Behind the Green Door

One of the first porno chic crossovers, this 1972 film helped bring XXX movies to a mainstream audience. Anonymous young woman (Marilyn Chambers) is "abducted" to kinky sex theater where she performs on stage with a variety of other people for the delectation of an audience of voyeurs, who eventually perform among themselves. There are some fair SFX, though hardly on an ILM scale, and the story content is inherently slanted against any real involvement other than arousal by the viewer.

Despite its B.O. and reputation, this is a fairly primitive picture. Every print I have seen is both overly dark and dupelike grainy. Chambers is stunning here, and though it is now nothing odd, at the time it was a real shock to see anyone so wholesomely attractive in the centerpiece role of a porn film. (The Ivory Snow publicity did not hurt ticket sales a bit.) Chambers later demonstrated (in the superior RESURRECTION OF EVE and in David Cronenberg's R-rated horror film RABID) acting talent not particularly visible in DOOR, but even now, 30 years later, she remains the BGD girl to an entire generation.

Film remains of much historical interest, though it has long since ceased to be a beacon for the seeker of cheap thrills. Look for lovely San Francisco porn actress Candy Johnson in the supporting ranks and pro footballer Ben Davidson in a non-sex role.

No history of film can evade porn. Some of it contains some clever ideas and every once in a while it actually influenced something. That's the case with this.

Schrader has explicitly said that this influenced his "Taxi Driver" in the notion of someone driving around and creating a whole imagined sexual narrative. Kubrick has admitted no such thing with his "Eyes Wide Shut," but one is tempted to make a dual connection: the private sex club with masked men and the imaginary narrative. ("Eyes" is about a dialog between two dreams.)

Here's the story: A guy drives a long time, giving us the impression that this defines his character. He enters a diner and meets a friend. The two spin a tale which constitutes the remainder of the movie.

But that isn't a simple tale. It has another nesting: the same two guys engaged in inane conversation on a restaurant terrace, while a plain girl (the only other being present) occupies a nearby table. Then we have an improbable story which could be the fabrication of the two in the diner, or the one (the driver) imagines in looking at the girl on the terrace. (Or all could be something imagined by the driver while driving. We get a hint at the end that the latter is more probable.)

That tale is that she is abducted and placed on a stage in a private sex club so they/we can watch an innocent be ravished. Now begins the porn section which I suppose is tame by today's standard. It includes a racial stereotype that Spike Lee should have put in "Bamboozled" (except he exploits that one himself).

Within that stage scene is a bizarrely psychedelic cinematic celebration of the ejaculation. Like everything in this project, the quality is laughable. But the idea is that we have four nestings.

Then the first framing is closed and we are back at the diner. The cook asks what happened next. The driver leaves and drives a very long time, during which he imagines the girl again (and we have another porn sequence).

Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.

Behind the Green Door (1972)

** 1/2 (out of 4)

One of the "classics" from the era known as the Golden Age of Porn. The film has a couple truck drivers stopping at a diner where the owner asks them to tell him the story about the green door. When then flashback to a rich socialite (Marilyn Chambers) who is kidnapped and taken to a strange location where she's forced to perform wild sexual acts. This "golden age", as it was called, seemed to feature people wanting to make mainstream movies not unlike what you'd normally see at a theater yet we'd also have hardcore sex in them. The strange thing about this movie is that it features poor camera work, poor acting, silly editing and an all around bizarre feel yet that's what makes it rather special. The movie wasn't glossy or pretty to look at and instead of it trying to come off like something you'd see in a mainstream theater it seemed more at home being like various other grindhouse movies that featured nothing but weird images and in the case of this film, the hardcore sex. I can't say I found anything here erotic or overly sexy but at the same time the film kept my attention just because of how strange it was. We have very little dialogue and instead we're pretty much just treated to the sexual images going on but even they are done in strange ways. Most of them don't feature any music and are as silent as silent can get. Ever so often we'll get a few moans or groans but for the most part they're silent until much later in the movie. The cheap looking stage and pathetic lighting are just perfect for the film because they fit the atmosphere that the Mitchell brothers have going on. It seems out of all the "mainstream" porn stars Chambers has come out the best, which might be because she's the most naturally beautiful of all of them. She's certainly got that "girl next door" image and she's certainly easy on the eyes. As someone who came to know her for her "non-hardcore" roles, it was a little strange seeing her here but that quickly went away. No one else in the supporting cast really stood out with most of them just delivering cheap dialogue and bad performances. That's not a major fault as I'm sure most are going to be checking this out for Chambers. I'm not sure if the final scene was just added on because the movie would be too short without it but it sort of sticks out more like a deleted scene than anything else that came before it. Is this a good movie that would rival something in mainstream theaters? No. Is this an important film? Yes. Is it a good adult movie? Why not?

I had the unique experience of seeing "Behind The Green Door", which is always brandied as a "classic from the Golden Age Of Porn", immediately behind "Manos, The Hands Of Fate", which is widely considered to be the worst movie ever made bar none of all times. Well, BTGD doesn't compare very favourably. Whereas "Manos" is a fairly ambitious but ultimately botched feature film, BTGD is a 15 minute stag movie spoof of Histoire d'O, set in the American boondocks instead of saucy France, which has been stretched by the factor 5 to bring it to feature length. Dash that, it's a gonzo shoot which has been racked beyond the point of tediousness, with some psychedelia, Histoire d'O and a pantomime thrown in. The movie consists almost entirely of one long orgy scene in a swinger club with former washing powder model Marilyn Chambers (who doesn't have a single line except "Eek!" and "Ugh!") and a handful of talent thrown in. Marilyn gets thoroughly eaten (15 minutes), she gives head (another 15 minutes), then there is a general orgy mêlée with not particularly attractive people (15 minutes), and eventually another stapled-on car sex scene (15 minutes). The remaining 15 minutes are filled by the flimsy background story, in which two lowlifes tell their mate about this classy swinger club, where the special attraction was a freshly abducted girl (Chambers) who had apparently warmed up to the whole idea of "ravishment" surprisingly quickly.

Overall, it's simply not a good film, although it holds a certain historic interest and, well, it's a hardcore porn movie. Chambers is its absolute highlight because of her natural good looks, and not least because she is one of the few porn actresses who actually made good money whilst not being loth to a good hard shag. So at least you don't have to feel guilty for getting off on someone getting traumatized for life.

By contrast, the other three golden-age-of-porn stalwarts are good movies: "Debbie Does Dallas" is a well made and very enjoyable porn movie, "The Devil In Miss Jones" can pass as an exploration into the darker niches of playing "hide the kreplach" and "Deep Throat" at least popularized a previously obscure technique. "Behind The Green Door", however, is two strip club owners venturing far out of their depth, with a camera.

Unlike most of todays porn pictures, Behind the Green door is a well made film, pretty good camera work for a movie in this genre. It takes its time until it becomes explicit, but I did not feel inclined to push the fast forward button, since the film works pretty well as a movie and not only as a way to arouse the viewer erotically, though it still is an amazingly sexy piece of work.