Rage

Wyoming sheep rancher Dan Logan (George C. Scott) and his son Chris are tending to their flock. An Army helicopter flies by. Next morning after sleeping outside, Chris is in dire medical distress and there are dead sheep. Dan brings him to the hospital. He struggles to find any answers. Dr. Holliford (Martin Sheen) asks all knowing questions and immediately puts Chris in isolation. He gives their family doctor Dr. Caldwell (Richard Basehart) a secret handshake. The Army had accidentally released some nerve gas. Dr. Spencer (Barnard Hughes) from Public Health Service helps with the cover-up.

The Army aspect should be held back to give this story more mystery. I'd rather not have the Army folks do an extended exposition. The audience should discover the truth along with Dan. The reveal should be a shock. Spencer should be the one giving the full exposition. As for his vengeance, it would be nice if all his victims actually deserve it. Dan has a bit of Rambo in him but an unhinged Rambo can be very disconcerting.

I've been looking forward tremendously to "Rage" and pretty much knew for certain that I would like it, even though the film is rather obscure, unsung and quite difficult to come across. It certainly isn't a hidden gem or undiscovered classic, but I have a personal weakness for "rural" and politically themed drama/thrillers from the early seventies period; especially when a few interesting names are involved. In this case, it's one of the rare movies that George C. Scott directed himself, next to also starring in the lead role. Scott stars as Dan Logan, a widower and sheep herder living on an enormous ranch in the secluded countryside of Wyoming together with his teenage son Chris. During a crystal clear summer night, father and son decide to camp on their estate, but the next morning Dan finds his son in a critical unconscious condition. At the local hospital, Major Holliford already knows that they were both accidentally contaminated by a new type of military chemical/nerve gas due to a leak in the tank of a plane. The whole situation is covered up and handled with deep secrecy; so much even that Dan Logan isn't informed about his own son's death. Although suffering from the symptoms himself, Dan escapes from the hospital and sets out on a violent journey to unravel the ugly truth. The subject matter of "Rage" is truly compelling and also quite unsettling, since the events don't seem too far-fetched or unimaginable at all, but it doesn't result in the most spectacular action movie. The entire first hour is mainly talkative and slow, with protagonist George C. Scott lying sedated in a hospital bed and military doctor Martin Sheen professionally misleading Logan's regular physician and the rest of the medical staff. The final half hour is more lively and exciting, but it nevertheless remains somewhat unsatisfying. Dan Logan goes out on a furious John Rambo type of quest for vengeance, complete with stealing dirt bikes and setting off explosives, but eventually never achieves his mission. He kills a bunch of people, but they are all innocent marionettes (like policemen, security guards and even a playful ginger kitten!) while the real military harm-doers remain untouchable. As the director, Scott most certainly demonstrates that he's able to insert stylish little details and visionary touches, particularly through unexpectedly odd camera angles and enchanting slow-motion shots. "Rage" certainly isn't fundamental viewing, but still comes warmly recommended in case you enjoy conspiracy thrillers and/or the works of George C. Scott.

As you might be able to tell from the plot synopsis, Rage is a pretty upsetting movie to watch. Since you probably know my taste in films (if you've been reading the Rag for a while), you might wonder why I watched it in the first place. Made in 1972, it has remarkable relevancy in today's world, so I thought it might have an emotional impact. It certainly did! In fact, given a re-release, I'm sure it would be very popular at the box office.

In case you haven't read the synopsis, George C. Scott stars as a father who's teaching his young son the ropes about farming. They spend one night outdoors on their property, and in the morning, George finds his son bleeding and deathly ill. He rushes him to the hospital, but Dr. Martin Sheen soothes that there's nothing seriously wrong with the boy. Then why does Martin want to keep them both quarantined and take further tests? It turns out, there was a government experiment that went wrong, and a terrible chemical spill infected the air. With massive cover-ups in play, will George ever find out the truth?

This was a bit of a pet project for George, as he also directed the film. Perhaps he felt drawn to the 1970s "question authority" mantra, or perhaps he just liked the opportunity to fly off in a rage and get revenge on "the man". It is absolutely George's show, as he has to go through all the stages of worry, belief, grief, distrust, and vengeance. Although, I particularly liked Richard Basehart's performance in this film. He plays George's regular family doctor, and he comes across as extremely trustworthy. So, when he sits George down and lies to him about what's happening to his son, it's very eerie. If Mr. Honesty can be drawn into the cover-up, no one is safe!

Kiddy Warning: Obviously, you have control over your own children. However, due to gruesome images and upsetting scenes involving a child, I wouldn't let my kids watch it.

While camping out, a Wyoming sheep rancher and his son are accidentally sprayed with a secret poison. The boy dies while the military covers up its mistake, enlisting civilian personnel in the cover-up. But will the father find out, and if so, what will he do.

It's important to keep in mind that the screenplay is based on a true 1968 occurrence. The Pentagon covered up poisonous contamination of several thousand sheep in Utah, and only admitted it after overwhelming evidence. I assume they were wary of being seen experimenting with poisonous chemical at a time when the Vietnam War was going badly. The movie itself is very methodical. The first part dealing with the cover-up shows how deception is spread among medical and military professionals. Surprisingly, however, no higher justifications such as national security are cited. It's more like an embarrassment than a security breach.

Anyway, Scott really low-keys it throughout, being good-citizen cooperative even as he's fed one lie after another about his son. Even after he finds out the truth, his rage is more intense than histrionic. I guess I was expecting him to explode in the scary way that only he can. Apparently, the actor wasn't happy with his performance (TCM), blaming it on his divided roles as both director and lead performer.

All in all, the movie's like a slow fuse being lit until it finally goes off. Just how sane Logan (Scott) is during those climactic moments is, of course, anybody's guess. Considering what's happened to him, his actions are understandable, if not excusable (innocents die). At the same time, the lessons are, if anything, more relevant now than then, especially with the rise of our national security state and its mass surveillance program.

(In passing—this is one of the few films I've seen to actually portray death throes as the person expires. Kudoes to Scott for including such a disturbing detail that traditional Hollywood avoided like the plague. More of that and audiences might take a different view of movie violence.)

George C Scott stars and makes his directorial debut in this tense but ultimately pointless drama about a peaceful rancher who goes on a rampage of revenge after a botched military nerve-gas experiment conducted over his land leads to the death of his young son. You can feel Scott's character's frustration as he's lied to and stone-walled from every angle by the military bureaucrats who want to cover up the incident. Scott knows how to keep things moving and shows some stylish touches in the director's chair, but he can't keep the ending from being disappointing and unsatisfying. Still, all said, it's a fairly absorbing ride while it lasts. It's a movie that will likely stay with you long after the end credits roll.