Battle of Okinawa

How do you go about depicting one of the largest and most violent battles of the Pacific Theater of WWII? Is it possible to capture the ugliness and gruesomeness of a battle with 150,000 civilian casualties on celluloid and most important can any depiction by one or the other side be really impartial? The Battle of Okinawa (BOO from now on) succeeds beyond all expectations on the first and better than it has any right to in the second - it doesn't resort to cheap flag-waving but it's not without a sense of patriotism either.

The first hour of the film is devoted to the strategic planning of the battle - Kihachi Okamoto however is smart enough to spice up what in lesser hands could have been boring exposition and setup with a breakneck pace that makes this first hour just whiz by. As is obvious from the title, the protagonist in BOO is the battle - and its victims. It's not a character-driven piece as all the main characters are painted in broad strokes but it's a sprawling war drama that takes us in a bloody tour through every pore, nook and cranny of Okinawa - from the shellshocked trenches and battlegrounds to the primitive hospital set up in a cave lacking all necessities and in itself an image of Dante-ish hell on earth, people screaming and passing out and others having their legs amputated with dull hacksaws and nurses trying to ventilate the place so the injured won't suffocate, to women and children and other civilians hudled together in a cave and gas bombed by American troops to the Army headquarters where officers argue for tactics. Nothing is spared by Okamoto's lens - this is literally the battle of Okinawa in all its morbid glory.

The credentials of the creative team should be the final guarantee that BOO is a movie well worth seeing. Directed by Kihachi Okamoto (SWORD OF DOOM, KIRU, RED LION) and written by Kaneto Shindo (ONIBABA, KURONEKO) and with Tatsuya Nakadai and Tetsuro Tamba spearheading the cast, you really can't go wrong here. It's as bleak and nihilistic as Okamoto's previous chambara output would suggest and not an easy watch for the squeamish - but therein lies the true power of the movie. Even when it resorts to images we might consider trite by now (a little child walking through dozens of corpses in the aftermath of the battle) it's still done with conviction that is true to story and setting.

If we have become jaded by all the images of war and suffering the news networks have only been too eager to churn out and exploit for our curious eyes, war and suffering has lost none of its potency. BOO is not an impartial depiction of the battle - how could it be? It's not a documentary anyway. The patriotism and self-sacrifice of Japanese troops (a form of seppuku in itself) must have made eyes in Tokyo, Hiroshima and Kyoto glisten with tears. Is it not understandable though? Okamoto is not carried away with sentimentality though - this is a slice of war brutality and comes with arms chopped and parents killing their children so they won't fall in enemy hands.

Little known but impressively detailed and completely uncompromising depiction of the battle of Okinawa from the Japanese perspective. I think it deserves a rerelease or more exposure, because as an antiwar film, it's very impressive, and even ahead of its time.

American war films were still a fair way off from showing war in a truly hellish manner at this point in film history- there's a real misery in this one that prevents any battle scenes from being fun or exciting to watch, even if there is a degree of spectacle due to the relatively high budget.

That sense of doom and inevitable loss, coupled with the savage violence that pulls absolutely no punches (it's comparable to Saving Private Ryan, yet came out over 1/4 of a century earlier) makes it a tough but engaging watch, and it mostly earns its lengthy runtime of 2.5 hours.

And of course, a war film like this shouldn't pull punches. It's generally far better to show war on film as ugly rather than exciting, especially a conflict like the one on Okinawa.

Characters are simple but serviceable, and despite the limited character development, you can feel some sympathy for them as individuals stuck in a conflict, whilst still feeling angry at the whole institution of war itself. The way it occasionally checked in on how civilians were coping was particularly powerful and unique, too.

From the director of the terrific "Japan's Longest Day", this is an ambitious documentary-styled recreation of the battle for Okinawa, where hundreds of thousands of soldiers and civilians were abandoned by the Japanese military in order to better protect the mainland. The soldiers fortified themselves in caves and fended of an overwhelming American attack over a period of several months. Unfortunately, the filmmaker's talents don't match their ambitions. "Japan's Longest Day" was a fascinating film written by Shinobu Hashimoto about a little known military revolt at the end of the war. Okinawa is dramatically inept with misplaced bits of humor, and the crowd scenes never number more than 50, making it seem far less epic than it purports to be. The photography is bland and the blood very fake. The desperation never seeps in like it should, but the film does a good job of showing what they went through. It also shows that when the going gets tough, the Japanese commit suicide - according to this film it must have been the leading cause of death. The events depicted are similar to "Sands of Iwo Jima" - so if you like that you might like this. Okinawa is still occupied by American forces. Script by Kaneto Shindo ("Onibaba").

Battle of Okinawa is a film directed by the now legendary Kihachi Okamoto. It stars Tatsuya Nakadai and Tetsuro "I'm in every Japanese film" Tamba. Both show off their acting chops in this film and deliver outstanding performances. Don't get me wrong though, there are dozens of actors in this film with almost equal scream time as these two men. This is definitely an ensemble piece on one of the most gruesome slaughters on the Japanese armies front. This film is not easy to watch. It is much more violent than "Letters From Iwo Jima" and as in "Iwo" we see how fanatical the Japanese army was at this point in history. Being taken prisoner was not an option and losing meant death or forever living in dishonor. This notion is even implemented to civilians who in this move kill themselves in droves. Tatsuya Nakadai's character is one of the few characters who believes that suicide in not the only option in defeat. He is the western voice in the film for his character even studied in America. This is a hard core war film that takes no prisoners. I recommend you go out and buy this film for it is now available in R1 DVD thanks to the fine folks at AnimEigo.

Chronicling the bloodiest and most pointless last stand of the Pacific Theatre, The Battle of Okinawa is far more well-known nowadays for essentially giving Hideaki Anno his career. Told in a quasi-documentary-like format, with black and white newsreel footage juxtaposed with narration from Kiyoshi Kobayashi over the dramatic scenes, Kihachi Okamoto manages to expertly balance horrific authenticity with few artistic liberties taken along the way. It's a film that captures an essence of bravery, lunacy and hollow childlike subservience, as well as the sheer devastating horror that gets increasingly desperate and progressively violent the longer it goes on, the final 5-minutes alone comparable to the likes of Saving Private Ryan in its entirety; Okamoto pulls no punches in the graphic details with his cynical, dark sense of humour coming out in full force. With incredible performance from its cast, most notably Tetsuro Tanba and Tatsuya Nakadai, a fantastic if limited score by Masaru Sato and energetic direction, The Battle of Okinawa is an incredible epic, one of exhaustive and continual bombardment that takes no prisoners leaving the camera smeared with blood by its dramatic end.