Intimate Confessions of a Chinese Courtesan

This movie is much more than I expected, the 70s mainstream movie by a mainstream director has more eroticism and violence in it than most movies dared now. However, it is not a movie that simply tries to shock and push boundaries, it is a movie about injustice done to women and poor while the persecutor only care for the rich. The revenge story is restrained at first deliberately and the revenge escalates into a full blood bath at the end when Ai Nu finally let all of her fury comes out, it is easy to see the feminist movement connection.

I also thought the cinematography is beautiful, especially at the beginning when camera captures the slow dance of Ai Nu in contrast to the corpse covered by snow.

The fight scene is also rather good. In other words, a perfect 10/10.

This film is really hard to classify in one genre,many people would say is an erotic film, some would say is a martial films but this film is unique...Lily Ho is amazing as the deadly Nv, a girl who accept her destiny just for change it but for me the real star of the film, the queen of this magnificent film is Betty Pei Ti as the evil mistress, she is able to give to the character all the evilness that she needs but at the same time she gives her some kind of tenderness that makes impossible to hate her..The end of the movie is amazing,but I will not spoil it here...I'm a big fan of the Shaw brothers films and this is one of my favorites, maybe I'm the biggest fan of this movie in the world..If you really want to have a great time, do not hesitate on watch it

I saw this movie in an English Cinema, in Birmingham, in the mid- 1970's, and was quite bowled over by its startling originality, at least to my eyes as a western viewer. It is far better constructed than most of the Kung Fu type movies that have world popularity, and will appeal to a discerning audience. The intricate plot deals with the fate and adventures of two women, masters of their marshal arts, and sworn to vengeance. The significance of the relationship between the two women grows until it becomes central to the film. That alone was original enough in the 1970's - but amazingly it is still original now.

The film has a legendary, classical feel to it, and is absolutely not self-conscious about the role of its female leads. The plot twists and turns down to its tragic denouement, breathtaking in its melodrama and beauty. I don't know enough about this but it felt very rooted in chinese culture , and had the classical structure of a greek or shakespearian tragedy.

It is also beautifully filmed, and has many of those chinese fencing scenes the mass public has only really just become familiar with in Crouching Tiger Hidden Dragon. But the latter is really not a patch on the earlier film.

There may be many more like this - I don't know - and although it didn't feel formulaic to me, perhaps it might to the chinese audience. So I only gave it eight, rather than the nine that was tempting me.

So why is this film so unknown, alone and unrated? That, I think, is the result of the unfortunate terms of its original release. Subtitled chinese movies at the time would appeal only to a specialist audience - (and Enter the Dragon had not yet appeared to change all that ) . But the specialist audience would instantly have been put off by the unfortunate "Confessions" marketing title, which immediately put it into the category of the contemporary naff British comedy series "Confessions of a window cleaner" and the like. Many a time I have tried to recommend this film title to friends only to be looked at incredulously as if - oh dear - how pathetic. Not that they would have found it easy to see it - it can't have enjoyed wide release.

Now is the time for re-release.

Absolutely marvellous Shaw brothers classic. Definitely strong influence on Kill Bill. I watched the dubbed version which seemed OK. Art direction terrific. The ending is an over the top bloodbath









Fantastic

Overall, this is a pretty good Wuxia story, with a brothel context and revenge story at its centre. The original Hong Kong title is more honest - if less salacious-sounding - and, apart from some appropriate toplessness towards the beginning and end, there's not much titillation. It is of course wildly patriarchal and sexist but presumably that's supposed to be a historical given?

Meanwhile, I'm not an expert in the genre but, for me, the action scenes aren't really a patch on fare such as House of Flying Daggers or (my favourite) Hero. This predates both by quite a while, of course.

Worth a watch if you like this kind of thing, but I'm not sure I'd recommend it.