Godzilla vs. Gigan

Godzilla and a giant alien chicken. Great stuff. It's back to the very basic for Godzilla after many were disappointed by the previous effort (I loved it). It kind of throws away everything Godzilla started as. Now we have a fairly kid friendly film, in which aliens design an amusement park in the hopes of controlling some of the monsters from monster island. Because giant monsters are the greatest way to attract families away from their mundane lives. A manga artist uncovers this bizarre plot and soon the aliens release their own monster, Gigan. Fun fights and frolics abound, even if these movies are getting rather crowded.

Well the relationships of the Kaiju sometimes change with every other movie. So while Godzilla was fighting Anguirus the first time they met (in the second Godzilla movie that is), later they became allies. As in this one. And it is necessary they team and tag together, because apart from the new (mentioned) Gigan in the title, we also get King Ghidorah as an enemy of earth and humans - which means enemy of Godzilla too of course.

And while there was always communication between the Kaiju, mostly through their screams and cries, this time we get text bubbles with what they mean. Interesting choice and maybe related to the fact they tried to go kid friendly at the time. Also a nod to comics/manga in general? Very likely.

The monster on monster action (get your mind out of the gutter if it is there) is really something to behold - and fun to watch. Men in rubber suits wrestling other men in rubber suits. While humanity looks and hopes/roots for our beloved Godzilla. Obviously there is a lot of History here. Movie history that is. Something you can have knowledge of, but you don't need too. It just gives you more appreciation of what is happening on screen - and might make you understand why effects that seem dated now, where all the rage (no pun intended) back then.

Enjoy if you can, because this is quite the fun ride

Struggling manga artist Gengo (Hiroshi Ishikawa) whose children's stories involving homework and stern mother monsters are consistently rejected by editors takes a job with the company designing the new monster theme park World Children's Land. When Gengo finds an audio tape dropped by a young woman named Machiko (Tomoko Umeda), he stumbles into a conspiracy that suggests World Children's Land may be a front for more insidious purposes involving the monsters of Monster Island.

After the divisive reception to Godzilla vs. Hedorah (it's hard to know how well it did financially due to scarcity of sources on that point) producer Tomoyuki Tanaka sought to bring the Godzilla series back where he felt it needed to be. With Godzilla still seen very much as cheap kiddie fare at the time, Tanaka devised a premise he felt would entice people back while also being cost effective by brining back fan favorite King Ghidorah who would fight Godzilla along a new monster. Supposedly made for $1.2 million the film was allegedly better attended than Godzilla vs. Hedorah and made $20 million when factoring in foreign exports. Godzilla vs. Gigan is less ambitious than its predecessor and is visibly fighting against its kiddified status and budget, but assuming you can forgive the slow buildup and indulgence of stock footage it can be reasonably entertaining.

As with the previous few Godzilla movies, the human characters are more here out of obligation than for providing anything interesting and while there aren't any prominent child characters here that same feeling of childishness that many later Showa entries have seen is here in spirit. Gengo's bumbling and stupidly on the nose monster drawings based on "what kids hate" to an absurdly literal degree isn't as charming as it thinks it is, and the supporting cast aren't much more developed aside from being "hippie-ish" archetypes who are very Scooby-Doo like in their presence here. Given producer Tomoyuki Tanaka's hatred for Godzilla vs. Hedorah it's rather ironic that he not only recycles footage from that film, but also parts of the message as it is somewhat glanced over when the big "reveal" comes which is disguised with the subtlety of Snidely Whiplash or Dick Dastardly.

So how is the monster action at least? Half-good and half-assed. Starting off with the half-assed portion: the series continues its gratuitous use of stock footage with action scenes for Ghidorah lifted wholesale from Destroy All Monsters and Ghidorah, The Three-Headed Monster most prominently, and the movie does little to disguise it aside from cheaply applying a day-for night filter on it. It's pretty clear that the Ghidorah effects they have now aren't as mobile and dynamic as the early ones with the presence of older footage next to new footage exacerbating that point. With that said the climactic fight in World Children's Land that features Godzilla and Angilus/Angirus vs. Ghidorah and Gigan is pretty fun with Gigan a pretty visually interesting monster that looks like a mixture of a Cylon from Battlestar Galactica, praying mantis, and bird of prey and the fights have some pretty bloody impact scenes at points.

Godzilla vs. Gigan doesn't reach the Showa era's heyday but it doesn't exactly embarrass itself either (questionably suit quality at this point notwithstanding). Godzilla vs. Gigan is a comfortably middle of the road entry that while it has its annoying bits mostly gets those out of the way early enough that the ending is a pretty good time.

Second only to Godzilla vs Hedorah in terms of weirdness, this Goji flick sees a bunch of aliens trying to conquer the earth using a children's theme park as their base. No, seriously. The bizarre theme of the film also shows in several other ways. The human characters are a bit of an oddball crew. No brave explorers, psychics or secret agents this time. Just a budding manga artist (who comes up with monsters and plots so daft not even Toho could take him seriously), his karate champion girlfriend, a funky hippy and some others. The aliens are their usual ludicrous and badly-dressed selves (they wear orange two-pieces with pink shirts underneath. Heaven help us) and their whole earth conquest plan is utterly ridiculous, of course. Something about an answering machine that can summon two monsters from space, probably. Thing is, all the silliness seems right in place this time, as the whole movie doesn't take itself seriously.

Other good points include Anguillas being quite active, music by good ol' Akira Ifukube, and new baddie Gigan, who really is rather groovy.

But for all that, there's plenty to dislike as well. Godzilla himself looks terribly messy in this film. Small bits of rubber are litterally falling off him during the fight. The rubber suit was in pretty poor state, apparently. It ends up looking as if Goji's suffering from kaiju-dandruff of some kind. Then there's the disappointing use of stock footage a go-go, which looks very lazy in some scenes. The scene where Anguillas pops up at Sagami bay and then blatantly -runs away- from the puny millitary without even smashing up one single thing is really shameful (and is probably the reason why Anguillas is often regarded as a bit of a wuss). Finally, the only really serious flaw is that the big battle at the end has a poor structure. Godzilla takes a huge beating for about fifteen whole minutes, then somehow decides that enough is enough and begins to kick back with some help from Anguillas (who did fairly little so far). But just then, after a few good smacks, the two nasty monsters just turn tail and run away. Booh. It's doubly disappointing when you consider that a battle between four monsters, Godzilla and Anguillas on one side, and Gigan and Ghidora on the other, could have been so much more, especially with such cool-looking nasties.

So that leaves a bad aftertaste, but this is still an interestingly strange and silly kaiju movie that should please die-hards of the genre, or people looking for something hilariously odd. Worth watching once, just for it being so loveably off-the-wall, but you can find lots better if you want quality kaiju action.

The pinnacle of freakiness has to be the scenes where Godzilla and Anguillas -talk- to each other. Not only do we hear some utterly ludicrous distorted voices, but both kaiju are also pretty poor conversationalists (especially Anguillas). Wonder what they talk about when there aren't any big, nasty aliens around?

After the interesting but none too successful experiments Godzilla's Revenge and Godzilla Vs Hedorah,Toho made this film,which sometimes feels like an attempt to make a 60s Monster Zero-type film on a fraction of the budget. Obviously,it's not a good film in the traditional sense,but all the 70s Godzilla films,despite their childishness,cheapness,shoddy effects work,samey plots,and 'wacky' ideas {in this one ,Godzilla and his mate Angilas TALK to each other in the non-Japanese version,whilst the Japanese version has speech bubbles instead!}etc,are fun to watch,and Godzilla Vs Gigan is no exception.

The plot is the aliens-out-to-conquer-Earth-by-controlling-monsters one already used in Monster Zero and Destroy All Monsters and it would be used a few more times,but here it is reasonably successful,with some fairly intriguing ideas {though often badly done}and unusual human characters,although their constant in-and-out of the Godzilla Tower,the alien's base,becomes a bit tiresome. When the monsters show up,we have probably the longest battle in a Godzilla film,and one of the funniest,too,as Godzilla and Angilas engage in a tag team duel with the evil Ghidorah and Gigan. Sadly the movie is badly let down by excessive stock footage from previous films {Ghidorah the Three Headed Monster,Monster Zero,Son Of Godzilla,Destroy All Monster and probably a couple of others too!}. At least in Godzilla's Revenge the stock footage had a sort of context,here,it jars with the new footage. The worst bit for this is the lengthy destruction scene,where new,night time footage of a tattered,slow moving Ghidorah who can barely move, is intercut with older,daytime footage of Ghidorah,showing a fast-moving dragon in action.

Somehow all this adds to the film's quirky charm,a sometimes good,occasionally awful,entry in the series. The soundtrack is one of the best,it's all Akira Ifikube stock music,much of it from Godzilla films,but it has many of the great Ifikube tracks and a wonderfully rousing title theme.