Sometimes a Great Notion

I saw this seventies movie for the first time last night. It must be one of the greats. The story line from Kesey's book, and the direction by Paul Newman are so closely woven and with such impact that there are times when one is left emotionally bare. There's not a fault in the casting,and the background of logging is nicely interwoven into the action bringing up surprise after surprise. The only flaw might be the glamorization of Lee Remick - I doubt that her character would show such a degree of grooming and cosmetic sophistication, but, as ever, Ms. Remick gives a performance that is impeccable. If awards were ever to come PaulNewman's way for direction and/or acting surely they should for this masterpiece.

A terrific view of life in the late 60s early 70s northwest, before tech moved in. An early Alaska- if you wanted to survive you logged, farmed, fished or worked for Boeing or Kenworth. I had to watch this as a school assignment and was never sorry for it. There are some clumsy moments which I think a movie fan is able to overlook. Sarrazin was kind of an odd addition but wasn't that much of a distraction. I especially liked Jaeckel's role as the comedian. Newman was, well Newman. Pretty much good regardless, as was Fonda. Anyone in the northwest that hasn't seen this should give it look, though it may be hard to find.

Unfortunately, as much as I love Paul Newman as an actor, the movie version of Ken Kesey's incredible book could have used a more seasoned director for its translation to the big screen. The perfect cast (the book even mentions Hank Stamper as looking like a muscular Paul Newman!), and some great performances (Fonda, Jaeckel, Remick), but the story just doesn't come across on film the way it should. I remember the first time I saw this movie was in the late 70's on TV (Portland's KPTV-12). It was so chopped-up for television that the story, character motivations, and ending made no sense at all to me. I loved Kesey's book "Cookoo's Nest" so read the novel of "Sometimes" to try to make some sense of what the story was all about. The book was an amazingly nuanced work of fiction with a great deal of depth and under-story (reading between the lines); none of which I saw on the TV screening. I later rented the video but even with the unedited version of the film, I found the story very lacking and barely comprehensive. I've recently watched the rental again (2005) and found more in the film than I had remembered, but I still feel that unless you've read the book, you can't truly understand what this movie and the character motivations are all about. They're just barely eluded to in the film version. In spite of all that, it's still a worthwhile movie to watch. If nothing else, it chronicles some great, authentic-looking logging footage. If you can, however, read the novel first and then catch the film. Also, if you ever make it to Newport, Oregon, visit the harbor bar "Bay Haven" where the scenes for the "Snag" were filmed. Tell them the old bartender from the "Embarcadero" sent you. ;-)

Kesey's superb epic novel with its shifting points of view and verb tense is far too complex a work to adapt directly. Kesey's prose while exceptionally cinematic in its description and action ironically proves unfilmable.

That said, Paul Newman and his production team have created a most admirable and solid, if rather top heavy adaption of Kesey's excellent novel.

The dialogue while rather shallow and weak in spurts (Kesey's rich vernacular is lost)is overcome by a wonderful ensemble cast featuring some of America's finest. Who better that Henry Fonda to play Newman's father? Richard Jaekel richly earns the Oscar nomination as the dim-witted but enthusiastic born again lumberjack Joe-Ben. The famous scene where Newman tries desperately to save Jaekel's character from drowning is heartbreakingly tragic and darkly comic. It is a marvelous example of direction.

Newman spent a great deal of time in my native Oregon researching the part and the film and his homework shows. Kesey's rich descriptions of the land remain largely intact. The sense of time and place is impressively captured in the photography of rusting metal, dripping ferns, rotting wood and mildewed carpets. This is a film that one can almost smell.

Newman is one of the finest artists ever to come out of Hollywood. Not only as an actor, but also as a director. He instinctivly knows how to illicit naturalistic, comfortable and utterly human performances from his casts and Sometimes a Great Notion is no exception. Well worth a look. 7 out of 10 stars.

Definitely an old school movie where the drama is tied up in day to day living. No great examinations just a family trying to go about their own business and the impacts that their choices have on themselves and their community.

Fonda is great and Newman just looks like he has been logging his entire life, super convincing.

The conflicts within the family are frequent but they never allow them to go too far, family is family.

It won't knock your socks off but its a nice film :)