The Glass House

For its time and up until now, this remained one of the most shocking movies to be released and what makes it even more compelling is that what you are seeing is not only true, but even watered down a little. If you know nothing about prison, this is one of the few movies out there that really tells it like it is. What people do not realize when they go into prison that the existing powers at work do not operate independently but collaterally. It is one big game designed to get you or your money. Killing you doesn't profit anyone, but using you does and this movie portrays those stark realities. Most men who frequent prison believe they can take care of themselves and for the most part it is true. However, they also find out that they may be up against groups of people and when attacked makes it very hard to defend ones self. Thus the drama and suspense that builds up in this movie and then explodes in your face. How can you fight everyone? Fear will visit you if you even entertain for a moment...what would I do in those circumstances...Very chilling and sobering thought and a great movie to show certain kids as a deterrent. Recommend finger foods to fight off the urge to bite your nails. Easy on the caffeine and sugar as you will already be fidgeting pretty much...Oh and enjoy your self

I saw this film at the cinema in the UK in 1972. I remember being pretty shocked and disturbed by it. Actually, I think it helped to keep me on the straight and narrow (more or less) when I spent a year in the States some years later! There was no way that I wanted to end up in an American nick! 1972 is a long time ago and my memory is not what it was, nevertheless the film has stayed with me and I often mention it when discussing contemporary films. I would love to see it again and recommend it to anyone with a strong stomach. Scum - a British film set in a borstal, which was made round about the same time, is also with looking out for.

College professor is sentenced to a maximum security prison for manslaughter. Early made-for-television prison film is well worth seeing despite familiar story line and characters. Impressive direction, cinematic quality acting, good script and not a miscast anywhere. Viewers may also enjoy "Shawshank Redemption" (1995), "Escape From Alcatraz" (1979) and "Runaway Train" (1985). (Rating: A-minus)

How many TV movies do you know of, that are for rent at the local video store? Not that many I bet ey? Well then how many do you know that are more than 30 years old? None I bet! I know of only one, and this is it! Although I must say that it cost me a pretty penny to rent this one (almost 6 euro's), I cannot say that money went to waste.

The idea of renting this film actually came from my parents who had seen this one on TV in the 70's. It had made a very deep impact on them and each time I'd watch a prison film with my dad he'd start about this one (just as he keeps saying that Le Collectionneur des cerveaux is a great film). When I finally looked it up on IMDb I was amazed that the film was written by the great Truman Capote, which then became one of the main reasons I wanted to see this film and I cannot say that I was disappointed.

The Glass House is a strong film about life in prison and still accurate and up to date more than 30 years later, since it depicts what is rotten at the core of the prison system. I do not imply that anything can done to change it, but I guess the film tells us the sad truth about human beings. What they will do for money, what they will do with power and eventually what they will do to each other.

The performances in this film are very good and since it is quite graphic for a 30 year old TV movie I can understand that it must have been quite shocking back in the day. Nowadays (after Shawshank and Animal Factory) you just are not as easily impressed anymore. I've seen worse on news channels to be honest and that in all honesty is the only part where the movie suffers from it's age. It's just not as raw, brutal and in your face as 30 years ago.

While I have to admit that the story has a pretty basic 'prison' movie plot, the direction, characters and the quality of the acting keep it interesting and exciting. Something not all movies from the 70's, hell even movies now accomplish. While this film hast lost some of it's edge to aging, I guess I have to agree with my parents and say that this is definitely a film that will stick around in your head. Maybe not the whole film but I bet that you'll remember the surprise ending. I know I will remember it, along with Vic Morrow's great performance.

7 out of 10

The Glass House is as interesting and fascinating as it is gruesome and horrifying. After seeing all the accounts of corruption and violence, we have every reason to believe it when the opening credits say "The story and characters are ficticious (sic), but the situations are real." It's also kind of ironic and comical that whoever wrote that sentence needs a course in spelling. This movie, as I understand, was filmed entirely on location in Utah State Prison. Many, if not all, of the extras are real inmates, which adds to the authenticity of the film.

The movie begins a with handful of convicts, including a college professor named Jonathon Paige (Alan Alda); a naïve, young drug pusher, Alan Campbell (Kristoffer Tabori), and an idealistic corrections officer named Brian Courtland (Clu Gulager) all starting their first day in prison. The new fish are introduced to the brutal, vicious crime boss Hugo Slocum, played brilliantly by the classic villain character actor Vic Morrow. We know he means business right from the get-go ("...when I offer you somethin' for free, you take it!").

Paige is assigned to work in the prison pharmacy, where he refuses to supply one of Slocum's men, Ajax (Scott Hylands), with drugs. Big mistake. Now he's really put a bullseye on his back. "Too bad," says the other inmate in the pharmacy, whom we only know as Lennox (Billy Dee Williams), "you could've done easy time." Amen. We learn there is sometimes a fine line between morals and sensibility.

The story reveals more violence, corruption, and tragedy: there's a scalding, knifing, gang rape, and an accidental shooting. At first, Officer Courtland, being a man of principle, is excited and anxious to work in the prison system, because he wants to make a difference. The guards, however, seem to be content to look the other way, and the Warden seems oblivious, too. As Courtland sees the unraveling of violence among the inmates, along with corruption and indifference among the staff, he begins to question the integrity of the system. Just as Lennox bluntly states, "Cons, guards, can't tell the difference after a while." We see that this is shockingly true.

Courtland tries to warn the cold Warden (Dean Jagger) that a killing is inevitable, but the Warden shrugs it off by saying "Sometimes it's just better to let certain given situations adjust themselves" (translation: I don't care if the inmates kill each other). Meanwhile, another one of Slocum's gang, who knows he's going to be slain shortly, gives a handwritten notebook, with records of the guards Slocum bribed, to Paige. They both know that if the book can somehow get to the right people on the outside, the violence and corruption can be exposed. However, the situation is about to boil over, and Paige knows time is closing in on him.

The characters are all very well-written and well-played by the actors. Alan Alda is convincing as the sincere and confused professor who is trying to keep everyone off his back, do his time and get out. Vic Morrow is magnificent as the tough, brutal, ruthless gang boss who wants it his way or no way at all, and will kill anyone who challenges him. Clu Gulager is equally resounding as the heroic, wholesome prison guard who is a little wet behind the ears. Kristoffer Tabori gives a good performance as the little lost puppy with his tail between his legs. We know he's going be attacked sooner or later, and he plays fear and realization best with the horror in his eyes and his facial expressions. Billy Dee Williams's character, Lennox, the inmate who is morally correct, yet tough and smart enough to know the art of prison survival, was one of the most interesting in the film, but could've benefitted from more screen time. We really believe his sincerity when he says, "I want these men to realize their value as individuals and as human beings." I would've like to have known a little more about him, and what made him tick.

The Glass House raises a lot of interesting and provocative questions about society in general and the prison system specifically. "I'm not in love with this system, but it's all we've got, and it's better than having no system at all" says the Warden, stone-faced. Is it true? Or is the system whatever we make it to be? Is prison always the answer for convicted criminals? Are there some inmates who are just bad apples that can't be rehabilitated? Are the prison personnel with morals and principles always going to be vastly outnumbered by the indifferent and corrupt? Are inmates nothing more to the penal system than garbage to be dumped in the prisons? Should prison be the living hell for convicts that the movie makes it out to be? Does prison really reform criminals? Can any positive changes be made to the penal system? Does anybody really care?