Corrections officer Brian Courtland, naive drug pusher Alan Campbell, and college professor Jonathan Page convicted of manslaughter report to prison and soon learn the truth about the prison... Read allCorrections officer Brian Courtland, naive drug pusher Alan Campbell, and college professor Jonathan Page convicted of manslaughter report to prison and soon learn the truth about the prison system. From a Truman Capote story.Corrections officer Brian Courtland, naive drug pusher Alan Campbell, and college professor Jonathan Page convicted of manslaughter report to prison and soon learn the truth about the prison system. From a Truman Capote story.
- Director
- Writers
- Stars
- Won 1 Primetime Emmy
- 2 wins & 4 nominations total
Edward Michael Bell
- Sinclair
- (as Edward Bell)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This film provides a scathing indictment of the American prison system. The story and characters are fictional. But the film was shot entirely in a real-life prison. And many of the extras are actual prisoners.
The lead character is a straight-arrow college professor named Jonathon Paige (Alan Alda). He's a new arrival, and he has no intention of playing the usual prison games. The antagonist is Slocum (Vic Morrow), a veteran prisoner who, along with his buddies, runs Cell Block C, where Paige is assigned. Slocum is a bully who uses a carrot and stick approach to get what he wants. And Cell Block C is his little fiefdom.
The plot is straightforward and easy to follow. There's a lot of dialogue, which is to be expected in a setting that is so closed and claustrophobic. Most of the conflict is verbal, but some is physical. A major plot point that figures in the story's climax is introduced a little late in the story. It needed to be introduced much earlier.
Cast and acting are acceptable. Cinematography is fairly standard. In the copy I watched, images were a tad grainy and blurry. The film has rather little background music. Most of the ambient sounds are natural to the setting.
Prison movies tend to be alike, with the same general setup and depressing tone. "The Glass House" fits within that description. On the other hand, the film's theme is a bit more pronounced. The message is that prisons function off-limits to standard institutional accountability. As a result, corruption flourishes. One is left with the impression that the American prison system is an institutional racket, and the prisoners are victims of the corrupt guards and administrators. In this view, prisons are as criminal as the inmates.
The lead character is a straight-arrow college professor named Jonathon Paige (Alan Alda). He's a new arrival, and he has no intention of playing the usual prison games. The antagonist is Slocum (Vic Morrow), a veteran prisoner who, along with his buddies, runs Cell Block C, where Paige is assigned. Slocum is a bully who uses a carrot and stick approach to get what he wants. And Cell Block C is his little fiefdom.
The plot is straightforward and easy to follow. There's a lot of dialogue, which is to be expected in a setting that is so closed and claustrophobic. Most of the conflict is verbal, but some is physical. A major plot point that figures in the story's climax is introduced a little late in the story. It needed to be introduced much earlier.
Cast and acting are acceptable. Cinematography is fairly standard. In the copy I watched, images were a tad grainy and blurry. The film has rather little background music. Most of the ambient sounds are natural to the setting.
Prison movies tend to be alike, with the same general setup and depressing tone. "The Glass House" fits within that description. On the other hand, the film's theme is a bit more pronounced. The message is that prisons function off-limits to standard institutional accountability. As a result, corruption flourishes. One is left with the impression that the American prison system is an institutional racket, and the prisoners are victims of the corrupt guards and administrators. In this view, prisons are as criminal as the inmates.
I wish I had the video in my library but it's very hard to find...Rented copies are suspected 'pirated' copies from tv. Very poor quality. This is Morrow's best role. Alda's best role and Gulager's best role. The most believable prison movie ever made. No heroes here just heavy reality crammed into 90 minutes on network tv! Makes "The Shawshank Redemption" look like "Mary Poppins". Kudos to Morrow (the most vile characterization ever captured on film). Think "One Flew Over the Cuckoo's Nest" without the comic relief. Too depressing to make my top 10 list but it's in the top 20.
I saw this film at the cinema in the UK in 1972. I remember being pretty shocked and disturbed by it. Actually, I think it helped to keep me on the straight and narrow (more or less) when I spent a year in the States some years later! There was no way that I wanted to end up in an American nick! 1972 is a long time ago and my memory is not what it was, nevertheless the film has stayed with me and I often mention it when discussing contemporary films. I would love to see it again and recommend it to anyone with a strong stomach. Scum - a British film set in a borstal, which was made round about the same time, is also with looking out for.
How many TV movies do you know of, that are for rent at the local video store? Not that many I bet ey? Well then how many do you know that are more than 30 years old? None I bet! I know of only one, and this is it! Although I must say that it cost me a pretty penny to rent this one (almost 6 euro's), I cannot say that money went to waste.
The idea of renting this film actually came from my parents who had seen this one on TV in the 70's. It had made a very deep impact on them and each time I'd watch a prison film with my dad he'd start about this one (just as he keeps saying that Le Collectionneur des cerveaux is a great film). When I finally looked it up on IMDb I was amazed that the film was written by the great Truman Capote, which then became one of the main reasons I wanted to see this film and I cannot say that I was disappointed.
The Glass House is a strong film about life in prison and still accurate and up to date more than 30 years later, since it depicts what is rotten at the core of the prison system. I do not imply that anything can done to change it, but I guess the film tells us the sad truth about human beings. What they will do for money, what they will do with power and eventually what they will do to each other.
The performances in this film are very good and since it is quite graphic for a 30 year old TV movie I can understand that it must have been quite shocking back in the day. Nowadays (after Shawshank and Animal Factory) you just are not as easily impressed anymore. I've seen worse on news channels to be honest and that in all honesty is the only part where the movie suffers from it's age. It's just not as raw, brutal and in your face as 30 years ago.
While I have to admit that the story has a pretty basic 'prison' movie plot, the direction, characters and the quality of the acting keep it interesting and exciting. Something not all movies from the 70's, hell even movies now accomplish. While this film hast lost some of it's edge to aging, I guess I have to agree with my parents and say that this is definitely a film that will stick around in your head. Maybe not the whole film but I bet that you'll remember the surprise ending. I know I will remember it, along with Vic Morrow's great performance.
7 out of 10
The idea of renting this film actually came from my parents who had seen this one on TV in the 70's. It had made a very deep impact on them and each time I'd watch a prison film with my dad he'd start about this one (just as he keeps saying that Le Collectionneur des cerveaux is a great film). When I finally looked it up on IMDb I was amazed that the film was written by the great Truman Capote, which then became one of the main reasons I wanted to see this film and I cannot say that I was disappointed.
The Glass House is a strong film about life in prison and still accurate and up to date more than 30 years later, since it depicts what is rotten at the core of the prison system. I do not imply that anything can done to change it, but I guess the film tells us the sad truth about human beings. What they will do for money, what they will do with power and eventually what they will do to each other.
The performances in this film are very good and since it is quite graphic for a 30 year old TV movie I can understand that it must have been quite shocking back in the day. Nowadays (after Shawshank and Animal Factory) you just are not as easily impressed anymore. I've seen worse on news channels to be honest and that in all honesty is the only part where the movie suffers from it's age. It's just not as raw, brutal and in your face as 30 years ago.
While I have to admit that the story has a pretty basic 'prison' movie plot, the direction, characters and the quality of the acting keep it interesting and exciting. Something not all movies from the 70's, hell even movies now accomplish. While this film hast lost some of it's edge to aging, I guess I have to agree with my parents and say that this is definitely a film that will stick around in your head. Maybe not the whole film but I bet that you'll remember the surprise ending. I know I will remember it, along with Vic Morrow's great performance.
7 out of 10
THE GLASS HOUSE, is a stomach-churning morality play. However, it's morals are more grounded in reality (so don't go expecting happy endings or dangerous escapes) and the underlying theme of 'forced corruption' is evident throughout. ALAN ALDA, gives a performance light years away from MASH (check out WHISPERS IN THE DARK, as well) and (the late, great) VIC MORROW matches him, in a gutsy role, as an all too human 'bully'.Apperently, a lot of real-life inmates were cast as extra's in this movie. But the professional cast fit in so well, it's quite hard to tell. At certain points, the viewer can (or wants to) identify with ALDA, as he wants to help others, but also wants to maintain his pride. It asks us questions about ourselves, is there a fine line between foolishness and cowardice? Given that this movie was also made the same year i was (ha-ha!) it may now seem 'formulaic' in regards to set up, but i'm sure this broke a lot of new ground, when first released. The scenes of ALDA running for his life, will set any viewers pulse racing, and 32 years on, the movie has to power to shock and mortify.
Usually released at a TV-friendly running time of 73 minutes, my recently purchased 'CATCOM' DVD runs in at 91. And certain scenes include profanity and mild nudity, so i wonder if this movie was intended to go to theaters?
Great movie 10 out of 10
Usually released at a TV-friendly running time of 73 minutes, my recently purchased 'CATCOM' DVD runs in at 91. And certain scenes include profanity and mild nudity, so i wonder if this movie was intended to go to theaters?
Great movie 10 out of 10
Did you know
- TriviaAlan Alda on his autobiography "Never Have Your Dog Stuffed - and Other Things I've Learned" claims that this movie was shot in real prison with real prisoners as extras. During the filming of the movie, its director Tom Gries made jokes with prisoners that they should take Alan Alda as their hostage because that is the only way they can escape from prison. On the last day of shooting, two prisoners approached Alda and put an improvised knife on his throat telling him that he is their hostage. Luckily prison guard arrived shortly after and carefully negotiated with prisoners to let Alan Alda go. They let him loose telling him that they were just joking. Alda also states that no prisoner was punished for the incident.
- GoofsThe word 'fictitious' is misspelled as 'ficticious' during the opening disclaimer.
- Crazy credits[prologue] "This motion picture was filmed entirely in a state prison. Most of the faces and voices are those of actual prisoners. The story and characters are fictitious, but the situations are real".
- ConnectionsFeatured in The 24th Annual Primetime Emmy Awards (1972)
Details
Contribute to this page
Suggest an edit or add missing content