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5.6/10
4.2K
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An archaeological expedition brings back to London the coffin of an Egyptian queen known for her magical powers. Her spirit returns in the form of a young girl and strange things start to ha... Read allAn archaeological expedition brings back to London the coffin of an Egyptian queen known for her magical powers. Her spirit returns in the form of a young girl and strange things start to happen.An archaeological expedition brings back to London the coffin of an Egyptian queen known for her magical powers. Her spirit returns in the form of a young girl and strange things start to happen.
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Featured reviews
Understated horror in classic style, with fine performances
This difficult-to-find gem (my copy is a bootleg--sorry about that) sorts oddly with the kind of trash Hammer studios was churning out in the early 70s--Lust for a Vampire and that sort of thing. The production seemed to be under a curse of its own--Peter Cushing was involved for the first two days of shooting but then had to leave due to his wife's death; director Seth Holt had nearly finished the film and then died of a heart attack. The final film, finished by Hammer producer Michael Carreras, was described as barely coherent in magazine reviews of the time, but makes perfect sense to this viewer. It's in the style of Don't Look Now, Rosemary's Baby, or Night of Dark Shadows--a story of the supernatural slowly seeping into a modern day setting, with fine character performances, especially from Andrew Keir, James Villiers and Rosalie Crutchley. Leading lady Valerie Leon was dubbed--not sure by whom, but the voice is effective.
This is an unusual tale for those who like subtly constructed stories with a focus upon character and atmosphere. The occasional schlock element doesn't really detract at all from the sinister thrall of the film's design.
This is an unusual tale for those who like subtly constructed stories with a focus upon character and atmosphere. The occasional schlock element doesn't really detract at all from the sinister thrall of the film's design.
Valerie Too Fine To Be Kept Under Wraps!
It's been many years since I read Bram Stoker's 1903 novel "The Jewel of Seven Stars," but what I mainly recollect is a feeling of great disappointment; the book is all buildup, with very little in the way of payoff. The 1971 Hammer filmization, renamed "Blood From the Mummy's Tomb," can be accused of the same unfortunate misdemeanor, but still has much to offer. It tells the tale of Tera, an ancient Egyptian sorceress who had been executed back when, had her hand dismembered and her body encased in a tomb. Centuries later, that tomb is discovered by a researcher named Fuchs, whose daughter is the very image of the priestess. It would seem that Tera is about to be finally reincarnated.... Taking place in an indeterminate year (the clothing and furnishings are modern, yet the automobiles are vintage), "Blood From" boasts some mild gross-out FX (that severed hand, and Tera's many throat rippings), an interesting enough story, adequate sets and--typical for a Hammer film--fine acting from its second-tier cast. In her dual role as the "slumbering" Tera and Fuchs' possessed daughter, Margaret, actress Valerie Leon literally stands out in this cast. A stunning-looking woman even today, her, um, mUmmarian protuberances are amply brought to the fore here in any number of negligees and low-cut gowns. As Tera, she is found completely unswathed; I suppose even the ancient Egyptian priests felt that her body was too impressive to be kept under wraps! In any event, Valerie's presence is reason enough to give this film a recommendation. The film's story line presents some unanswered questions (Just how does the Corbeck character plan to control Tera once she "awakens," for instance? And that ambiguous ending is anybody's guess!), but I must say that I enjoyed this film more on a repeat viewing, with lowered expectations. It's a fun latter-day Hammer flick, shown to good advantage on this great-looking Anchor Bay DVD.
Blood from the Mummy's Tomb: An odd finale
Blood from the Mummy's Tomb is the 4th and final movie from Hammer Horrors "The Mummy" franchise and stands out from the rest due to the distinct lack of erm....a mummy!
The plot is a bit of a mess but the creators do a competent enough job of making the best of it and to their credit it comes off passable.
Starring the alarmingly beautiful Valerie Leon it barely feels like a mummy movie at all.
With the questionable storyline, the baffling ending and some seriously hokey performances it's sad to see a franchise end on such a note.
It however is not bad, it's just unusual, unexpected and an odd choice.
Passable Hammer Horror effort, but more of a standalone film than the rest of The Mummy franchise.
The Good:
Valerie Leon
The Bad:
Muddled story
Things I Learnt From This Movie:
I get the impression Valerie Leon would be a big big star right now if she were this age
The plot is a bit of a mess but the creators do a competent enough job of making the best of it and to their credit it comes off passable.
Starring the alarmingly beautiful Valerie Leon it barely feels like a mummy movie at all.
With the questionable storyline, the baffling ending and some seriously hokey performances it's sad to see a franchise end on such a note.
It however is not bad, it's just unusual, unexpected and an odd choice.
Passable Hammer Horror effort, but more of a standalone film than the rest of The Mummy franchise.
The Good:
Valerie Leon
The Bad:
Muddled story
Things I Learnt From This Movie:
I get the impression Valerie Leon would be a big big star right now if she were this age
Disturbing version of Stoker's very disturbing "mummy" novel.
This is by a long way the best of the three adaptations so far of Bram Stoker's complex and disturbing novel of an Egyptologist's obsessive desire to revive an evil ancient Egyptian queen. (The novel was so worrying in 1903 that the ending was changed for the second edition: this movie keeps mainly to the original ending.) The cast ranges from competent to quite good, with the Queen/daughter suitably seductive but unreadable. The appearance is handsomely and oppressively Edwardian - the ancient Egyptian is rather silly - and the direction firm. Try this as a better taste of Stoker's obsessive psychological horror than any of the versions of "Dracula" except the long British TV adaptation.
Entertaining Egyptian horror yarn featuring the killer cleavage of Valerie Leon!
'Blood From The Mummy's Tomb' isn't one of Hammer's very best, but it's still a ripping yarn about an expedition to Egypt which inadvertently awakens the powers of an evil Egyptian Queen with disastrous results. The movie is based on a Bram Stoker novel I'm not familiar with so I can't vouch for how faithful the adaptation is, but I found it to be extremely entertaining viewing. Andrew Keir, who had previously played Professor Quatermass in Hammer's excellent 'Quatermass And The Pit', is the leader of the expedition, and the stunning Valerie Leon, best known as a regular in the 'Carry On' series, plays the duel role of his daughter and the evil Queen Tera. The movie is full of thrills and chills, a strong supporting cast (including James Villers and the wonderful Aubrey Morris), and good production values, but I must admit I was as much mesmerized by Ms. Leon's killer cleavage as anything else on the screen! Hubba hubba! 'Blood From The Mummy's Tomb' is more remembered for the so-called curse during its production, but it deserves more than that. It's yet another enjoyable movie from the underrated Hammer studios, and is definitely worth a look. And not just to perv on Valerie Leon!
Did you know
- TriviaDirector Seth Holt died from a heart attack before completing this film. It was finished by Hammer Studios head Michael Carreras.
- GoofsTodd drives off to 'get help.' You see his car racing down the road. Margaret uses her ancient powers to raise a wind that flips the roof of Todd's convertible to vertical. As Todd reaches up to try to lower the roof, you can see grass around the car, and the car is clearly not moving! Next moment the car hits a tree.
- Crazy creditsSunbronze Danny Boy as Tod's Cat
- Alternate versionsThe 1971 cinema version was cut and this seems to have become the definitive version for all videos/DVDs since (Region 1 and 2 releases). The cuts were: A shot of a hospital orderly striking an inmate was removed.
- ConnectionsFeatured in Elvira's Movie Macabre: Blood from the Mummy's Tomb (1982)
- How long is Blood from the Mummy's Tomb?Powered by Alexa
Details
- Runtime
- 1h 34m(94 min)
- Aspect ratio
- 1.85 : 1
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