A Separate Peace

The many negative comments on this elegant tale of the rites of adolescent angst insisted I watch again to see what they are talking about. These are teenagers so their actions aren't obliged to make sense. The pregnant pauses and alleged poor acting is awkward emotional teenage behavior mildly obscured because they're bright, articulate kids with lots of rivalries - but there is more going on here.

No one has even mentioned the emotional range of the very powerful snow-shoveling scene – euphoria to unutterable sadness, screaming to silence: terrified kids. While the war is symbolic for the emotional swings of the children throughout the film it is very much less important as an influence.

Thematically what no reviewer seems to see here is the love story which foments the jealous, insecure, blind, ignorant ‘savage underneath', illogical urge to strike out. When you don't know what else to do somebody's going to get hurt: these are scared, hormonal, vulnerable, lonely, forty's boys and coming out just isn't done.

Worse still - it may be unrequited love - even though ‘it's just you and me buddy', and ‘I'm good for you' and the beach is where ‘you don't just come with anybody' and Finny's got himself and Gene undressed down to their underwear every chance he gets. Confusion reigns supreme afterward in the dorm when Gene - hasn't ‘been the same since the beach' - and he's ‘worried about something' unrevealed. And again later when he's wearing Finny's clothes and then again when he's stuttering on the phone.

Consider the reaction – devastation – when Finny thinks Gene might enlist and the ode to friendship that is the Winter Carnival where Gene wins all the gold - after training for ‘the Olympics'. These boys are experiencing feelings which are strong and bubbling over all the time and they have no experience to cope with them.

The confession deals marvelously with the ethical problem of the selfish, sociopathic moment – the stupid impulse – the temporary insanity, when everything was changed forever, but in tears stops just short of Gene telling Finny he loves him. Then again in the hospital - a confession and forgiveness, but no relief from what the lad cannot express: there is no unraveling, no spilling his guts and no moment of truth.

Years later, all the ‘fear and anger returned' - there is no peace, ever.

"A Separate Peace," in novel form, is a nicely paced story filled with deep, sometimes complex metaphors and symbols. It is not for the reader who prefers the path of least resistance; the majority of enjoyment in reading the book is in the process of decoding the story. But that's what book-to-film renditions are for, right? "A Separate Peace," in movie form, is not such a far cry from the book as far as storyline goes. Instead, it follows the key points of the story while ignoring additional details that would create depth within the novel. In essence, streamlining the content of the novel. Much like in Peter Jackson's "Lord of the Rings Trilogy" adaptation, "A Separate Peace" is short, sweet, and to the point.

Being from the early 70's, this movie should not be expected to have the "best" visuals. For what it is, the cinematography does a fantastic job of illustrating what was conjured into my mind as I read the book. As does the acting, which is remarkable- actual Devon (the school in which the story is set) students and faculty were casted for leading and supporting roles in the movie.

I personally found this movie both entertaining and well adapted in relation to the novel. I'd say that it is definitely worth watching for anybody who has read, is currently reading, or plans to read "A Separate Peace".

When I read this book some years ago it was because I was forced to read it in English class in High School. I grew up in the town where the book and movie were set, Exeter New Hampshire. Seeing the film brought back memories of my childhood in Exeter and all the visits I made to Phillips Exeter Academy, otherwise known as Devon in the book. The character development is much better in the book, but the movie does do the book some justice. This movie is a must-not miss and should always been shown to a child growing up.

I had to read this book for English and it was one of the few books I actually liked. Then we watched the movie and it was horrible. I have never seen a movie degrade a book as much as this did. The characters hardly said anything and it left out too many parts. When Leper was supposed to be skiing, when Gene was on the way to help clear the railroads, he was drawing. The acting was awful and there was no character development. They need to remake this film with characters who could act it out a little better. And then someone needs to make it so it actually follows the book.

Ok, I read the book too, but that was in - oh say- 1964 and I forgot it all. But the movie worked for me on its own merits. First of all, how many movies today are all about groups of 17 year old guys. Gone are the all-male schools and seminaries of the past. So it's a nice window onto a vanished (mostly, I think) subculture. Naturally someone in our own decade is going to read "homosexuality" into the relationships, but there was, in fact, a time when Finney could say to Gene "in this teenage period of your life, the best person to come to the beach with is your best pal, and we believed him. The cinematography was beautiful, even lyrical. I think the character of Finney was very well portrayed by John Heyl and wonder what ever happened to him. We know what happened to Parker Stevenson (he married Kirstie Alley). All in all, a succesful evocation of a time and place, whether or not it measured up to the themes and meanings of the book (which I note Leonard Matlin called "overrated" anyway.