Frenzy

After 30 years in the USA and after the disappointments of "Torn Curtain" (1966) and "Topaz" (1969), Alfred Hitchcock came back to his native Britain for this film -written by Anthony Shaffer from a novel by Arthur La Bern.

"Frenzy" is his penultimate movie, certainly the best one of his last period. The way the Master films is very classic -deliberately old fashioned; at the same time all the charachters are very modern -they belong to a more and more decadent and neurotic London.

Almost from the beginning we know who the criminal is, and Hitchcock enjoys himself in showing how the man tries to escape and how he betrays people. Director's trademarks are also back in force: suspense (a lot!) and humour -more sarcastic and sharper than ever.

For "Frenzy" the Master doesn't get movie stars, instead he chooses local stage actors. In my opinion he does this because, first, he wants the film to be very English. Furthermore, he wants this time more ordinary faces for making the story more shocking (with famous actors in the main roles, the plot -in a certain way- could be identified mostly with them and loose strength, instead Hitchcock avoids that "paradox"...).

Maybe "Frenzy" is not an unforgettable masterpiece like "Psycho", "Vertigo", "Birds" or many other works. But it is a great movie indeed.

In London, a serial-killer is raping women and then strangling them with a necktie. When the reckless and low-class with bad temper bartender Richard Blaney (Jon Finch) is fired from the pub Global Public House by the manager Felix Forsythe (Bernard Cribbins), he decides to visit his ex-wife Brenda (Barbara Leigh-Hunt), who owns a successful marriage agency. Her secretary Miss Barling (Jean Marsh) overhears an argument of the couple, and Brenda invites Richard to have dinner with her in a fancy restaurant. Then she puts some money in his overcoat and does not tell him to avoid his embarrassment with the situation. Meanwhile Richard's friend Bob Rusk (Barry Foster) visits Brenda in her office, rapes her and kills her with his necktie. When Richard finds the money in his pocket, he visits Brenda but finds the agency closed; then he goes with his girlfriend Babs Milligan (Anna Massey) to an expensive hotel. Miss Barling sees Richard leaving the building and finds her boss strangled; she calls the New Scotland Yard and Richard becomes the prime suspect. When Bob kills Babs, he frames Richard that is arrested and sentenced to life. But the Chief Inspector Oxford (Alec McCowen) that was in charge of the investigation is not absolutely sure that Richard is the serial-killer.

"Frenzy" is a dark thriller of Alfred Hitchcock about an impotent man that strangles women after raping them. There are powerful moments, like for example the rape and murder of Brenda, blended with funny sequences, like the dinners of Inspector Oxford with his wife, who is intuitive and aspirant chef, or the speech of a politician in the very beginning, or Bob in trouble with the corpse in the truck transporting potatoes. The acting is excellent, and the camera work is wonderful, with long shots, like for example when Babs enters in Bob's apartment, associated to a disturbing silence. This time, the cameo of Alfred Hitchcock is in the crowd twice at the beginning of the film wearing a hat. My vote is eight.

Title (Brazil): "Frenesi" ("Frenzy")

Note: On 19 November 2024, I saw this film again.

A good return to form for the master of suspense, Alfred Hitchcock. Since The Birds in 1963 Hitchcock's movies (Marnie, Torn Curtain and Topaz) had not met with commercial success (though, personally, I think Marnie was great).

Frenzy sees Hitchcock back to doing what he does best - suspenseful murder dramas. Great, intriguing plot with the usual clever direction from Hitchcock. Some of his camera angles and exterior shots are straight from his own book of how imply something and create tension without saying a word, or using manipulative music.

The movie also has some great comedic moments. The Chief Inspector and his wife having dinner were always hilarious.

Much more edgy in terms of nudity and sex than any previous Hitchcock movies. This could be ascribed to censorship restrictions being relaxed. Also tells you what Hitchcock could have done with is movies if all the stupid, puritanical censorship wasn't there all along.

Not as tightly wound as his greats (Rear Window and Psycho especially), so not perfect as far as suspense and enthrallment goes.

Good performance by Jon Finch in the lead role. Good support from Alec McCowen, Barry Foster, Anna Massey and Barbara Leigh-Hunt.

Sadly, this was to be Hitchcock's penultimate movie. His final movie, Family Plot was released four years later, in 1976. He died in 1980.

"Frenzy" was Alfred Hitchcock's next-to-last film. And though it's not a great classic like "Psycho" and "North by Northwest", it's still a very good movie. After making mostly American movies for four decades, Hitchcock returned to his native Britain to make "Frenzy". It's about a series of murders that's devastating London. These murders have two things in common: 1) The victims are all women; and 2) they're all raped and then strangled with a neck-tie. When a marriage counselor is murdered this way, the police suspect the woman's ex-husband is the culprit. But actually the husband is innocent, and is forced to hide out from the cops. "Frenzy" has all the usual Hitchcock elements: thrills, suspense, comedy, and Hitchcock's cameo appearence. The two best scenes in the movie are the hilarious moments when the police inspector (who's heading up the investigation of the neck-tie murders) is served two gourmet dinners by his wife. These scenes are very funny. The comic moments is what gives "Frenzy" a edge over Hitchcock's previous film "Topaz". Plus, it's a more entertaining thriller.

*** (out of four)

On the surface, Alfred Hitchcock's FRENZY seems to be a compelling thriller about a serial killer stalking young London girls. It almost is a horror film about film. Jon Finch is a London Bartender caught stealing DRINKS, and is fired. His best pal, Rusk (where are you, Barry Foster?) a GREEN-GROCER, offers him FOOD and encouragment. Meanwhile Scotland Yard is seeking a serial killer who rapes and strangles his victims. The head detective on the case has to endure his wife's HIDEOUS GOURMET COOKING while tracing clues such as a body found in a POTATO SACK, or the half eaten APPLE at a murder site. Also the food refernces abound in the dialog "Don't squeeze the goods till they are yours" the killer tells his victim, or the cop saying "We have to catch him before his appetite is wetted again."

All this makes FRENZY a rich, creepy classic thriller. The food refrences aren't overdone. They are cooked just perfect. Delicious!