Frenzy

On the surface, Alfred Hitchcock's FRENZY seems to be a compelling thriller about a serial killer stalking young London girls. It almost is a horror film about film. Jon Finch is a London Bartender caught stealing DRINKS, and is fired. His best pal, Rusk (where are you, Barry Foster?) a GREEN-GROCER, offers him FOOD and encouragment. Meanwhile Scotland Yard is seeking a serial killer who rapes and strangles his victims. The head detective on the case has to endure his wife's HIDEOUS GOURMET COOKING while tracing clues such as a body found in a POTATO SACK, or the half eaten APPLE at a murder site. Also the food refernces abound in the dialog "Don't squeeze the goods till they are yours" the killer tells his victim, or the cop saying "We have to catch him before his appetite is wetted again."

All this makes FRENZY a rich, creepy classic thriller. The food refrences aren't overdone. They are cooked just perfect. Delicious!

"Frenzy" was Alfred Hitchcock's next-to-last film. And though it's not a great classic like "Psycho" and "North by Northwest", it's still a very good movie. After making mostly American movies for four decades, Hitchcock returned to his native Britain to make "Frenzy". It's about a series of murders that's devastating London. These murders have two things in common: 1) The victims are all women; and 2) they're all raped and then strangled with a neck-tie. When a marriage counselor is murdered this way, the police suspect the woman's ex-husband is the culprit. But actually the husband is innocent, and is forced to hide out from the cops. "Frenzy" has all the usual Hitchcock elements: thrills, suspense, comedy, and Hitchcock's cameo appearence. The two best scenes in the movie are the hilarious moments when the police inspector (who's heading up the investigation of the neck-tie murders) is served two gourmet dinners by his wife. These scenes are very funny. The comic moments is what gives "Frenzy" a edge over Hitchcock's previous film "Topaz". Plus, it's a more entertaining thriller.

*** (out of four)

In London, a serial-killer is raping women and then strangling them with a necktie. When the reckless and low-class with bad temper bartender Richard Blaney (Jon Finch) is fired from the pub Global Public House by the manager Felix Forsythe (Bernard Cribbins), he decides to visit his ex-wife Brenda (Barbara Leigh-Hunt), who owns a successful marriage agency. Her secretary Miss Barling (Jean Marsh) overhears an argument of the couple, and Brenda invites Richard to have dinner with her in a fancy restaurant. Then she puts some money in his overcoat and does not tell him to avoid his embarrassment with the situation. Meanwhile Richard's friend Bob Rusk (Barry Foster) visits Brenda in her office, rapes her and kills her with his necktie. When Richard finds the money in his pocket, he visits Brenda but finds the agency closed; then he goes with his girlfriend Babs Milligan (Anna Massey) to an expensive hotel. Miss Barling sees Richard leaving the building and finds her boss strangled; she calls the New Scotland Yard and Richard becomes the prime suspect. When Bob kills Babs, he frames Richard that is arrested and sentenced to life. But the Chief Inspector Oxford (Alec McCowen) that was in charge of the investigation is not absolutely sure that Richard is the serial-killer.

"Frenzy" is a dark thriller of Alfred Hitchcock about an impotent man that strangles women after raping them. There are powerful moments, like for example the rape and murder of Brenda, blended with funny sequences, like the dinners of Inspector Oxford with his wife, who is intuitive and aspirant chef, or the speech of a politician in the very beginning, or Bob in trouble with the corpse in the truck transporting potatoes. The acting is excellent, and the camera work is wonderful, with long shots, like for example when Babs enters in Bob's apartment, associated to a disturbing silence. This time, the cameo of Alfred Hitchcock is in the crowd twice at the beginning of the film wearing a hat. My vote is eight.

Title (Brazil): "Frenesi" ("Frenzy")

Note: On 19 November 2024, I saw this film again.

This. This is more like it. After the last few Hitchcock films left me wanting a little, FRENZY returns to the type of film that he did so well. The plot is one that he frequently used: an innocent man wrongly accused, but he didn't just rehash old material. He upped his game and brought his filmmaking style into a more modern sensibility, all while maintaining the suspense and black humor that had become his trademarks. While I've yet to see any of the films from his British period, I am aware that FRENZY hearkens back to his first real success, which was THE LODGER. And in terms of what I've actually seen, I noticed a lot of DNA from earlier efforts like SABOTEUR, REAR WINDOW, and PSYCHO. The film grabs you and sucks you in from the opening notes of its title sequence, a fanfare which triumphantly announces that he's back: back in his native England, and back in top form. And it wastes no time in thrusting you into this familiar, yet slightly changed world. One thing that benefits the film a lot is the screenplay by Anthony Shaffer, which is filled with great dialogue and biting wit. There was also a sinister, Victorian elegance to the score. And, as with all of his other films, there are a few sequences which stand out. The best of these is probably a long, continuous shot which pulls back from the scene of a crime as Hitchcock leaves it (and its aftermath) to the audience's imagination. Still, perhaps in concession to the changing times, this film does contain some nude scenes and somewhat more vicious-minded, if not particularly graphic, violence. It reminds us that the gory details are often best left to the imagination; they're the icing on the cake, and not the cake itself. Another audacious thing Hitchcock does is make the protagonist rather unlikeable and have us sympathize (at least in one protracted scene) with the villain. Overall, I thought that he was in top form here, adeptly mixing suspense and comedy, all while exploring his favorite themes of sex, death, and food. In regards to food, the Chief Inspector's wife has perhaps a couple of the funniest scenes in the whole film. For me, FRENZY was a welcome return to form after the last few misfires, and it's great that Hitch seems to be going out on top.

The grand man of suspense, Alfred Hitchcock, directs this dark film about a man that kills women with neckties with relish, aplomb, and an atypical grimness. The story is typical Hitch as an innocent man is pushed into a world of intrigue around him as everyone believes him to be the necktie killer. Jon Finch plays the innocent with earnestness and is quite good in his role. The rest of the cast is very effective as well. Hithcock, however, is the real star with his camera. Although much of the film is nothing more than tried and true material, Alfred Hitchcock makes the mundane spectacular with his camera and some great shots and spaces of silence. The scene where a girl coming back from lunch is awesome as we the audience are made to wait what seems an eternity for her to discover what has taken place since she left. The scene of the camera moving in and out of the house of the killer is also wonderful, as is the scene with the killer in the potato truck. That scene is easily the most suspenseful of the entire film. The film is particularly dark for Hitchcock as a women is raped rather abruptly(for lack of a better word) showing naked breasts and genuine terror. To counter-balance the more lurid aspects of the film is a subplot story of a police inspector, played with charm by Alec McCowen, whose wife constantly feeds him nothing but gourmet meals that sound and look quite horrible! These scenes are so funny and charming! A good thriller from the master of suspense!