Tales from the Crypt

Based on the old (and rather controversial) E.C. Comics of the mid-20th century, this horror anthology is an above average entry in an intriguing (and all but dead) genre. Here there is a tour group seen roaming through some ancient catacombs with five attendees obstinately staying behind, despite numerous warnings to stick close together. They find themselves severed from the group and wind up in a tomb-like room with creepy Richardson in a monk's robe doling out orders and insights. The quintet is made to sit while each one gets a glimpse into his or her recent life. Thus the five brief stories are presented in order, each one with a morbid, ironic or gory twist to it. Collins (looking svelte and attractive) is in the first one. She splits her husband's head open as he's benignly reading the newspaper while cheery Christmas music plays on the soundtrack. (Hilariously, she kicks him down the steps while "God Rest Ye Merry Gentlemen" drones on.) Before she can properly dispose of his body, an escaped mental patient in a Santa suit starts terrorizing her! Then Hendry is shown leaving his wife and children for a younger woman. A fateful experience on the freeway changes his life forever. Next up, snooty Phillips is being driven up the wall by his neighbor - kindly, but eccentric, old man Cushing. Phillips continuously thwarts Cushing until he gives up...but does he? A fourth tale features Greene (as a greedy gunrunner) who is forced to part with his possessions, but his wife spies an inscription on an old statuette and discovers that she can use it to ask for three wishes. This doesn't work out quite as optimistically as she had hoped. Finally, Patrick is a militant, heartless administrator of a home for the blind. He pushes the male inhabitants there to their limit and winds up paying dearly for his sins. Though no story gets enough time spent on it to really flesh it out to it's greatest potential, most of them are really intriguing and usually very well acted. The spareness of the locations and effects help set a rather desolate and chilly mood. The finest acting is probably provided by Cushing in a very atypical role. The most memorable vignette is the last one which features an unforgettable comeuppance. Fans of British horror (and especially of anthologies) will rank this pretty highly, but it's interesting enough to lure other viewers as well.

Amicus Studios, best known for their anthology films nailed it with this effort from 1972. With five solid stories to chill your bones, this anthology is one of my favorite films, bar none. The film is packed with a solid cast that includes; Peter Cushing, Joan Collins, Ian Hednry and Richard Greene, just to name a few. My personal faves from this anthology would be; All Through the House, Poetic Justice and Wish You Were Here, but all five stories are really well done. The Peter Cushing story is particularly touching, Cushing does a wonderful job of playing a sad man, mourning the death of his wife, in his story, which very much paralleled Cushing's own life, as he was still in mourning over the recent loss of his own wife. If you're a fan of the macabre, then you owe it to yourself to seek this 1972 film out, it is quite tame by today's standards as far as blood and gore go, but the chill factor is definitely there.

"Tales From the Crypt" (1972) is one of seven horror anthology pictures released by Hammer rival Amicus over an eight-year period. "Tales" had been preceded by "Dr. Terror's House of Horrors," "Torture Garden," "The House That Dripped Blood" and "Asylum," and would soon be followed by "Vault of Horror" and "From Beyond the Grave." The five stories dished out in the "Tales" omnibus have as their linchpin Sir Ralph Richardson as the urbane Crypt Keeper (a far cry from the cackling HBO demon so many folks might be expecting), who looks into the minds of a group of lost tourists and sees their gruesome stories: In "And All Through the House," a particularly gorgeous Joan Collins plays cat & mouse with an escaped psycho Santa. "Reflection of Death" shows us what happens to philandering husband Ian Hendry after he and his mistress are involved in a nasty car wreck. Horror icon Peter Cushing, in "Poetic Justice," plays a kindly old man victimized by his neighbors, but who manages to deliver one horrible Valentine's Day surprise. In "Wish You Were Here," a variation of the old "Monkey's Paw" tale, a widow learns that it really is imperative to be careful for what you wish. And in "Blind Alleys," Patrick Magee and the other sightless residents of an old-man's home take a particularly grisly vengeance on their new martinet superintendent, played by Nigel Patrick. All five of these tales feature some startling and horrific bit of business; indeed, the film is memorably shocking in parts, and I was amazed at how much of the picture I recalled, after not having seen it for over 35 years. The impressive cast of British actors seems to be enjoying itself immensely, and that spirit of fun is certainly communicated to the viewer. Indeed, while watching "Tales" for the first time in all those years, I found myself happily grinning from ear to ear. From the opening strains of horror-film standard Bach's "Toccata & Fugue in D Minor" to its creepy final query from the Crypt Keeper himself, the film is nothing deep, nothing demanding, nothing innovative; just good fun. And oh...look out for that fire poker!

Horror anthologies are invariably a mixed bag and Tales from the Crypt is no different in that respect. Five horror stories of fluctuating quality, it is however one of the best of the bunch and arguably the best from the house of Amicus.

The wrap around has five people taking a tour of spooky catacombs who get lured into a hidden crypt where a cowl wearing man reveals to them exactly why they are there.

Stories 3 & 5 are the better efforts here, boosted considerably by top grade lead character performances from Peter Cushing and Patrick Magee, but as always with anthology movies, there's something for everyone. So roll the dice horror fans and take a chance, this is great fun, a real popcorn and wine night in by the fire. 7/10

Five strangers lose their way while on a tour of a catacomb and find themselves in the company of a strange crypt keeper (Sir Ralph Richardson) who predicts each person's future… or so they think.

The five stories are as follows: And All Through The House: Joan Collins plays murderous wife Joanne Clayton, who bashes her husband's head in with a fire poker on Christmas Eve, but gets her just desserts when an escaped homicidal maniac dressed as Santa pays her home a visit. Easily my favourite of the five (and not just because Joan is smokin' hot in this!), the first story offers genuine atmosphere and scares with a really neat twist (admittedly, Joanne misses a trick by not calling the cops and blaming her husband's death on the lunatic in the Santa suit, but she's acting under a lot of pressure). My only real complaint is this one is over all too soon.

Reflection of Death: Carl Maitland (Ian Hendry) leaves his wife and family to start a new life with his sexy young mistress Susan Blake (Carry On babe). While asleep in the passenger seat, he wakes from a terrible nightmare shortly before the car careers off the road, in what proves to be a dream-within-a-dream style story. A decent central performance by Hendry and a cool POV sequence makes this one fun despite the well-worn circular nature of its narrative (which dates way back to 1945 when it was used in the classic anthology Dead of Night).

Poetic Justice: I first saw tale three as a child, when I sneakily caught part of the film on TV; it gave me nightmares! Peter Cushing plays kindly old man Arthur Grimsdyke who is hounded so badly by his neighbour that he commits suicide (the final straw being a pile of hate-mail delivered on Valentine's Day). One year later, Arthur crawls from his grave to exact revenge. The memorable mouldy reanimated corpse and a classic EC-style payoff makes this one a winner.

Wish You Were Here: Enid (Barbara Murray), the wife of bankrupt businessman Ralph Jason (Richard Greene), realises that her Chinese jade statue has the power to grant 3 wishes, but finds that being precise with her words is of the utmost importance. OK, so this is basically a derivative of the classic 'Monkey's Paw' tale, but the ways in which the final wish backfires is so wonderfully twisted that one can't help but have fun with it (I particularly enjoyed the shot of glistening intestines and severed hand—pretty gory stuff for an Amicus film).

Blind Alleys: Unfortunately, the last story is also the weakest… Major William Rogers (Nigel Patrick), callous superintendent at a home for the blind who probably wishes he had been a bit kinder when he is forced to take a walk down a narrow corridor lined with razor blades where an even nastier surprise awaits him at the end. This one takes way too long to get going and, just as it looks as though one's patience will be rewarded, it robs the viewer of Roger's grisly demise, making it a bit of disappointment.

Fortunately, with four of its five tales of the macabre being above average (or better), this 1972 Amicus production—based on publisher William Gaines' infamous horror comics of the '50s—should prove to be a ghoulish treat for fans of the anthology format.