Steptoe & Son
- 1972
- 1h 38m
IMDb RATING
6.5/10
1.9K
YOUR RATING
Albert Steptoe and his son Harold are junk dealers. Harold meets a stripper, marries her and takes her home. Albert, of course, is furious and tries every trick he knows to drive the new bri... Read allAlbert Steptoe and his son Harold are junk dealers. Harold meets a stripper, marries her and takes her home. Albert, of course, is furious and tries every trick he knows to drive the new bride from his household.Albert Steptoe and his son Harold are junk dealers. Harold meets a stripper, marries her and takes her home. Albert, of course, is furious and tries every trick he knows to drive the new bride from his household.
- Awards
- 1 win total
Patrick Fyffe
- Arthur
- (as Perri St. Claire)
Michael Da Costa
- Hotel Manager
- (as Michael da Costa)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Unfairly rated low as of 2020, It's classic British comedy before all the PC nutcases ruined free speech and comedy ! Ok it's a bit dated being 1970's but it still holds up, the long running series wasn't one of the most popular and successful BBC series of all time for nothing. Enjoy and rate it 10!
+ catch the 2nd movie Steptoe and son ride again.
+ catch the 2nd movie Steptoe and son ride again.
7gnb
It was something of a trend in the 70s to make film versions of popular sit-coms of the day. With one or two exceptions these were cheaply made, second-rate efforts intended to cash in on the success of a popular TV show and were therefore largely embarrassing to watch. The first Steptoe and Son movie does, however, work fairly well.
The grit and seediness of the Steptoe's environment transfers very well to film and we get a valuable glimpse of a part of London which was grey, dilapidated and depressing...something we are never privy to in the TV series. With film censorship being slightly more relaxed than what could be seen or heard on television we get some hilarious outbursts from Harold and Albert, liberally peppered with swear words.
Of course the TV version of Steptoe is a sit-com and while this is funny in places the genuine tragedy of Harold and Albert's situation takes centre stage. Harold ends up getting hitched to a stripper but the match is doomed from the start due to his mixed feelings: all he wants to do is get away from his father and make something of himself yet abandoning him is the one thing he cannot do. We really do sympathise with Harold's plight in this movie and despise Albert's deviousness and thwarting him at every turn.
Of course, such sombre elements existed in the TV programme but due to them being mixed with relatively rapid comedy in 25 minute slots we accepted the character's situation without dwelling on it too much. This time round, with a longer running time and the tragi-drama fleshed out it sometimes makes for uncomfortable viewing.
All the leads perform well and this is a better example of how TV sit-coms could work as cinema spectaculars. Indeed, even if the characters weren't known from TV this has the potential to function well as a stand-alone movie.
See it and be pleasantly surprised.
The grit and seediness of the Steptoe's environment transfers very well to film and we get a valuable glimpse of a part of London which was grey, dilapidated and depressing...something we are never privy to in the TV series. With film censorship being slightly more relaxed than what could be seen or heard on television we get some hilarious outbursts from Harold and Albert, liberally peppered with swear words.
Of course the TV version of Steptoe is a sit-com and while this is funny in places the genuine tragedy of Harold and Albert's situation takes centre stage. Harold ends up getting hitched to a stripper but the match is doomed from the start due to his mixed feelings: all he wants to do is get away from his father and make something of himself yet abandoning him is the one thing he cannot do. We really do sympathise with Harold's plight in this movie and despise Albert's deviousness and thwarting him at every turn.
Of course, such sombre elements existed in the TV programme but due to them being mixed with relatively rapid comedy in 25 minute slots we accepted the character's situation without dwelling on it too much. This time round, with a longer running time and the tragi-drama fleshed out it sometimes makes for uncomfortable viewing.
All the leads perform well and this is a better example of how TV sit-coms could work as cinema spectaculars. Indeed, even if the characters weren't known from TV this has the potential to function well as a stand-alone movie.
See it and be pleasantly surprised.
If you're a fan of the original TV series then you'll enjoy both of these films although they are both very different. That series was of course one of the first comedy-dramas seen on TV seamlessly blending slapstick with biting social commentary and sometimes tragedy. Not wanting just to be a long TV episode, the first film tries to be a little more serious, a little more drama than comedy. Some people fund that a bit unpalatable at the time so the second film goes the other way being more of a traditional comedy film.
When you watch the first film you might wonder how on earth this is classed as a comedy because it is very dark. It does have its funny moments but overall it is quite emotionally draining as we're witness to Harold's life falling apart aided by his father's pretty horrible cruelty and mental torture. Besides YES releasing CLOSE TO THE EDGE, 1972 was not a happy year for the UK and this film gives us a voyeuristic insight into how depressing things were back then for the majority of people. Although it's heavy going at times and you're more likely to cry than laugh, it is enjoyable and satisfying. What makes this extra special is Carolyn Seymour as the girl who captures Harold's heart. She plays a stripper in a seedy club and as someone who takes her clothes off for a living she is of course very attractive but because she's such a great actress, she's also instantly likeable even though she's actually not that nice. Her character is just so real so much so that you can perhaps empathise with her most of all.
As a result of the negative backlash against the first film, the next one, in my opinion went too far the other way. Although maintaining the spirit of the original show this one decides to be a comedy and indeed it is a very funny comedy. If you're a Steptoe fan then this will make you laugh but maybe because I'm a miserable old git, I prefer the first one.
When you watch the first film you might wonder how on earth this is classed as a comedy because it is very dark. It does have its funny moments but overall it is quite emotionally draining as we're witness to Harold's life falling apart aided by his father's pretty horrible cruelty and mental torture. Besides YES releasing CLOSE TO THE EDGE, 1972 was not a happy year for the UK and this film gives us a voyeuristic insight into how depressing things were back then for the majority of people. Although it's heavy going at times and you're more likely to cry than laugh, it is enjoyable and satisfying. What makes this extra special is Carolyn Seymour as the girl who captures Harold's heart. She plays a stripper in a seedy club and as someone who takes her clothes off for a living she is of course very attractive but because she's such a great actress, she's also instantly likeable even though she's actually not that nice. Her character is just so real so much so that you can perhaps empathise with her most of all.
As a result of the negative backlash against the first film, the next one, in my opinion went too far the other way. Although maintaining the spirit of the original show this one decides to be a comedy and indeed it is a very funny comedy. If you're a Steptoe fan then this will make you laugh but maybe because I'm a miserable old git, I prefer the first one.
This is a master piece of British t.v cinema. I have all the steptoe and son episode's on DVD. Their home and its contents have been a part of the shows make-up, (THEY ARE RAG AND BONE MEN) and there home trys to reflect that fact. Thats one of the reasons harold keeps trying to get away, he is only to aware of his messy surroundings. (dust? more like bleedin top soil) The film is just a re-working of an episode they did called 'STEPTOE AND SON AND SON' I have to concead that this is not as good as the series it still has all the humor you come to expect. BUt if you haven't seen the series then you may not get the all the humor, and if you like the film then you WILL love the series. purely British sit-com.
I hated the movie version. The dad is a subhuman horror and does all he can to destroy his son's unhappy life. The acting is uniformly good. More gloom and tragedy than laughs.
Did you know
- TriviaTo receive an 'A' (PG) cinema certificate some brief nudity was removed from the striptease scene. DVD releases are fully uncut.
- GoofsThe horse faeces that Harold picks up and puts in the bucket at the beginning of the film are clearly little potatoes painted brown.
- Quotes
Harold Kitchener Steptoe: [To Albert] You're worse than a fly 'round a cow's arsehole.
- Crazy creditsAt the start of the film, the camera zooms out from a parking meter and shows the lettering "Steptoe & Son" on the side of the cart parked in front, with "Ray Galton & Alan Simpson's" above the cart as normal captions & Copyright information below the cart.
- ConnectionsFeatured in Comedy Classics: Porridge (2022)
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Details
- Release date
- Country of origin
- Language
- Also known as
- Harold und die Stripperin
- Filming locations
- Trellick Tower, 7 Golborne Road, London, England, UK(Harold approaches a tower block)
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 38m(98 min)
- Sound mix
- Aspect ratio
- 1.85 : 1
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