Kristy, ex-girlfriend of a biker gang leader, and her brother Jeffrey visit a gas station where the gang recognizes her. They flee to their nearby commune, but the gang plans to retrieve Kri... Read allKristy, ex-girlfriend of a biker gang leader, and her brother Jeffrey visit a gas station where the gang recognizes her. They flee to their nearby commune, but the gang plans to retrieve Kristy, leading to a confrontation.Kristy, ex-girlfriend of a biker gang leader, and her brother Jeffrey visit a gas station where the gang recognizes her. They flee to their nearby commune, but the gang plans to retrieve Kristy, leading to a confrontation.
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Peace, love, and bikers
Biker gang terrorizes hippie commune. This is pure cult biker flick fun from the seventies.
Before they arrive, we witnessed a gas station owner tortured with a pencil, and the gang rape of Kristen (Jess Walton - Jill Foster Abbott from "The Young and the Restless") after she tried to leave the gang. She did get away, so they track her down to a nest of real hippies.
They finally catch her and have another gang rape planned. But she escapes and is brought back to the commune by a rival gang. Now we have a war brewing.
After the brawl is almost over the commune's guru (Paul Prokop) finally tires of turning the other cheek and smashes Rebel (Clint Ritchie) up against a tree.
Before they arrive, we witnessed a gas station owner tortured with a pencil, and the gang rape of Kristen (Jess Walton - Jill Foster Abbott from "The Young and the Restless") after she tried to leave the gang. She did get away, so they track her down to a nest of real hippies.
They finally catch her and have another gang rape planned. But she escapes and is brought back to the commune by a rival gang. Now we have a war brewing.
After the brawl is almost over the commune's guru (Paul Prokop) finally tires of turning the other cheek and smashes Rebel (Clint Ritchie) up against a tree.
Inconsistent as there is only a single revolver throughout the entire film
(1971) The Peace Keepers
CRIME DRAMA
Directed and edited by by Dougas Schwart as a biker gang splitting up to get away from cops. While that was happening brother, Jeffrey (Michael Ontkean) and his sister, Kristy (Jess Walton) happen to stumble onto the same gas station as three members of a biker gang. When one of it's members recognize Kristy attempting to sneak behind the gas station who appear to recognize her as Rebs (Clint Ritchie) old flame. After Reb is notified about this who also appears to be the leader of the biker gang. He then directs them to go on a crusade to hunt her down. And through flashbacks we then see why Kristy had a falling out with the gang itself that involves an assault to which the gang had victimized. And that throughout the entire time she'd been away she had been hiding out by living in a commune, with the group's leader, Alex (Paul Prokop) who is a polar opposite of the biker gang. Kristy also happens to be girlfriend of the group's leader as well.
In this film, law enforcement are absolutely worthless with only a single hand gun happening during the main brawl toward the end, with only two women shown nude which is not exploitative enough. The other biker gang led by a scrappy African American lay by the name of Black Widow (Lavelle Roby) who try to motivate the commune to fight alongside with them is kind of worthless as well. It only scores points if some like the two breast scenes that should have been more.
Directed and edited by by Dougas Schwart as a biker gang splitting up to get away from cops. While that was happening brother, Jeffrey (Michael Ontkean) and his sister, Kristy (Jess Walton) happen to stumble onto the same gas station as three members of a biker gang. When one of it's members recognize Kristy attempting to sneak behind the gas station who appear to recognize her as Rebs (Clint Ritchie) old flame. After Reb is notified about this who also appears to be the leader of the biker gang. He then directs them to go on a crusade to hunt her down. And through flashbacks we then see why Kristy had a falling out with the gang itself that involves an assault to which the gang had victimized. And that throughout the entire time she'd been away she had been hiding out by living in a commune, with the group's leader, Alex (Paul Prokop) who is a polar opposite of the biker gang. Kristy also happens to be girlfriend of the group's leader as well.
In this film, law enforcement are absolutely worthless with only a single hand gun happening during the main brawl toward the end, with only two women shown nude which is not exploitative enough. The other biker gang led by a scrappy African American lay by the name of Black Widow (Lavelle Roby) who try to motivate the commune to fight alongside with them is kind of worthless as well. It only scores points if some like the two breast scenes that should have been more.
Dirty Denim vs Black leather vs Tie Dye
A commune of hippies run into trouble with a brutal gang of bikies, and their blissful pacifist future is in grave danger. As luck would have it, along comes another gang of bikies, who team up with the hippies, who discover a latent bloodlust, so we get to see a gory fight. The hippies even file their medallions so that they are sharp enough to slash throats. Heartwarming.
All of the Excesses of the Late '60s / Early '70s in One Movie!
WOW, is all I can say after watching this - amazingly in both a good and bad way. Expecting a simple clichéd biker movie, instead I discovered a movie that somehow manages to encapsulate every major theme from early '70s filmmaking, from the counter-cultural bikers of "Easy Rider" to Southern California commune hippiedom, blaxploitation, and even the ultra-violent vigilante-ism of Sam Peckinpah ("Straw Dogs"), "Death Wish," "Last House on the Left," "Switchblade Sisters," and "Billy Jack." So much crammed into one movie, Quentin Tarantino must have seen this at some point and been at least somewhat inspired in his own style of multi-themed filmmaking.
By no means a great film, and really not a good one either, I still found myself glued to this amazing cultural artifact. I'm really surprised that this movie has basically been forgotten, having never been released on DVD; amateur B-movie connoisseurs and midnight movie-houses would eat this one up if they got their hands on it. The director, Douglas Schwartz (this was his first feature film) would soon go on to make the excellent forgotten film "Your Three Minutes Are Up" starring Beau Bridges, and "Baywatch" many years later. The tone of these two movies ("Your Three Minutes..." was a light comedy with serious undertones) could not be more different, yet in both of them Schwartz displays a near-brilliant ability to evoke the socio-cultural milieu of Southern California in the early-'70s (even early Baywatch episodes carry some of this skill in his feel for settings.) If you are in the least bit turned off by violence, I recommend not watching this, as there is blood, mutilation, rape, and plenty of general nastiness. On the other hand, if you can laugh along with the irony of "serious-themed" pictures like this one and "Billy Jack" (released the same year) portraying "pacifism through the barrel of a gun," then you should have yourself some trashy drive-in good times.
By no means a great film, and really not a good one either, I still found myself glued to this amazing cultural artifact. I'm really surprised that this movie has basically been forgotten, having never been released on DVD; amateur B-movie connoisseurs and midnight movie-houses would eat this one up if they got their hands on it. The director, Douglas Schwartz (this was his first feature film) would soon go on to make the excellent forgotten film "Your Three Minutes Are Up" starring Beau Bridges, and "Baywatch" many years later. The tone of these two movies ("Your Three Minutes..." was a light comedy with serious undertones) could not be more different, yet in both of them Schwartz displays a near-brilliant ability to evoke the socio-cultural milieu of Southern California in the early-'70s (even early Baywatch episodes carry some of this skill in his feel for settings.) If you are in the least bit turned off by violence, I recommend not watching this, as there is blood, mutilation, rape, and plenty of general nastiness. On the other hand, if you can laugh along with the irony of "serious-themed" pictures like this one and "Billy Jack" (released the same year) portraying "pacifism through the barrel of a gun," then you should have yourself some trashy drive-in good times.
Peace Killers is a Cultural Experience of the Past
It's not Easy Rider, but it's an excellent example of a late 60s/early 70s youth culture drive-in movie experience. Terrifying and disturbing with a message of peace that makes the violence even more distressing. The conflict between a life of mindless violence and a life of intellectual peace is not wasted in a thin story. There is a thoughtful intent in the script and the film's direction. The fight scenes were a bit soft, but pacifists don't have that much butt-kicking training. The uses of original songs to convey the inner life or lack of an inner life of certain characters seems corny by today's standards, but the songs themselves are nice. For what it is, it's well done.
Did you know
- ConnectionsReferenced in Speaking Parts (1989)
- SoundtracksRebel
Composed and Sung by Ruthann Friedman
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