Amuck!

Barbara Bouchet is the highlight here. You can't take your eyes off her. She is an incredible lead.

The film is wonderfully shot. There are great locations and good atmosphere. There are some fun sequences with a bit of suspense.

However, the script is quite bad. The characters make impossibly stupid choices that go against their own motivations. The ending was also unbelievable with the plans of the villain appearing pretty dumb.

There is more sex/nudity here than the average giallo.

At the end of the day, this is a nice movie to look at if you turn your mind off and go for a ride, but the unbelievable character decisions/reactions keep this from being a truly good film.

Holy Sheeit! Although plot wise this giallo is the old-school type where a bunch of folk in a huge mansion double cross and play mind games with each other before everything comes to a head (like The Third Eye or Libido), this one also gives everything a contemporary seventies vibe with wall-to-wall nudity from start to finish – and those getting naked are Barbara Bouchet and Rosalba Neri!

Barbara Bouchet is the newly appointed secretary employed to transcribe a novel that smug writer Farley Granger is writing, and this involves shacking up at his huge mansion where he lives with his equally smug wife Rosalba Neri and their butler Umberto Raho. Seems that the police have been sniffing around for a while as Farley's last secretary Sally has gone missing, and Barbara doesn't seem too surprised to overhear this.

She is surprised by finding a hulking brute standing outside of her window and is given a chill pill by Rosalba, which leads to an eye- popping scene where a half-conscious Barbara writhes about naked while Rosalba also strips off and gets busy with her – all in slow motion and immaculately filmed. But don't knock one out yet fellas, there's much, much more where that came from!

The next day Barbara doesn't recall that Sapphic encounter but is clued into things right away when, during one of Rosalba's sexy parties, she puts on an adult version of Red Riding Hood ("That hood will be red from all that riding!" – someone exclaims!) and Barbara recognises the actress as her pal Sally! A brief and subtle flashback showing the two of them naked under a waterfall may or may not hint that they might have been more than friends, but I'm not sure.

There is actually some sort of mystery in amongst the boobs and arses. Barbara thinks someone has killed Sally, and coincidentally the audio tapes that Farley gives her to transcribe seem to detail the plot of the film she's in, and around this time she begins to suspect that she may be next. Who can she trust? Rosalba, who at one point jumps out of a swimming pool to have a quick puff on a cigarette? Umberto, whose motives are unclear? How about the big brute guy, who guts a live eel in front of Barbara for some reason? Could have done without that bit, which is something I seem to be saying more frequently.

It's not very violent and as you'd expect things kick off at the end a bit. There are twists right up until the last thirty seconds. The thing with Barbara Bouchet and Rosalba Neri is that the two of them can actually act too – especially Rosalba, who can switch from sweet to evil to sexy at the drop of her knickers.

Barbara Bouchet's Boobs will return in Lucio Fulci's Don't Torture A Duckling!

'Amuck' is a stylish and erotic Giallo thriller with a simple yet effective storyline that creates some genuinely suspenseful moments and brimming with sexual tension, all of which is bathed in a stunning yet hypnotic dreamlike atmosphere. The pace could have done with a little tightening, but there's enough on display for even the most avid fans of the genre.

The plot centres around Greta Franklin (Barbara Bouchet) who takes a new job as a secretary to novelist Richard Stuart (Farley Granger) on a secluded island with his wife Eleanora (Rosalba Neri). But Greta's really to investigate the disappearance of her friend who also worked for the couple and soon enough Greta finds herself the target of the couple's erotic desires and quite possibly her life's in danger.

The movie is a hell of a lot of fun with excellent direction and great writing both by Silvio Amadio who creates a compelling narrative and infuses the flick with fantastic energy especially in the tasteful seductive scenes without coming across as trashy as well as putting in plenty of red herrings and twists and turns to keep the momentum going. The movie isn't perfect by any means as there's a few dull moments here and there and the climax could have been a lot less predictable, but the fantastic cast more than makes up for the movie's short comings.

The performances are fantastic here with Barbara Bouchet and Rosalba Neri providing engaging performances with excellent chemistry together and totally stealing the show. Farley Granger also provides a solid performance as the male lead, but he's totally overshadowed by the female leads.

Overall 'Amuck' is a steamy seductive thriller with plenty of style and entertainment and a firm highlight of the Giallo genre.

While labeled as a grindhouse movie, there is not that much wrong with "Amuck". For it's time it's decently acted, filmed and edited. It also isn't shy on showing nudity which I leave to you to decide is that good or bad. However, as a thriller, other than it's OK premise and some creepy atmosphere greatly achieved by decent use of music, "Amuck" fails to be either thrilling or entertaining to make it a good movie. Problem is that our heroine is very bland and she is seldom in real danger. All in all, "Amuck" is passable, sure, and it stands out from sloppily made exploitation movies from those times, but other than that, "Amuck" is just something for genre fans. It's far from the worst thing to watch, but it's also far from something you just have to watch before you die. 6.5/10!

This giallo is probably most famous for the slow-motion lesbian sex scene between Barbara Bouchet and Rosalba Neri near the beginning. That scene is certainly impressive (as you might imagine if you have ever seen either of these two actresses in action), but it shouldn't overshadow what a well-made, classic giallo this is. It has everything fans of gialli love--great visuals and setting, pulse-pounding suspense, sordid and perverse characters, truly surprising plot twists, and a great musical score and soundtrack. Farley Granger is wonderful, going convincingly from evil to sympathetic and back again. Bouchet and Neri are also both very good, particularly the latter. Neri is justifiably famous for her beauty (and her frequent nude scenes). She had plenty of competition in that respect when it came to gialli--Bouchet,Edwige Fenech, Nieves Navarro, Ewe Aulin to name a few--but she had no close rival when it came to sheer acting talent. This is definitely her best role, better even than "Lady Frankenstein". To get an idea of how impressive this film is try watching it back to back with one of those terrible "erotic thrillers" they make these days. How did we get from wonderfully sexy gialli like this to that dreck?

The Eurovision DVD has recent interviews with both actresses (who look about the same even though they must be close to sixty by now). They both speak English (Bouchet quite fluently)and reveal some interesting tidbits. The director of this film Silvio Amado, according to Bouchet, dropped out of sight after an unrequited love affair with actress Gloria Guida (the Italian Lolita of the era). I have actually seen a second-rate melodrama Amado made with Guida a few years later, which is why I was genuinely surprised with the talent he shows here. It's truly a misfortune that he didn't stick around to do more films like this. A true classic of the genre