Black Gunn

Jim Brown deadpans his way through Black Action Film heaven. All the touchstones are here: The Mafia, a Black Panthers rip-off, drugs, trashy whores, nasty pimps, jittery dealers and even sweatier addicts, fist fights, gun play, drug dealers, revenge killings, psycho hit men, racial slurs, car chases, stolen cars, and explosions. Even more than that, plenty of early Seventies atmosphere here to enjoy: giant sedans, huge lapels, enormous hair, used car dealers, bowling, black revolutionaries, sexy stewardesses, and lots of fuzz guitar, tremolo and wah-wah pedals on all the music.

Jim Brown is a schmoove nightclub owner (this is an adult nightclub, kids, where the immaculately coiffed adults eat steak, drink whiskey and slow-dance to overproduced soul easy listening music) who's cooler than a cucumber popsicle. His uncool little brother is in with BAG, the Black Action Group, who get deep into it when they steal money and ledger books from THE MOB.

The greasy mobsters aren't gonna put up with that, so they put out the word: find those lousy #$$%*#* and kill 'em. But little brother hid the ledgers at Gunn's nightclub/suave bachelor pad. So they kill the brother anyway, and that REALLY makes Gunn mad. It's all-out war now, and Gunn has to avoid both the Fuzz and BAG on his one-man war of vengeance. There are some slow spots here and there, but the action sequences make up for the few slack bits. Brown is not going to be doing heavy drama anytime soon, but he does what he does here extremely well. Highly recommended for fans of Black Action Cinema.

I'm not sure why the Mill Creek Entertainment company thought that this movie was deserving of a Blu-ray release. Don't get me wrong, I did enjoy some elements of it. Since it's a blaxploitation movie from the 1970s, it has many of the fun trademarks of the genre, such as the clothing, hair styles, attitude, slimy bad guys, nudity, and so on. Also, the movie does boast some good action sequences here and there (love those splattery blood wounds!) Unfortunately, there are less action sequences than most viewers will be expecting and demanding. The movie instead is strung along with many long (and slow) sequences of talking, which often doesn't advance the plot that much. In fact, it takes almost half the movie before the character of Gunn is enraged and decides to take revenge. And even when the character of Gunn is engaged on the path of revenge, the performance by Jim Brown more often than not makes the character seem disinterested and bored. The movie also ends on a note with several plot threads clearly not given a proper conclusion. There are definitely worse blaxploitation movies than "Black Gunn", but there are definitely some that are much better. I'd only recommend it to fans of the genre who have already seen the better efforts and are really craving for more, and who are willing to put up with the aforementioned defects the movie has.

I have recently developed an appreciation for low budget British filmmaker Robert Hartford-Davis (1923-1977) after watching a handful of his horror films such as BLACK TORMENT (1965), CORRUPTION (1968), and THE FIEND aka BEWARE THE BRETHREN (1972). The constant thread running through these and such films as BLACK GUNN (1973) are imaginative camerawork, crisp but non-flashy editing, and consistently interesting performances from his actors.

In that sense Hartford-Davis is sort of a poor man's Michael Winner (literally since he never had the budgets Winner did for his films) which is meant as a compliment. I have a strong admiration for directors like Edgar G. Ulmer, Edward L. Cahn, and now Hartford-Davis who could create numerous memorable moments out of the small budgets that they had to work with. Small budgets also meant that they were stuck in genre films like horror or exploitation (Blaxploitation in this case) but even in this category the cream always manages to rise to the top.

Despite the title, BLACK GUNN is not a remake of the old TV series PETER GUNN refitted for an African-American audience. It's an urban crime melodrama set in L. A. with Jim Brown as the successful owner of a nightclub whose younger brother rips off the mob. We all know happens when you do that. Throw in some black militancy, some deliberately provocative racist dialogue, a delightfully droll performance by Martin Landau as the chief baddie, and B movie veterans Bruce Glover and William Campbell as a pair of deliriously sleazy hoods and you've got classic entertainment early 70s style (I'm sure Quentin Tarantino knows this particular movie).

It's all directed with a quiet panache by Hartford-Davis who had just come to America and would make one more feature before going into television and dying of a heart attack at 53. Is it a great movie? Of course not but within the limited parameters it has to contend with, BLACK GUNN is one of the best of the many Blaxploitation movies that were made at this time. I thoroughly enjoyed it and Robert Hartford-Davis is the reason why...For more reviews visit The Capsule Critic.

Black Gunn (1972)

** 1/2 (out of 4)

Fun blaxploitation film has Jim Brown playing Gunn, a club owner who has to seek revenge against the Mafia after they kill his younger brother. Gunn teams up with his brother's "Black Power" group and they try and locate the man (Martin Landau) responsible for the death. If you're a fan of blaxploitation then this here is going to offer enough to keep you entertained from start to finish. The story itself was pretty standard for this type of film but it's good enough to keep the film moving and Brown turns in a nice performance in the lead. I think the lead actor was always the most important thing to a film like this and Brown doesn't disappoint as he can kick enough ass to keep a smile on your face and deliver enough lines to make you laugh. Brown does get a more dramatic moment when he discovers his brother's dead body but this scene really doesn't work too well especially when he's crying with no tears. Bruce Glover adds a lot of fun as one of the racist Mafia guys and many will remember him from his roles in CHINATOWN and BIG BAD MAMA II (what a double feature that would be). Landau, years before his Oscar, does a decent job in his few scenes as the top dog. Vida Blue, who won the Cy Young award a year before making this, appears briefly as does other sports stars like Mike Thomas and Mike Bass. As normal for a film like this, there's all sorts of hysterical racist dialogue being screamed out with most of it dealing with watermelon but that just adds to the fun when Brown finally breaks them down. We also get all sorts of bloody violence with your expected shoot out at the end but the highlight remains the cool, laid back Brown doing his thing.

Just watched this Jim Brown action movie on the Crackle site. He plays Gunn, a nightclub owner who vows vengeance after his brother-because of his involvement in a robbery-gets killed. Unlike most blaxploitation movies, this one takes it's time in developing the story though it threatens to get monotonous when sequences get too talky. Of the supporting cast, the most interesting player to me was Jim Watkins playing the only black officer-in this case, Lt. Ken Hopper-who is firm but fair in his dealings with Gunn. My favorite scene was the one where a couple of white women staying at his girlfriend's house start putting the moves on him before that girlfriend shoos them away but not before Gunn's shirt came off! Ooh, yeah! So on that note, Black Gunn is highly recommended.