten film "Your Three Minutes Are Up" starring Beau Bridges, and "Baywatch" many years later. The tone of these two movies ("Your Three Minutes..." was a light comedy with serious undertones) could not be more different, yet in both of them Schwartz displays a near-brilliant ability to evoke the socio-cultural milieu of Southern California in the early-'70s (even early Baywatch episodes carry some of this skill in his feel for settings.) If you are in the least bit turned off by violence, I recommend not watching this, as there is blood, mutilation, rape, and plenty of general nastiness. On the other hand, if you can laugh along with the irony of "serious-themed" pictures like this one and "Billy Jack" (released the same year) portraying "pacifism through the barrel of a gun," then you should have yourself some trashy drive-in good times.