The Other

Two twins cause mayhem in their small community after their father's passing, but only one of them is truly evil.

The Other has that great slow burn pacing that was so popular at the time. It's also darker and bleaker than just about any other horror film I can think of from that era. Children, elderly people, and even infants are put into harm's way more than the usual teenagers or twenty-somethings in these kinds of movies. Chris and Martin Udvarnoky are both excellent child actors who make each of their characters unique and well defined. It's also nice to see stage legend Uta Hagen in a rare and very powerful film role. It's a shame she never did more on film, because she's wonderful here and the heart of the film.

I remember very clearly that parts of the Thomas Tryon novel just about had me wetting myself, it was that scary, and I wondered if the movie version would do it justice. In many ways, it nearly surpasses the book...which is something that rarely ever happens. Some people don't care for the performances by Chris and Martin Udvarnoky as the twins, Niles and Holland, but the fact that they weren't typical "Hollywoodized" child stars enabled them to give more naturalistic performances, thereby making them more believable...and creepy.

And what can you say about one of theater's Grande Dames, Uta Hagen? I think this was the only film I've ever seen her in, and she's spectacular. Well before "bad kids" became a genre cliché, this one beats all the other like-minded thrillers by a mile, even THE OMEN. (Well, maybe not THE BAD SEED, though.)

And as the cherry-on-top, Jerry Goldsmith turned in one of his best scores on this one. And DP Robert Surtees' work is so beautiful in contrast to the sheer horror it has us bear witness to...

Director Mulligan deserved all the praise he got for THE OTHER, and more acclaim than he did get because of the fact that it was considered a "low-class horror movie." When you watch it, though, you may not think so by the chilling ending. See if this doesn't stay with you for weeks afterward, the way it did for me...

Many horror fans, and those who try to write such stories, understand that Stephen King has taken inspiration from the work of others. And there can be little doubt King was greatly influenced by Thomas Tryon's outstanding novels Harvest Home and The Other.

The TV movie version of The Other enjoyed good-ratings and critical acclaim when it was first broadcast on CBS in 1972. Although Stephen King was actively writing horror at the time, I suspect he took subtle cues from The Other. Among other things, little Danny Torrance's psychic manifestation of "the shining" is curiously similar to a phenomena called "playing the game" in Tryon's story.

Thomas Tryon wrote with an elegant style somewhat reminiscent of H.P. Lovecraft's. His plots were engaging, his characters interesting and well developed, and his New England settings evoked the gloom and obscure anxiety traditionally associated with that region. So why has his work faded into near-obscurity while King's is heralded as the greatest in the history of horror?

Regrettably, Tryon, who was one of the most highly regarded young actors in Hollywood, started writing rather late in life and died while his creative powers were waning. He also chose to explore genres other than the Gothic (with generally good results.) There is also a more staid, pre-World War II air about his work that might not appeal King's core audience. Nevertheless, Tryon's Gothic efforts translated wonderfully onto the small screen, and he deserves a well-deserved place in the pantheon of American Gothic writers.

Thankfully, American Movie Classics has begun airing The Other again, and a new generation of fans now has the opportunity to enjoy this seminal work of cinematic horror.

Based off the book of the same name, this is a tale of two young twin boys who both appear innocent and sweet in appearance, but one of them is pure evil and is killing off all of the pesky citizens of a small mid-western town at the beginning of the 1920's.

As I said in my summary line, this is one of the best horror films to grace a movie screen. Legendary acting coach Uta Hagen turns in the kind of performance that people only dream about. It seems like she also must have helped out the rest of the cast, because everyone surronding her turns in their best work to date. The film doesn't pile on the blood, but what it lacks in blood it certainly makes up for in suspense and sheer terror. It has a dazzling array of plot developments you just don't see coming from miles away and it is equally sad, scary, and beautiful. The director just hasn't crafted a great horror film, he has crafted a truly great film. It should stand out as one of the best modern day films. I don't want to give away too much details about the film, because it could end up ruining your movie watching experience, but I will say this, it certainly is a film that should be required viewing. It was one of those films that took me by complete surprise. A totally professional production in every respect.

Rated PG; Violence.

I'm a thirtysomething who saw this movie as a kid, and it still ranks among the scariest movies that I've ever seen. I've not had luck locating it on video, but, if you find it, check it out. I guarantee that you will not be disappointed. This is one scary movie that you're not likely to forget.