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I loved this movie, and it is one of the more memorable movies I have ever seen. It has the perfect mix of character development, humor, drama, location, kooky characters, shady characters and plot twists. The chase scene climax (lasting about thirty minutes) is similar to that of "The Road Warrior" - something that keeps on going on and where you never get bored. Beatty and Hawn did their best work together in this flick, and it gives the viewer a snapshot of what it was like to be alive in the era of the early seventies. If you are looking to see a "lost classic", this movie will do it.

I like heist movies. This one is a bit different.

I liked the style of the movie a lot. The music and the camera work were pretty interesting.

I noticed some reviewers were confused by the plot. It's the viewers job to fill in some blanks. Some people will dislike that, others will appreciate that their intelligence is not being insulted.

The movie consists of three main sections. The intro, the heist and the getaway. Goldie Hawn is adorable in the intro section. Beatty does a nice job during the heist section. The getaway is the weak part of the movie, if only because it challenges my ability to suspend my disbelief. Some parts of it were cool though.

I think Beatty was convincing both as a security expert and thief. Hawn, as mentioned above is adorable (I admit I have always found her attractive.) Reasons to watch the movie - you like Beatty, you like Hawn, you like heist movies (though there are better,) or you like quirky 70s movies. The last item should not be overlooked, because there's a distinctive style in certain 70s movies that's no longer seen - for example the implication that sex and drugs and alcohol is simply a lifestyle, rather than a problem that needs to be addressed.

An entertaining Beatty/Goldie Hawn flick that really has nothing to say, but moves along like a freight-train and keeps your interest. Goldie Hawn was never cuter (except Shampoo w/Beatty) before she turned into Shirley MacLaine. Gert Frobe (Goldfinger) is befuddled and amusing. Beatty would make a great film the same year (McCabe & Mrs. Miller).

Don't expect much and you'll have a ball. Throw in Scott Brady (Lawrence Tierney's little brother) and other evil Germans and robbery becomes cool. I believe Richard Brooks directed this (In Cold Blood). He must have needed some fast cash. 6 out of 10. Best performance = Goldie Hawn.

While some call it light, I suppose that's true, but it's missing the point. $ isn't supposed to be nutritious, it's supposed to be delectable. The joy is in the unfolding story with no explanation of what's going on. Beatty says this method of robbing a bank has never been tried, but doesn't tell you what it is. The robbery starts, and you're still uncertain about how he's doing it. Then a few minutes into it, you get the, "oh. OH!" feeling and it's intoxicating to watch a slow-motion robbery, presented in batches of 60 seconds.

I thought the chase was disappointing in its lack of true variety. Goldie's escape method is good, but in general its inventiveness pales compared to the bank heist technique. And all the puzzles make sense when you watch it a second time. But I'll never forget the feeling I had, watching this movie for the first time with my wife's 80 year old grandparents (!?!?!?), and savoring that joy of uncertainty..."what the heck is going on??" Mystery lovers, bon appetite.

is when each of the crooks get the big surprise in the vault! This movie is one of my favorites. I really liked the pacing, the direction and the plot concept. While Goldie Hawn doesn't really seem quite like a prostitute, she really carries the movie. One particular memorable moment comes when she bathes her hands with money and asks herself if there is some connection between crime and sex. Warren Beatty is also good. I particularly liked Scott Brady's perfect caricature of American chauvinism. Arthur Brauss is haunting and memorable as the sociopath drug dealer. I personally found the long chase scenes in last part of the movie to be out of sync with the rest of the film.