While matchmaking for friends and neighbours, a young 19th Century Englishwoman nearly misses her own chance at love.While matchmaking for friends and neighbours, a young 19th Century Englishwoman nearly misses her own chance at love.While matchmaking for friends and neighbours, a young 19th Century Englishwoman nearly misses her own chance at love.
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Just about perfect
I saw this as a kid and loved it so much that the theme music stayed in my head for 50+ years, so when I ran across a cheap box set, I picked it up without expecting much beyond a satisfaction of nostalgic curiosity. But actually this is the best "Emma" I've ever seen amongst traditional adaptations (not including "Clueless," etc.), and seems most faithful in spirit as well as specifics to Austen. The casting is perfect, no one is too glamorized, and Emma herself is rightly portrayed as just as irritatingly manipulative and misguided as she is sympathetic and charming. (As familiar as this story is, the portrayal is so astute, there's still some suspense as to whether she'll turn out a terminal embittered brat or effect her own salvation.) John Carson was a wonderful Knightley, and all the other roles were ideally filled.
If later versions both on TV and the big screen were able to take advantage of technical advances and/or bigger budgets to have more splendid production values (including more outdoor sequences), the relatively claustrophobic feel here actually feels more realistic to the lives depicted--these are gentlepeople who spent most of their time indoors, particularly the women, and their homes weren't palatial for the obvious reasons of practical heating. Anyway, it's a very straightforward "Emma," but as good as you could wish for. If the production feels slightly dated, the craftsmanship and acting nonetheless have a timeless quality that is likely to date better than many more recent attempts to make a more "modern" slant on this material. Yes, it's "just" an old BBC miniseries, without any spectacular elements--but this is "Emma," a comedy of manners. Spectacle would be beside the point.
If later versions both on TV and the big screen were able to take advantage of technical advances and/or bigger budgets to have more splendid production values (including more outdoor sequences), the relatively claustrophobic feel here actually feels more realistic to the lives depicted--these are gentlepeople who spent most of their time indoors, particularly the women, and their homes weren't palatial for the obvious reasons of practical heating. Anyway, it's a very straightforward "Emma," but as good as you could wish for. If the production feels slightly dated, the craftsmanship and acting nonetheless have a timeless quality that is likely to date better than many more recent attempts to make a more "modern" slant on this material. Yes, it's "just" an old BBC miniseries, without any spectacular elements--but this is "Emma," a comedy of manners. Spectacle would be beside the point.
The best version of "Emma" so far.
I really enjoyed this version of "Emma" and my pleasure was largely due to the very convincing performance by Doran Goodwin in the central role. She was so much better than Kate Beckinsdale in the ITV version who it seems to me lacked the necessary vivacity and personality to carry the role. This Emma was very expressive, arch and satirical, very much, I Imagine, as Jane Austen must have been herself. And unlike the ITV version, which was abominably miscast (excepting Mark Strong's Mr Knightley), this casting was near perfect.
My only complaint is that too much of the action took place indoors, which made it a little claustrophobic and too much like a stage play. We were not allowed to see the village or any exterior shots of Miss Bates dwelling, just room doors opening and closing. The only time we saw anyone in a carriage was during the trip to Box Hill and that was all too brief.
But the indoor scenes were magnificent and authentic looking, too good I'm sure to be just studio sets; they must all have been filmed on location, perhaps in the very large house pictured in the opening shots.
My only complaint is that too much of the action took place indoors, which made it a little claustrophobic and too much like a stage play. We were not allowed to see the village or any exterior shots of Miss Bates dwelling, just room doors opening and closing. The only time we saw anyone in a carriage was during the trip to Box Hill and that was all too brief.
But the indoor scenes were magnificent and authentic looking, too good I'm sure to be just studio sets; they must all have been filmed on location, perhaps in the very large house pictured in the opening shots.
A Classic
If you liked the book Emma by Jane Austen I do not think you will be disappointed with this dramatization. They did change a few things from the book but those who have not read the book will get most of the content. I particularly enjoyed the costumes. The gowns, hats and caps of the ladies were spectacular. The detail, even down to the ornate hat pins, helped make this a delight to watch. The characterizations were quite faithful for the most part. Mr.Woodhouse, while perhaps not quite the same as the book, was an interesting and quite funny character. This mini-series did a very good job of capturing a great deal of the humor of Jane Austen (she is incredibly funny!) which is not all that easy to translate from her elegant prose to the camera and dialog of video rendition. When I see something like this that is so well done it makes me appreciate anew this art form and especially that of script writing....not to mention blocking....editing.... I think the mini-series is friendlier to a good adaption of Jane Austen's novels rather than the movie. This is my favorite of those I have seen with the A & E 1996 version as a close 2nd and the 1996 movie as my least favorite. I have not seen 1948 & 1960 BBC versions - wonder where I can find them???
10pabzum
excellent & clever adaptation, and who cares about the settings?
I have just finished watching this adaptation of Emma for the first time and I feel I must openly declare here that it seems to me quite shameful that the Paltrow and the Beckinsale versions should be more often remembered. How that is to be explained I am at a loss to tell. It is true that John Carson may not look to be the epitome of Knightleyness, but he does a most excellent job of acting like Mr Knightley, and that is what one should care about, I say. Indeed, I was gratified by the sheer intelligence and sensitivity of all the actors in it, the director, the screenwriter and even the dress-maker or whatever she is called. The clothes and dresses may not all have been true to the times but most certainly they were thoughtfully true to the characters.
Also, wonder of wonders, there is no musical soundtrack to pester one's feelings telling them what to feel at every turn. What that does is it helps to make dialogues sound truthful, natural and issuing from people who are thoroughly engaged both as actors and characters in listening to each other.
Another thing that has contributed to place this in my estimation as the best extant adaptation of Emma is that there is no symbolic meddling with the story (excepting perhaps on the last tableau). One thing I love in Jane Austen which is of course not what there is to be loved in other authors is that nothing she writes has any symbols: every little thing is whatever it is, no less, no more. And I unconditionally praise the director John Glenister, the screenwriter Denis Constanduros and the producer Martin Lisemore for having seen that simple fact about Jane Austen and for having brought the book to life so clearly and so lovingly.
So three cheers for them, and five to Doran Godwin.
Also, wonder of wonders, there is no musical soundtrack to pester one's feelings telling them what to feel at every turn. What that does is it helps to make dialogues sound truthful, natural and issuing from people who are thoroughly engaged both as actors and characters in listening to each other.
Another thing that has contributed to place this in my estimation as the best extant adaptation of Emma is that there is no symbolic meddling with the story (excepting perhaps on the last tableau). One thing I love in Jane Austen which is of course not what there is to be loved in other authors is that nothing she writes has any symbols: every little thing is whatever it is, no less, no more. And I unconditionally praise the director John Glenister, the screenwriter Denis Constanduros and the producer Martin Lisemore for having seen that simple fact about Jane Austen and for having brought the book to life so clearly and so lovingly.
So three cheers for them, and five to Doran Godwin.
10johnbol
A good and faithful adaption of the book.
If you are a Jane Austen fan and considering to buy a film of Emma i would recommend this version. This because , as a TV series it's longer then any movie and therefor includes more of the original story. Also the acting is very good and the whole production has a Austen feel about it. Yes it's been mostly filmed in a studio but to me that gives it a more intimate feeling. Also i have to say that i did like the version with Kate Beckinsale but do not really care of the version with Gwyneth Paltrow. This TV series lasts about 4 and a half hours. So, if you look for a shorter version , take the Beckinsale and if you really want to dive into it, take this one. I would like to single out Donald Eccles who , as Emma's father, is very funny as is Mary Holder as Mrs. Bates.
Did you know
- TriviaThe actors playing husband and wife John and Isabella Knightley(Yves Tighe and Belinda Tighe)are brother and sister in real life.
- GoofsThe characters are seen playing cards with a modern deck of cards that show both the suit symbol (hearts, clubs, spades, clubs) and a number on each corner. During the time period the movie was set in, playing cards did not show the number of the card in the corners.
- ConnectionsFeatured in Funny Women: Mollie Sugden (1999)
- SoundtracksThe Twenty-ninth of May
Traditional
From John Playford's 'The English Dancing Master', First Edition (1651)
[theme]
- How many seasons does Emma have?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Эмма
- Filming locations
- Uppark House, South Harting, West Sussex, England, UK(Exteriors of Hartfield, Emma's home)
- Production company
- See more company credits at IMDbPro
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