Lake of Dracula

A review of "Noroi no yakata: Chi o suu me" (aka "Lake of Dracula"), a 1971 Japanese vampire thriller directed by Michio Yamamoto.

Dracula has been adapted and reinterpreted countless times, but "Lake of Dracula" offers a unique take on the classic vampire tale, infusing it with a distinct Japanese horror sensibility. Director Yamamoto Michio takes inspiration from Bram Stoker's iconic character but isn't constrained by Western vampire lore. The result is a film that feels both familiar and refreshingly unconventional.

"Lake of Dracula" also explores themes of rationalism versus the paranormal. Despite their logical dispositions, the characters ultimately accept the existence of vampires and the supernatural, blurring the lines between what is considered 'real' and what is 'otherworldly'. This adds an intriguing layer of complexity to the story, challenging the audience's perceptions of what is possible within the film's universe.

The film boasts impressive audio and visual elements. The use of sound, in particular, is exceptional, with eerie sound effects and a chilling score that heightens the suspense and creates an immersive experience. The widescreen frame is also utilized effectively to create a sense of isolation and vulnerability during the characters' exploration of creepy locales.

While the film may not satisfy all Western audiences due to its divergence from traditional vampire mythology, it is an intriguing and unsettling addition to the vampire genre. The acting is solid, and the production values are impressive, especially considering the film's age and the challenges of viewing it in its original aspect ratio.

In conclusion, "Lake of Dracula" is a fascinating entry in the vampire film canon. With a strong narrative, effective use of audio and visuals, and a unique take on vampire lore, it offers a refreshing alternative to Western interpretations of Dracula. However, some aspects may feel unfamiliar or disjointed to those accustomed to more traditional vampire tales.

An intriguing, eerie, and action-oriented vampire thriller, "Lake of Dracula" will leave you thirsty for more. 🦇

Somehow, while being a fan of Japanese horror and ghost story movies, I managed to never have heard of the so-called Bloodthirsty trilogy. They are loads of fun.

Lake of Dracula is the middle film in the trilogy. It has an atmospheric opening, an entertaining if periodically slow moving middle portion, and a fantastic climax, including quite an ending. Wow, did they ever go for it with the ending!

There are a couple of annoying inconsistencies in the script, but really, perfect logic is never really the point in most modern Japanese horror. It's more about atmosphere, mood, and, in the case of these wonderful and unusual Japanese Gothic horror movies, a garish luredness lifted straight from the Hammer movies. The actors are also appealing and competent, and when consistently applied (it doesn't always cover the necks) the blue-gray vampire makeup is pretty cool.

Interesting context: the Bloodthirsty trilogy was produced by Toho, and Lake of Dracula was released the same year as Toho's Godzilla vs. Hedorah.

Highly recommended for fans of Hammer horror, Gothic horror, and Japanese horror cinema.

As a child "Akiko Kashiwagi" (Midori Fujita) witnessed a horrible scene involving a vampire and has tried her best to repress it since then. Now in her mid-twenties certain strange events begin occurring which bring those memories front and center. The problem is that when she tries to tell her younger sister "Natsuko Kashiwagi" (Sanae Emi) about them she ends up sounding a little crazy and begins to question her sanity. Fortunately, her boyfriend "Dr. Takashi Saeki" (Choei Takahashi) is a bit more understanding. Even so, he still isn't quite able to make the connection when a patient is admitted to the emergency room totally drained of blood and with two bite marks on her neck. And then things really begin to happen. Now, rather than detail any more of the movie and risk spoiling it for those who haven't seen it I will just say that, even though this basic story has been told many times and in many ways, this particular film was somewhat unique due in large part to the Japanese setting. I especially liked the heavy use of makeup on some of the characters along with the fog which helped to create an overall eerie atmosphere. Likewise, having a pretty actress like the aforementioned Sanae Emi certainly didn't hurt either. In any case, while the movie was certainly no blockbuster I think it deserves at least an average rating.

As I write, it's 69 years since Godzilla first stomped across our planet, causing the kind of destruction that is, even now, wowing audiences across the world. Toho films were originally (and subsequently) responsible for most of The Big G's attempts to save/destroy humanity. Perhaps less well known, particularly to Western audiences, is that Toho also enjoys a run of horror films. They were behind 1998's seminal Ringu, for example, which spawned a whole host of ghostly dark-haired children in horror films.

They flirted with the Prince of Darkness himself with this trilogy of films. Beginning with 1970's 'The Vampire Doll' and ending with ending with 'Evil of Dracula (1974)', 'Lake of Dracula' stars Shin Kishida as a thin glowing-eyed vampire and is more frightening than you might imagine. Nicely directed by Michio Yamamoto and bathed in abrasive colours, he is a force well up to the standing and style of other Draculas.

Any middle section of a trilogy has the most difficult job. No beginning and no end to speak of, it might ungraciously be regarded as 'filler' to any ongoing story. Happily, the stories are so loosely connected, 'Lake' is free to do as it pleases to a large degree.

There's a note of restrain with the horrors here, which isn't always the way with Toho films, and yet the finale is as horrifying as you could hope for. A triumph of lighting, tension and a generally eerie ambience, my score is 8 out of 10.

Arriving at a small lake-side town, a new teacher comes to suspect that someone is behind the strange incidents and dead bodies piling up around town, and when she learns that a master vampire has moved into the area she sets out to stop his blood-soaked reign against the villagers.

This was a decent enough if slightly flawed vampire effort. One of the few solid points involved here comes from the way this goes about trying to instill the idea of the vampire in the area as the build- up here is somewhat credible. Building the strange crate delivery alongside her arrival at the same time is quite nicely handled, and the first attacks, as well as the discovery of their aftermath, all come off rather well as the mystery starts to unfold. Even some of the fine action scenes throughout here, from the abduction in the woods before being startled away and the hospital resurrection of the first body to the idea of the nightly romps through the woods where he's able to feast on her friend despite continually denying it all makes for a rather fun time here and sells the idea of her mental competence rather well which runs through the first half of the film. Once it's confirmed that there are vampires involved, things pick up far more here with the Gothic action scenes really enhancing this one from the ambush in the car at the same time the two of them trap her in the home and begin tormenting her or the hospital awakening sequence give this some really energetic and lively moments. However, it's really the big confrontation at the end which really works best here with the Gothic imagery and action really making for a great finish and gives this one a lot to really like here with the way it all wraps up inside the basement and spreading throughout the rest of the house. Still, while these are the film's good points there are a few negative issues. One of the main problems is the fact that the film really suffers from a stiff and dragged out beginning where not a whole lot really makes an impact. Despite the series of events that play out here detailing the emergence of the vampire around the village, it's still a somewhat dull and dragged-out effort where those brief spurts feel like exceptions to the bland dialogue-heavy sequences that are much more commonly featured so this one really feels like it takes a while to get going. By focusing on her burgeoning mental instability doesn't make for a fun time here regardless of how well the vampire storyline is built through these events, this one really takes more time than it should in letting loose with its story and comes across as somewhat duller than it should be considering what goes on. Likewise, there's also the rather economical manner this one manages to make the heroine think of her predicament and how she buys into it all, as a few throwaway lines regarding the Western methods of dealing with vampires and yet it's completely bought into without so much as a real questionable thought. This makes for a tough time overall, although it does still have its moments.

Rated Unrated/R: Violence, Language and violence-against-animal aftermath.